Mr. Moto in Danger Island

1939 "HUNTED BY THE POLICE!...STALKED BY A KILLER!"
6.7| 1h4m| NR| en| More Info
Released: 07 April 1939 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In Puerto Rico to investigate a glut of contraband diamonds that are flooding the world's jewel market, Mr. Moto and his sidekick, a wrestler, find themselves involved in murders by thrown daggers, the frame-up of an overstressed Army colonel, and a pirate gang led by an unknown boss who has inside knowledge of the ensuing investigation.

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Reviews

Linbeymusol Wonderful character development!
ThiefHott Too much of everything
Steineded How sad is this?
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
kapelusznik18 ***SPOILERS*** Mr. Moto, Peter Lorre, is sent to the island of Puerto Rico to check out a diamond smuggling ring that's responsible for the murder of a Government Agent, Rodney Graham, who had infiltrated it. Faking an appendicitis attack Mr. Moto and his good friend and bodyguard, as if he needs one, professional wrestler Twister McGurk, Warren Hymen, is kidnapped by the smugglers on his way to the hospital only to lead the local police straight to them. In what was a wild brawl the leader of the group Capt.Dahlen, Eddie Marr, escaped to the Puerto Ricen swamps where his smugging operation originates from. Now again faking that he in fact is not Mr. Motto Mister Motto gets himself, together with Twister McGurk, recruited into the diamond smuggling ring using the allies of wanted and on the lamb hood Yoko Simura.Not one of the better Mr. Moto movies with the fearless and martial arts expert Mr. Motto getting his nice clean and pressed white suit and pants wet and dirtied with mud in the swamps where the diamond smugglers are operating out of. It takes a while for Mr. Moto to find out who's really behind this diamond smuggling ring that has already murdered two people including the Governor of the Island John Bentley, Paul Harvey, who had uncovered his identity. It's when Capt. Dahlen is caught in his attempted escape,on a motor boat, from the law that Mr. Moto devises a fool proof plan to get the head of this diamond smuggling ring to come out in the open. That in him trying to murder the seriously injured Capt. Dahlen before he comes out of his coma and talks to the police!***SPOILERS**** As the saying goes "Dead Men Tell No Tales" and that also goes for Capt. Dahlen. He was dead all the time but the clever Mr. Moto kept that from the person who was to eventually "murder" him to keep him from talking. A neat trick on Mr. Moto's part in having him expose himself by killing Capt. Dahlen a second time, he in fact died in a shoot out with the police on the high seas, in him not knowing that he was dead already!
drystyx This is a murder mystery, with Mr. Moto, for those of you who don't know, as the crafty man investigating the case. Like Charlie Chan, he's a private investigator.Peter Lorre had a "cool" charisma about him, much like Basil Rathbone, Humphrey Bogart, and others who played such roles.Films like this either take one or a combination of two of the following: 1. Mystery with clues that the audience can use. 2. Mystery with atmosphere and humor 3. Mystery with a twist.Just about none have all three. One may cite "Chinatown" as a possibility, but the atmosphere isn't what I would call strong in that one. Atmosphere and humor come either without twists or without clues.This film uses the first two elements. It would be far fetched to say there is a twist. There is an abundance of atmosphere and humor, and many clues. We know very soon who the killer is. At first it isn't easy, because all of the suspects look alike, middle aged white men with mustaches, but once we tell them apart, and once the atmosphere is established, we do know which one it is.That doesn't take away from the adventure, though. Lots of good elements make this an enjoyable film.
MartinHafer Calling this a typical Moto film is not a bad thing. After all, this series from Twentieth-Century Fox was about the equal in quality to their other series, Charlie Chan. The big difference being that Moto is more a "gun for hire"--a man who would play private detective or even mercenary in his films. Unlike the squeaky clean and rather sedate Chan, Moto is more physical and not above twisting the law or even killing someone. Sadly, he didn't kill anyone in this film--always a trademark of a great Moto film! Moto is on his way to Puerto Rico to investigate a diamond smuggling ring. However, on the way, he is laid out due to an appendicitis and it looks like Moto might have to drop the case. However, being a very sneaky character, there's a lot more to the story than this. Along for the ride is Warren Hymer, who plays Moto's new friend who tags along during the investigation. Having Hymer in the film makes sense, however, as the film was originally planned another Chan film. But, since Warner Oland had recently died, the script was adapted for Peter Lorre's series. In the usual role of Number One or Number Two son is Hymer--who gets into trouble and makes a nuisance of himself just like he was an honorary Chan himself! Overall, well written, exciting and up to the usual high standards of the series. The only serious knock I have against this film is that although it's set in Puerto Rico, there's no one who remotely looks or sounds Hispanic in the film. Of course, considering they have a German guy playing Moto, I guess this shouldn't come as much of a surprise.
maksquibs In the long line of 'politically incorrect' Hollywood racial casting, Hungarian born Peter Lorre's Mr Moto is probably the least in need of historical/cultural apologies to facilitate our enjoyment of the eight dandy pics he made as the polite, but not quite knowable Japanese detective. Most were smartly directed by ex-actor Norman Foster, but this late entry was helmed by 'routinier' Herbert Leeds who brings a good deal less to the party. Still, even when playing more closely within the conventions of drawing room detective yarns (and with too much forced dimwit comic relief), Lorre manages to elevate the slim story about diamond smuggling in the tropics into something entertaining and a bit perverse, with nice support from Jean Hersholt, Leon Ames, Paul Harvey & Douglas Dumbrille all in spiffy white suits.