Matchstick Men

2003 "Lie. Cheat. Steal. Rinse. Repeat."
7.3| 1h56m| PG-13| en| More Info
Released: 12 September 2003 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.

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Reviews

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
betty dalton Nicholas Cage plays truly one of his best performances of his carreer. One of his last best too, because since the man has gotten several divorces behind him, he nowadays only acts in mediocre movies to pay alimony to his ex wives. But fortunately we can admire Cage in one of his last superb acting roles in "Matchstick Men".Nicholas Cage plays a con man who deprives naive, and vulnerable people of their money with smart con tricks. Besides stealing people's money Cage's character has an obsessive compulsive disorder, which can be described as a mentally disturbing need to obsessively clean his house from dusk till dawn. He lives his life secluded until he finds out he has got a daughter from a previous marriage. Will he quit his criminal con men work to take care of his daughter or will he continue to live a secluded con man life?Ridley Scott is mostly known for his blockbuster action movies. This movie is none of that, on the contrary it is a real clever con men story. And the acting in it is superb. I must confess that I was stunned to read that Ridley Scott directed this movie, because this director only minimally directs his actors, which makes the acting in "Matchstick Men" even more impressive. Smooth, enticing, endearing, funny and suspenseful. But most of all this is truly a very smart story. Often those smart plots are only fun to watch for just one time, but "Matchstick Men" has become a classic con men movie that has stood the test of time. I have watched it over 5 times, know exactly who gets conned by who and I still love it so much. The true to life endearing characters are to thank for that. Great acting. Great story. Con men classic.
Fallen Eye Throughout the whole movie, I was looking for that long con, it was obviously inevitable; but what Ridley did with a certain character, was just, an artistic con to the viewers.This film is one of those that really shouldn't be reviewed with the inclusion of spoilers, because going in unaware is the best part.Ridley, Cage, Rockwell and Lohman, I applaud you all. Very nicely done. Everybody just did what they do excellently.7.7/10 that conned a rounding off of 8/10. I guess, I'm giving it the 8, it's not taking it, so...
Jawbox5 Matchstick Men represents a pleasant change of pace for Ridley Scott. For a director known for doing films that are both large thematically and in scope, it's nice to see him tackle a film that has a simple premise which allows him to build the themes that he wants to discuss. Matchstick Men is a difficult film to categorise, as is the case for most con films. It has touches of dark comedy and pieces of crime thriller, plenty of drama without losing its quirkiness. It often plays out like a character study of a man who struggles to balance his dirty deeds with his mental issues. All of this delivered in a very free-flowing and vibrant way, much like the majority of Scott's work.At its core the film is about con man Roy Waller who suffers from serve OCD which become even worse once he loses his pills, shown in a scene that is both funny and sad where he spends a day cleaning his entire house. He then goes to see doctor who takes an interest in his life and wants to help him defeat his illness. Cage is the star centrepiece of the film. He also provides one of his best performances. In a way it is prefect casting, Cage has always been at his best playing edgy and jittery characters and here he gets a legitimate reason to act that way. His performance provides a surprising amount of sympathy as well as humour, he gets so into the character that his frequent ticks seem natural. The story develops further when it turns out Roy has a 14 year-old daughter called Angela who he decides to meet, which leads to him struggling to balance out both sides of his life. Enter Alison Lohman who is fantastic. It's hard to believe that she is playing a character ten years younger than she was at the time given how natural her performance is. She manages to capture the essence of what a character that age would be like, without detracting from the emotional weight and likability that she brings. I also think that Sam Rockwell (who I swear has never put in a subpar performance) deserves some praise for his role as Roy's confident business partner.It is tough to reveal much more about the plot without giving away pieces of information that might spoil its ending. Scott's direction is certainly a highlight, as usual with his films. It is possibly his most fluid film and he manages to convey Roy's breakdowns with his subtle use of the camera, whilst the frequent use of blue shade invokes the calmness of water which becomes something of a motif. From a visual standpoint the film reminded a lot of 'Catch Me If You Can' given its vibrancy and colour scheme. Adding to this is both the editing and the transitions which are seamlessly done. Hans Zimmer's score is also worth a mention, trading in his usually bombastic compositions for more jazzy and bass heavy pieces that fit the film perfectly.The only part of the film that left me cold was its climax and its eventual twist (which I won't reveal). For me the twist did disrupt a lot of the film's emotional and grounded aspects that had been developed excellently throughout. It brings a jolt that almost pushes you out of the film and instead of feeling that the twist transformed the film into something completely different, it simply felt like an unnecessary addition. I think the film would have been even stronger had it avoided said twist all together.Matchstick Men ends up feeling exactly like what Ridley Scott wants it to be. It's a film that blends multiple genres together and basically plays them off against the typical con man film style. It does go deeper than the story initially suggests, almost working as a psychological study of Roy and the building of his relationship with the daughter he never knew existed. On a surface level however, the film is constantly entertaining. Whether it is for the excellent acting, the charming central narrative, the tension building con or Scott's wonderful direction it doesn't really matter because all of these aspects blend with and play off of each other so well. I don't think the twist works, but it's a testament to the films strength that it isn't overly damaged by that. For me it's a film that is meant to be enjoyed on the surface, before you start to analyse what is underneath.
petra_ste There is this notion Matchstick Men is a minor curiosity in Ridley Scott's filmography, some little comedy about a con artist bonding with his daughter... for me it's one of his best movies since the incredible starting streak (The Duellists, Alien, Blade Runner). A director with an amazing eye for visuals, Scott can shoot very pretty pictures but has no quality control when it comes to choosing scripts, with often disheartening results.Matchstick Men, however, has a strong screenplay, with vivid characters and sharp dialogues. Cage, who can be a calamity in the wrong part (The Wicker Man), is smartly cast as a phobic weirdo, which allows him to unleash one of his amiably over-the-top performances. In the right role he can still knock it out of the park - I am thinking of a moment near the end, where his heartbroken sobs morph into a bark of hysterical laughter. Alison Lohman is perfect in a tricky role; Sam Rockwell and Bruce McGill give solid supporting turns.8/10