IslandGuru Who payed the critics

Stometer Save your money for something good and enjoyable

Limerculer A waste of 90 minutes of my life

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

carbuff A solid old Australian crime caper movie. The plot keeps moving along and keeps you guessing as to how its going to play out. The acting and cinematography are decent and workmanlike but characteristic of the 1970s, which I personally enjoy for the period feel. I am very fond of good movies (and sometimes not so very good movies) from the 1970s, probably because they are what I grew up with. You may recognize a few actors (in particular, Bryan Brown) from before they became well- known. In short, this is an entertaining film from back when a reasonable plot was pretty much taken for granted, as opposed to today when the shakiness of many plots is obfuscated with remarkable special effects. If you are into this kind of movie, I think it might be worthwhile to give this old one a try, since, while admittedly not a classic, it is still quite good.

ashleyallinson As an armored car rolls over the iconic Sydney harbor bridge Bruce Beresford establishes the location for what is otherwise a non site-specific heist story that attempts to quell the omnipresence of urban malaise. Quickly paced cross cutting alludes to the monetary volume of the armored car's destination, a security firm owned by Lionel Darcy (Frank Wilson). Who doesn't want a piece of that action? Immediately, the viewer is oriented with the network involved in the movement of Australian currency and, subsequently, the number of hands the bills pass through. Laundering beckons. A screenplay loosely based on the 1972 work of Donald Minchin, Beresford blends the framework with a true crime story, credited in the opening sequence. The camera meanders through the blue-collar operation floor and driver's depot to settle behind the closed doors of the technocrats. After being shaken down by local crooked cop Sammy Rose (Alan Cassell), Lionel Darcy receives an anonymous tip from his object of a secretary, a warning that his firm is soon to be hit, worrying more than just the boss. Eric Jackson (Terence Donovon) his brother Brian (Brian Brown) and a mate (who could be mistaken as their father) Ed Gallagher (Ray Marshall) have been planning an inside job for almost five years. These Ockers aren't going allow some "poof" to rock up asking where his piece is? They have their own suspicions regarding the culprit, new employee Leo Bassett (Tony Bonner). The amateur sleuths plan to initiate the rookie as means to their own ends, a true mask for self-interest. Other than Beresford's introduction to operations and interest groups, there exists no further marring of public and private, each character riddled with the presence of corruption. Any further duality is developed through action, the result governing over whether he becomes victimized or acts as victimizer.The first "action" is a mob hit on a Darcy's armored car, fisticuffs ending in a shotgun blast so visceral, it alone warrants the 18+ rating. Was it the mob that sent the letter? When the press gets word of the heist, the ensuing public relations blunders solidify the ineptness of corporate crisis management, foreshadowing further assaults on the company. Local crime boss Jack Henderson (Charles 'Bud' Tingwell) obviously wants a piece of the action. The Ockers have spent so much time planning that they rebuilt a custom armored car for heist day. What about they new guy? The fraternity amongst interest groups ranges from professional to amateur, each camp knowing full well that "if someone was to rip the joint off if would be done from the inside." Beresford deconstruct the effects of money and subsequence on business, personal and family relations and presents it in a classic plot design that makes the stigma of the "who done it" malleable. Money Movers asks who's going to do it? "I remember that one," says Brian Brown. "I had done a couple of movies, and got to read the part for the cop, but knew I wasn't anything like him." Asking which part he preferred Brian told Bruce that he "...could play the brother, but I knew it had been cast. It had been cast." Two hours later Brian got his wish, cast as Brian Jackson, along side Terence Donovan, the brother to the leading role. "I was young, too much of a kid play the gritty cop, but the brother," remembers Brian, "I could do that." The official line on Money Movers has tended to focus the fraternity between male characters and "their" women; secondary objects who legitimize their function by getting coffee or being a lamb and leaving the room when business is on the table. It appears as if little within the genre, certainly in terms of gender relations, has been revised in the last twenty years. David Caesar recalls that like most heist or crime genre films, "...it's important not to pretend otherwise, it's a guys film. Money Movers is a good film, an underrated film that not enough Australian's have seen." The fraternity in Money Movers, the "boys club" mentality, has acted as a catalyst for many of the generic successes that are popular today. Watching Money Movers is only possible on VHS at this point. Its structure popularized the Australian crime film with undertones present in Hollywood films such as Michael Mann's Thief, 1981. Money Movers houses a subtext that most viewers can relate to, which is why a reprise warrants further research. Wouldn't it be nice to have all that money? How would my life be different...surely for the better? Bruce Beresford showed, with eloquence, how this idealism could backfire, without the cynicism often associated with the down and out, or the stereotypes of big business or organized crime. As such the film is an important landmark on Australian cinematic spectrum for, as Brian Brown concludes "it was a fun movie to do, and now that we are doing quite a few crime genre movies like Chopper and Dirty Deeds, it was really Money Movers that first put us into that sort of territory." Brian Brown and David Caesar interview by Ashley Allinson on September 11, 2002 in Toronto.Running Time: 94 minutes Video Release: July 2, 1991 Distributed by: Roadshow, Imperial Entertainment CorporationCast: Terence Donovon: Eric Jackson Ed Devereaux: Dick Martin Tony Bonner: Leo Bassett Lucky Grills: Robert Conway Alan Cassell: Sammy Ross Frank Wilson: Lionel Darcy Candy Raymod: Mindel Seagers Bryan Brown: Brain JacksonCrew: Bruce Beresford: Director Matthew Carrol: Producer Donald McAlpine: Director of Photography David Copping: Art Editor William Anderson: Editor

powerplay You can almost smell the sweat and testosterone !This is a movie for the blokes. It's full of tough blokes, violent blokes, bossy blokes, union blokes, angry blokes and blokes who tell the sheilas to go away and let the blokes get on with important blokey business.Hugely talented Australian cast with an equally talented director. This is what Aussie society was like before we all became middle-class and comfortable.Oh, the plot? Crooked blokes are practically lining up to rob an armoured-car security firm. The siege mentality builds as the story progresses, as the company tries to work out where the next hit is coming from.If I had to pick a fault, it was sometimes hard working out who was double-crossing who, some of the dialogue was up to "Law and Order" fast snappy talking standard, but it mostly all makes sense towards the end.Three stand-out treats - 1. Jeanie Drynan (the mum from Muriel's Wedding) looking very trim & terrific, not at all like the side of a house.2. The Beaurepaires Tyre man playing a sadistic henchman. (He played a similar scary character in Mad Max).3. Lucky Grils being excellent light relief as a "Bluey" character.It was also interesting seeing a young Bryan Brown (un-imaginatively cast as "Brian" !) playing against (later) type ie having a lack of confidence and really feeling the pressure, almost the opposite of his roles in "Cocktail" and "Risk".So crack open a beer, send the wife out of the room, turn up the volume and enjoy this under-rated Aussie movie.

jdalerob It's an amazing film. The casting is amazing - notably Ray Marshall, Bryan Brown and Tony Bonne The planning of an armored car heist, you never quite know who's going to do right or wrong, until the very end when the sides are truly drawn and it culminates in an unbelievably violent finale. This, along with a toe clipping torture scene earlier on, gives it the feel of Tarantino/Avary and their ilk, but a good ten years earlier. The tension as the movies gets closer and closer to the actually heist is insane. Why this movie isn't as lauded as Beresford's films before and after this one is a mystery.