ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Paul Magne Haakonsen "Machete Maidens Unleashed" turned out to be a rather entertaining documentary about the golden days of exploitation cinema. And this is definitely a documentary that is worth your time and effort to watch if you have any interest in the history of cinema.This documentary offers a great insight into the history and evolution of the exploitation genre, and also offers some great details on the main players both in front and behind the camera. And that wide array of aspects really spiced up the documentary and kept it interesting. And it was further spiced up with lots of footage and clips from the movies, as well as good interviews with numerous people from the genre.I learned a great many things about the exploitation genre, and many of those things really put a new perspective on the genre for me.I especially enjoyed the in-depth interviews with the various cast, directors and production crew, as they offered some interesting views and insights into the movies, the genre and how the movies were made and what conditions people worked under back in the day."Machete Maidens Unleashed" proved to be a nice documentary, and it is one that I can recommend if you have any interest in the exploitation genre.

gavin6942 A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.I love horror films and exploitation films and consider myself both a critic and historian (having now reviewed over 2000 films and written numerous articles). Yet, I must confess, I was not aware of the hundreds -- perhaps thousands -- of films that were made in the Philippines. I knew about some of them, of course, but did not know just how huge the output was. Wow! This is one of the best documentaries I have ever seen on exploitation films (and I have seen my share). John Landis never disappoints, and some unusual suspects show up, too. R. Lee Ermey? Who knew?

Guardia This documentary with it's (deliberately?) misleading title, gives viewers a brief overview of the Filipino cult cinema of the sixties, seventies and eighties. In a seemingly endless string of fragmented interviews (some of the edits so short that the subject's title is flashed for a fleeting moment), the film tries to draw an overview of this period of American/Filipino co-productions. Archival footage is interspersed here and there, and occasionally we are given context.Is it interesting? Yes, but as much as it is frustrating. For you will certainly find that the film never settles down from its opening moments. The pace of the film is that of one tempo, as if the editor was worried that we might lose interest, or as if the visual information was paramount and the factual information (something I'm more interested in than anecdotal) was a mere triviality. You will be bombarded with cuts and clips and cues for the duration of the film - it's an editing style borne from the free-to-air TV realm that transposes to the cinema with a terrible effect.Also, the relentless funk soundtrack (the staple to the C-Grade Grindhouse films) undermined the interviewees' comments, robbing them of any memorable moment and washing them altogether with the same colour. I can't help but relate the style of this documentary with American style 20-to-1 type shows, where the interviewees are there to provide colour to a proposed topic, not to provide any real insight. This is the films worst crime, for Filipino film-makers we are shown are outnumbered five-to-one by the Americans, yet the tiny grabs we are given with these eccentric characters were far more interesting and exotic.This film belongs on a commercial or pay TV network, but the limited audience and scope of the film will probably condemn it to the Australian Broadcasting Corporation's schedule sometime in the near future. Wait for it then, for the cinema gives little to this difficult documentary.

gregking4 MACHETE MAIDENS UNLEASHED is Mark Hartley's follow up his fabulous documentary Not Quite Hollywood, which explored the resurgence of the Australian film industry in the 1970's and its history of exploitation and genre films. His new documentary looks at the prolific film industry of the Philippines and its shameless B-grade exploitation films of the '60's and '70's.The industry churned out a succession of cheap, low budget horror flicks that were aimed squarely at the American drive-in audiences. The film makers had liberty to make whatever they wanted, so long as they contained the three essential Bs – breasts, beasts, and blood. And canny American producers like Roger Corman were quick to capitalize on the cheap labour source to make a series of women in prison movies as well as low budget action movies. The Indonesian army was even willing to supply equipment and personnel, especially useful in staging large-scale action scenes! And no look at film making in the Philippines would be complete without a few anecdotes about the horrendous experience of Francis Ford Coppola while making his epic folly Apocalypse Now.Hartley's film includes lots of clips from these B-grade shockers; as well fascinating and revealing interviews with directors like John Landis, Joe Dante, and even Corman himself, and some of the stars of those films. While fast-paced and entertaining enough, the material here is not as strong as Not Quite Hollywood, nor are the films referred to as familiar to audiences.Nonetheless, Machete Maidens Unleashed has more than enough of the three Bs to entertain and amuse.