Dorathen Better Late Then Never

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Cheryl A clunky actioner with a handful of cool moments.

JohnHowardReid Guy Madison (Larry Knight), Rory Calhoun (Phil Acton), Carole Mathews (Laura Jordan), Cathy Downs (Kitty Reid), Johnny Sands (Randy Reid), Steve Brodie (Burke Kimber), Art Baker (Colonel James Reid), Iron Eyes Cody (Chief Yellowstone), Emory Parnell (Sergeant Johanssen), Queenie Smith (Mrs Johanssen), Eddy Waller (Joe), James Bush (Eddie), John Holland (Roberts), Douglas Fowley (Simms), Harry Brown (piano player), Kermit Maynard (scout), Gregg Barton (Frank). Director: JOHN RAWLINS. Original screenplay: Louis Stevens. Photography: Jack MacKenzie. Supervising film editor: Richard Cahoon. Associate film editor: W.J. Murphy. Music composed by Lucien Moraweck and John Leipold, directed by Lud Gluskin. Art director: Lucius O. Croxton. Set decorator: John Sturtevant. Men's wardrobe: Frank Beetson. Gowns: Ann Peck. Make-up: Norbert Miles. Hair styles: Gale McGarry. Photographic effects: Jack R. Glass. Camera movements: Charles Straumer, Morris Rosen. Military adviser: Colonel Henry J. Matchett, U.S. Army. Production manager: Harry S. Franklin. Assistant director: Clem Beauchamp. Sound recording: Jean L. Speak. Western Electric Sound System. Producers: Julian Lesser, Frank Melford. A Windsor Picture. Exterior scenes photographed with the co-operation of the U.S. Department of the Interior, the National Parks Service and the Office of Indian Affairs.Copyright 1 April 1949 by Windsor Pictures Corp. Released through Allied Artists. Original release prints processed in sepia. New York opening at the Palace: 14 July 1949. U.S. release: 1 April 1949. U.K. release through Pathé: 27 March 1950. Never theatrically released in Australia. 75 minutes.SYNOPSIS: Three cavalry officers, once fast friends, become mortal enemies because of a woman.NOTES: Filmed in Arizona. According to early press releases, the script was based on a novel by Harold Bell Wright, and had additional dialogue by Otto Englander. Olin Howland appears in the cast list as a circuit rider, whilst J.W. Cody plays Walking Bear.COMMENT: Something new was attempted in this "B" western in which the emphasis is not on action but on a strong love story. Unfortunately, this innovation pleased no-one. Action fans felt short-changed and those who appreciate complex romantic plots don't see westerns, period. Another problem is that the acting is not vigorous or convincing enough to carry the situations. Guy Madison, in a key role, is especially weak and immature.Nonetheless the movie is sufficiently well directed and literately scripted to command respect. Our attention is tripled by superb location cinematography — even though the present black-and-white prints look over-exposed and washed-out (this was done to accommodate the sepia bath which would have restored contrast, sharpness and depth. Original release prints must have looked magnificent).

Spikeopath Massacre River is directed by John Rawlins and written by Louis Stevens. It stars Guy Madison, Rory Calhoun, Carole Matthews, Cathy Downs, Johnny Sands and Steve Brodie. Music is by John Leipold and Lucien Moraweck and cinematography by Jack Mackenzie.Three army buddies, two ladies, and Indians unhappy about land encroachments. Spells trouble for sure.Massacre River is a tricky Western to recommend in that it is not one for those expecting a Cavalry and Indians actioner, this is no high energy "B" Western. It relies heavily on character dynamics and a story ripe with surprising forays into darker territories. In fact it is far from routine stuff, a tag that even the New York Times reviewer of the time was quickly wrong to call it.We have five people caught in a devil's pentagon, friendships and passions are tested and emotions reach boiling point. Thankfully the makers involved here have the courage of their convictions to make bold decisions with some of the characters. Decisions that bring the pic into a film noir realm, which when aided by some pleasing monochrome photography, and shadow play when the story goes bleaker, marks this out as very being aware of that style of film making that was bubbling away with menace at the time.It begins all jaunty with pals larking around, even bordering on the homo erotic as two of the guys wrestle in a bath of water (seriously), and with a meeting of the fort colonel and the Indian chief (Art Baker and Iron Eyes Cody) outlaying a problem brewing between the two factions, it appears to be heading into "formula". But once the action switches to Jackson (the last outpost bordering Massacre River), the whole tone shifts, very much so, and it becomes a spicy hotbed of human agonies and vagaries of fate.Problems exist of course. It's nice to have Calhoun and Brodie in the same movie, but the former's fans are made to wait for him to be seen at his best, while the latter is very under used. Story wise there is a hint of under staffing at one of the forts, but it's not explored for benefit, while the Indian angle ultimately feels tacked onto the human drama. But it's nicely performed by the cast, there's some nice photography and camera work, while the comforting sight to Western fans of the Iverson Ranch locale is boosted by shots filmed at Canyon de Chelly National Monument.Well worth a look for Western fans familiar with noirish angles of the period. 7/10Footnote: Some sources have it listed as being in Sepiatone. Not sure if it was filmed originally in that format? But the print I saw via TCM's HD channel wasn't so, it was a straight and very nice looking monochrome print.

MattyGibbs A dashing cavalry officer is torn between two women causing ructions for those closest to him. This is more of dialogue driven rather than action driven western. Unfortunately it's not a particularly interesting story which makes much of the film a bit stale. However the good looking cast, decent acting and some occasional stunning cinematography make it worth at least one viewing. The ending was a bit strange, almost like it didn't know which way to go, sombre or happy, so it tried a bit of both. Which I kind of liked as it goes. Overall it's not a bad film just one that's not particularly memorable.

alexandre michel liberman (tmwest) What comes out stronger in this western is the romantic part, a love story that has all the odds against it. Larry Knight (Guy Madison) is an officer who has everything going for him, a beautiful fiancée Kitty (Cathy Downs) daughter of the commander who will make sure Knight will have a bright career after he gets married, and great friends, Phil (Rory Calhoun) and Kitty's brother Randy (Johnny Sands). Knight meets Laura Jordan (Carole Mathews) the saloon owner, who is having trouble with her partner Kimber (Steve Brodie) who wants her out. Knight tries to resist his love for Laura,and who could blame him considering the hurt feelings he will cause and the loss of his career? I enjoyed seeing this film, it has good actors and an unusual story for a western.