Murder Weapon

1989 "They lust for revenge... They do it at night... And they're more than lethal."
4.1| 1h21m| R| en| More Info
Released: 07 November 1989 Released
Producted By: Filmtrust
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Two daughters of mobsters get out of the sanitarium after having killed a boyfriend in the shower, supposedly cured and on the right track. They hold a party and invite all their old boyfriends, making all of them think there is still hope for a relationship. Then the boyfriends start disappearing one by one.

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Reviews

ReaderKenka Let's be realistic.
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
BA_Harrison To celebrate their release from a mental hospital, two hot young girls (played by blonde scream queen Linnea Quigley and sexy brunette Karen Russell) hold a party, inviting their ex-boyfriends (all stud-muffins—this is, after all, a David DeCoteau movie). While the party-goers chill, drink beer, play ball, soak in the pool and have sex with the two girls, someone starts to kill them one by one.The first forty or so minutes of Murder Weapon are a real test of patience: overly talky, with numerous lengthy flashbacks in which the girls talk to a psychiatrist (played by Lyle Waggoner, Steve Trevor from Wonder Woman), only a smattering of T&A prevents this half of the film from being a total loss (wearing a skimpy bikini, Russell is given a full five minutes to oil her arms and legs).Then, at roughly the 45 minute mark, a guy gets his head smashed to pulp with a sledgehammer and things pick up a bit from thereon-in; the talky stuff continues, but is now interspersed by sporadic sex and violence. Linnea Quigley strips off and humps a dude, a guy is force fed his own heart (a hand inexplicably erupting from his chest), someone gets a broken champagne bottle in the throat, and another guy is shot in the head. The effects are cheap and trashy, but enthusiastically gory, and the film ends in style with an impressive full body burn stunt, the killer doused with petrol and set on fire.Overall, an unexceptional late '80s slasher, but worth persevering with for the inept but juicy deaths, and Quigley's sex scene. 5.5 out of 10, rounded up to 6 for IMDb.
Woodyanders Cunning and deadly rich mobster's daughter Dawn (Linnea Quigley at her most sly and adorable) gets sent to an asylum after she murders her sister and her sister's boyfriend. While in the nut house Dawn befriends fellow mafia princess Amy (luscious brunette Karen Russell). After they both get released from the sanitarium, the two hook up and hold a party in which they invite all of their ex-boyfriends. Naturally, the killing soon begins anew. Director David DeCouteau, working from a blithely tacky and convoluted script by Ross A. Perron, covers all the satisfyingly sleazy B-movie bases: Plentiful gratuitous female nudity, a couple of raunchy soft-core sex scenes, cheesy and unconvincing gore, hopelessly terrible acting, a thrashy rock soundtrack, a leering lurid tone, and several gloriously ridiculous murder set pieces (one guy has his heart punched out of his chest and shoved into his mouth!). The ever-cute and vibrant Quigley has a ball with her seductive and duplicitous evil bitch role. Token big name Lyle Waggoner pops up in a few drawn-out flashbacks as well-meaning, but ineffectual shrink Dr. Randolph. Moreover, it's a real hoot to see Eric Freeman (Ricky in "Silent Night, Deadly Night Part 2") as slimy jerk Jeff. Del Casher's droning synthesizer score, the plodding pace, Michael Seaman's plain cinematography, and the absurdly jumbled narrative all further enhance this flick's considerable so-clunky-it's-downright-funky crappy charm. Enjoyable dreck.
ManBehindTheMask63 "Murder Weapon" has a very misleading cover. The film looks like it's suppose to be some kind of action film, like a female lethal weapon. But "Murder Weapon" is a low-budget slasher/thriller that centers around two recently released mental patients (who also happen to have connections to the mob) who invite their ex's over for a party in their mansion. One by one the ex's are killed off by a mysterious killer.If you've seen any of David DeCoteau's work ("Nightmare Sisters", "Sorority Babes in the Slimeball Bowl-O-Rama") than you know what to expect. Lots of nudity and low budget production values. You get two sex scenes in the first 10 minutes. Linnea Quigley (who also earned a producing credit on this convoluted thriller) stars as ex-patient Dawn. Linnea strips nude through out and has a cool sex scene where she seems to almost ride a guy to death. She spends most of film's run time walking around in a leopard swimsuit with see through top. The other half of the psycho-duo is played by Karen Russell, who spends the first 5 minutes of the film oiling her body(more annoying than erotic). She spends most the film suffering from narcolepsy and dreaming about her psychologist.Surprisingly, "Murder Weapon" does feature some pretty nice gore scenes. Heads explode by gunshot, faces get crushed by sledgehammers, broken bottles get shoved into throats. There's a particularly cool death scene (that doesn't make a lick of sense) that involves a hand bursting through a man's chest while he's lying in bed.The dialog in the film is pretty amusing. The conversations between the male characters are often pretty humorous. The character of Kevin has some great lines. A scene in which Kevin screams like a girl when he sees the killer approaching the car with a pistol had me laughing out loud. I thought after "A Nightmare on Elm Street 2" filmmakers would realize that there is nothing scary about a man screaming like a woman.Overall, it may be the best DeCoteau film I've seen (strangely, he used a pseudonym). Linnea's nude scenes are some of the best she's done and the gore is wet."Murder Weapon" features flashbacks within dream sequences, a sting in the tale ending, Ricky from "Silent Night, Deadly Night 2", a Richard Greico wannabe, leg shaving, and voyeurism.Till next time horror hounds and fright fanatics, beware the darkness...
babybink the most interesting thing about this awful piece of trash is that there are three people in the credits with the last name "Squatpump". taking into consideration that "Betty Flinstone" and "Wilma Rubble" are also listed, i looked on the trusty imdb to see if these "Squatpumps" were real, and it does indeed seem that yolanda (the matriarch of the clan?) has a few more credits under her belt, including "The Usual Suspects", and may therefore actually exist. but back to the film: the wordless, pointless 10-minute intro actually made me wonder if the filmmakers couldn't afford sound equipment. the next scene, an agonizingly long dialogue scene between linnea quigley and her shrink, proved that yes, they did have sound equipment, but that they had apparently lost their sets, as the scene apparently takes place in a black hole.so i actually continued watching this crap. and about an hour later i was treated to a downright hilarious sledgehammer-(mannequin)-head-beating and an even better shotgun-to-the-(mannequin)-head death. ultimately one of the frizzy-haired psycho girls killed everybody, apparently. i don't know. i actually was more entertained picturing david decoteau, who directed under the odd alias "Ellen Cabot", showing up to the set every day in a smart grey skirt suit and sensible shoes (as, in my mind, someone named Ellen Cabot would).