Rijndri Load of rubbish!!

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

madeba It's always interesting to see glimpses of stars before they were household names. Playing the role of casting director, I try to spot something that might indicate their massive potential, or alternatively, that they've grown a lot in their ability since then. In the case of Multifacial, Vin Diesel's self-penned and semi-autobiographical short, it is clear that this actor is going places.There is something undeniably compelling about him. I first noticed him in the supporting role in Boiler Room, primarily for his voice. There's that deep gravelly tone that demands your attention. Couple that with his powerful physicality and you can see that this guy just needs the right role to exploit his talents. And where the Lundgrens and Rocks of Hollywood offer similar packages, Diesel brings an unquestionable intellect and vulnerability to the screen to set himself apart. Multifacial teaches 3 things:One - a simply shot film (ie: cheap) can still make an impact, providing the story is engaging. Two - if the storyline feels "doccie", economical and imperfect shots actually help give cred to the film. Three - If an unknown actor is talented, even a tiny low budget short can garner the attention of the biggest player in Hollywood.Evidently that's what Spielberg thought, as he contacted Diesel on the strength of this - check it out for a good chuckle, a glimpse of Diesel's comedic ability, and the star's take on the experience, looking back on it now.

jake-179 This is what short, independent films should be like. This is the first movie for Vin Diesel, and it allows for tremendous insight in to the man himself. Vin, who's real name is Michael Vincent, wrote, produced, and directed this movie. It appears to be not only a slice of his life, but short biography. The title, "MULTI-FACIAL" is a play on the term "Multi-Racial." As, Vin Diesel explains in the movie, he is half white, and half black. And, despite his awesome acting talent and dedication to his craft, his racial mix stands in his way of getting work as an actor. The film follows Vin from one audition to another, where he nails each part, but is then turned down either because he is "too white" or ironically "too black." The message of the movie is summed up at the end in the movie's final line, as Vin sits in a cafe drinking coffee by himself, he listens in to the people sitting behind him. The girl orders coffee, but requests that it is served, "not too light, not too dark."The movie is about 20 minutes long, the perfect length for an independent short. It is very well shot on 16mm film. The musical score for the film is music recorded and performed by Vin Diesel himself. Yet, further credit to this great talent. During one audition, Vin performs an original rap and it is really clever and well done. The film is simplistic, but extremely moving, and has a clear, concise story line and a powerful message. The strongest point of the movie is the brilliant, convincing acting job by all the people involved. Vin comes off as totally original and totally natural. Hollywood is lucky to have him and it is absolutely no wonder that Stephen Spielberg chose to contact him and offer him a part in Saving Private Ryan after he saw MULTI-FACIAL at the Caan's Film Festival. I wish I could make an independent movie this good myself!I was already a Vin Diesel fan when I saw this movie. I own the DVD that this movie is on. Its a compilation DVD, with other short movies on it. BY FAR, MULTI-FACIAL is the best movie in the compilation. The other movies are almost totally unwatchable. And this serves as further credit to Vin's movie. The other movies are complete dribble, and those are the kinds of movies that RUIN film festivals. But MULTI-FACIAL is the kind of movie that saves film festivals. This is the movie that everyone is looking for when they pay those outrageous prices to attend various film festivals. They are all looking for that little gem of a movie, and MULTI-FACIAL is it.This is definitely worth seeing, even if you have to buy the DVD with the rest of the crappy movies. Check it out, you will enjoy it.

Jacks-12 I have been spouting facts about Vin Diesel for months now, telling all of my friends to see this and that movie with Vin Diesel in it. I am eagerly awaiting Knockaround Guys, and even more eagerly awaiting Doormen. Now that I have seen Multi-Facial, I have an incredible sense of respect for Diesel's creativity as well as his acting ability.Multi-Facial's portrayal of grinding it out as an actor hits home to me, as it does for most people. The main character, Mike, refuses to give up his ideals and dreams of being big like DeNiro in order to "make a living." I love that. Anyone who can see a goal and shoot for it, even when they are set back day in and day out, is someone who has my full respect. Finding in the end, that rather than slipping into a mold, he will be better as a "not too light, not too dark" actor makes Mike's character even more believable. I admire characters that break out of restraints and make their own rules. By the way, Diesel's monologue about the fictional father was so incredible, I thought Diesel himself was talking to me. I could have been anywhere in the world listening to him in person. That monologue jumped off the screen and into real life. If this is what Diesel does for his first attempt at directing a film, I can not wait to see what comes next. Talk about coming out with a bang!

SickMonkey You know, before I got the chance to see "Multi-Facial," I knew of Vin Diesel only as the big Italian guy from "Saving Private Ryan" that got killed about 30 minutes into the movie--I was never too impressed. But after seeing this short, which Diesel wrote and directed, I was overcome with a new-found respect. This is simply one of the most touching, profound, and well-produced short films in the course of American film in the last 10 years or so. The acting is superb--Diesel goes above and WAY beyond the token ethnic he portrayed in the otherwise WASPish SPR. While watching this however, we get the feeling that this is more than just an entertaining story about a lost soul, searching for an identity (which others are more than willing to give), this is in fact a piece of Diesel himself, immortalized in film. I also watched some director's commentary afterwards and was amazed at the depth and intelligence possessed by this man. Do yourself a favor, and stay away from his shallower, mainstream work like SPR and the upcoming "Boiler Room," et al. If you watch this, you will be convinced of two things: 1) Vin Diesel will always have work in Hollywood, and 2) American short film is still alive.