ClassyWas
Excellent, smart action film.
Huievest
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
sddavis63
Unlike most war movies, you'll find no real "battles" being fought in "Minesweeper." For that, I actually give it some credit. It pays tribute to the crew of minesweepers - those who helped take care of Japanese mines laid at the mouths of US harbours. That's not especially glamorous, so I applaud whoever decided to make this movie. It's an important job, and not all the honour should go to those who are face to face in combat with the enemy.The star of this is Richard Arlen. He plays an officer who deserted from the Navy years before, and then re-enlists under an assumed identity once Pearl Harbour is attacked. So part of the movie is spent wondering whether he's going to get caught. The dangers of this type of service are well documented, and there's a tragic incident as the movie nears its end. The cast is decent enough.The basic problem with this is that it spends far too much time emphasizing the somewhat unbelievable romance the develops between "Tennessee Smith" (as Arlen's character was known) and Mary (Jean Parker.) Given that Mary was apparently already almost engaged when Tennessee showed up, I found it rather difficult to accept that she'd get caught in this romantic triangle, and I thought it weakened the movie. This certainly isn't a high profile war picture, nor does it appear to have had much of a budget. It's not bad; it's an appropriate tribute. I just wish it had stayed a bit more focused on those to whom it was paying tribute and to the service they were offering. (4/10)
peapulation
From the man that would have brought you the Navy Way came a film that, towards the end of the second world war, seemed determined to get those young men in army or navy uniforms to fight for their countries.So, the story of a deserting Navy captain with a gambling problem who decides to join the troops again, even as a lowly minesweeper and seaman, is perfectly politically correct for the blossoming of the US involvement in the world's biggest monetary conflict to date a.k.a. WWII.It's obnoxious. The storyline is predictable. The characters are caricatured. People, including myself, are always ready to shoot on Micael Bay's awful Pearl Harbour, but that is nothing more than a film like Minesweeper with a much bigger budget. In the end, it's all about God, country, killing those Japs, and if you die, you die a hero, and everyone is proud of you, cos you were a good kid.But what can you do? The film isn't laughable, and it's made in a straight forward way that means no harm. As a product of its times and indoctrinations, it can be forgiven, but as a poor film, it cannot.
drystyx
This is the story of a man who tries to make amends for past misdeeds in the service by reenlisting under another name, and whose experience in the service gives him an edge in the disarming of water mines.It is a well written story, with interesting characters all around, including the minor ones. Everything is very believable, not just by film standards, but by normal standards.However, I gave this only a ranking of 6, which is still above average, because for me it was painful viewing. It is not because of a bad story, but because it shows the pain involved with gambling addiction in a true light, which means it will be difficult to watch. This is still quality work, and if you aren't afraid of the pain, this may be the film for you.
Robert J. Maxwell
This is a Pine-Thomas Production, which should tell you a lot. I described a similar P-T story to my brother who advised me not to expect too much, that there were thousands of these cheap flag-wavers made during the war.This is a cheap flag-waver about two sailors (Richard Arlen and Russel Hayden) who are rivals for the affections of the same girl (Jean Parker) who happens to be the niece of their affable mutual friend (Guinn "Big Boy" Williams). Those are the four principles and none of them can act, though I suppose Jean Parker could be considered a modest talent while the three men can't manage to project a believable line of dialog between them. Russell Hayden at least looks the part but the star, Richard Arlen, is too old for his character. Frank Fenton as Lt. Gilpin probably gives the best performance.The story, when it's not wrapped around that romantic triangle, has the three men together on a small harbor minesweeper that is removing Japanese mines from the channel at San Pedro, California. There never were any such mines but this is fiction all the way. Arlen's character rises from Seaman Recruit (E-1) to Gunner's Mate First Class (E-6) in the blink of an eye or the blast of a mine.Arlen's character has an improbable secret past, and somebody gets blown up by a mine, but none of it is in the least gripping. But there are some nice shots of the minesweeper itself and a PBY swooping down over the ocean. What keeps one's interest in the movie is watching Dub Taylor as a young man and Robert Mitchum as a non-speaking but prominently featured extra.