Softwing Most undeservingly overhyped movie of all time??

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

NateWatchesCoolMovies Larry Bishop's Mad Dog Time is a perpetually strange, endearing little pseudo gangster flick with a lot of sass, style and an endless cast that will glue your jaw to the floor. Seriously, there's so many familiar faces and big names in hidden nugget cameos that one starts to lose track. It takes place in a far corner of a different universe, populated by Rat Pack esque mobsters and gorgeous dames. All they do the entire movie is plot to kill each other, stage Russian roulette style shooting derbies, shoot each other and basically wreak havoc on one another. There's no outside world, they are completely cut off inside their ornate dining halls, chambers and night clubs. It's interesting and may be too gimmicky for some people, but it's definitely something different. Jeff Goldblum, sly and slick, plays Mickey Holliday, a gangster attempting to take the place of Vic (Richard Dreyfuss), whos about to return from the loony bin. He's also dealing with his volatile girlfriend Rita (Ellen Barkin ramping up the sex appeal and attitude), and locate her missing sister (Diane Lane, briefly). On top of this he's beset on all sides by vicious, power hungry thugs of all sorts, including Wacky Jackson (Burt Reynolds), Jake Parker (Kyle Maclachlan), and mysterious hit man Nick (Larry Bishop). There's a lot going on, and there's not a lot going on depending on how you look at it. It's pretty much all style and barely any substance, but oh what style! Goldblum is pitch perfect, in full dark humored cynicism mode, and Dreyfuss runs around like daffy duck on fire, chewing scenery like a mad goat. The roster of supporting talent includes Billy Idol, Angie Everhart, Billy Dragon, Gregory Hines, Christopher Jones, Henry Silva, Michael J. Pollard, Rob Reiner, Richard Pryor, and a priceless turn from Gabriel Byrne as Ben 'Brass Balls' London, a demented loudmouth who talks his way into hilariously violent situations. His duet of 'My Way' with Paul Anka, also appearing, has to be seen to be believed. Shot in rich velvety reds, with an emphasis on character, violence and a beautiful set design of rampant excessive ambiance, it's sure one you won't forget, whether you like it or not. It's like a love letter to the Cotton Club style, rat pack, Tommy gun madness of yesteryear in film. A treat.

Maynard Handley I cannot understand why this movie doesn't have better ratings or a better box office. I'm a harsh critic of movies --- I probably stop watching twice as many as I watch fully, because they're heading into cliché, want to be funny but aren't, or simply bore me. But I loved this movie. I loved the way it kept being funny without making a big deal of it. I loved the way it mocked the gangster movie ethos. And I loved the cool calm assuredness of Jeff Goldblum's character --- competence and intelligence in a character, without either histrionics or "flaws to make him more interesting" are so appealing.

rekall1900 If the Godfather can be rated as the greatest of realistic crime or gangster movies then Mad Dog Time should be rated as the greatest of surrealistic movies. This is a film which takes the serious reality of the mob world of killers and shows them in a strange weird way that should rate this film as one of the great films of the cinema art. It is like watching mobsters in a way the painter Picasso viewed reality with his famous Cubism. In some ways it is Film Noir but in other ways it is comic and even romantic. If you want to see a different kind of crime movie that is well acted and whose meaning may be no more than the art of strange film or showing what creative film making can do, then catch this one.

Odysseus_Rex I don't know much about the Rat Pack, and Frank Sinatra always seemed a bit too self-consciously full of himself to me. So when I call this one of my all-time faves, it's nothing to do with a tribute-band mentality. As another reviewer says, Mad Dog Time is about symbolism, not realism. It's kafkaesque (a pity Kyle MacLachlan is probably the weakest of a very strong crowd, when he was so good as Josef K), it's stylish, knowing, sardonic and slick. Jeff Goldblum is navigating his way around a variety of characters, trying not to get shot and acting deftly rather than dorkily, trying to stay abreast of what he knows and others don't, whom he can outshoot and whom he can't. Gabriel Byrne and Richard Dreyfuss (his best performance) have a ball, and the supporting cast look spot-on. The symbolism, the settings (the one outdoor motion shot with Jeff Goldblum walking down the steps seems really weird after so much lounge lizardry), the dialogue (style, not practicality, is the order of the day), it's all about characters interacting, not really gangsterism. Fun to watch, must've been fun to do. What the critics were up to is really a mystery...