Neon Maniacs

1986 "There are twelve good reasons to be afraid of the dark. And every one of them is a killer."
5| 1h31m| R| en| More Info
Released: 14 November 1986 Released
Producted By: Cimarron Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A group of teenagers in San Francisco discover a nest of homicidal monsters living in a tower of the Golden Gate Bridge, but when they try to tell authorities, no one believes them.

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Reviews

Greenes Please don't spend money on this.
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity
Foreverisacastironmess I felt greatly let down by this pitiful excuse for a movie. I wasn't under the impression it would be Shakespeare but going by the cool cover art I did think it would at least be something of a monsterfest type film along the lines of "Spookies", which is one of my all-time favourite fun horror movies. But sadly it soon turned out to be nothing but a confused tiresome mess that I found downright insulting in its plain unapologetic stupidity. Like the number one thing that bugged me about it was the most obvious thing: Where, who, and what the f**k were the Neon Maniacs!? Oh they just magically sprung from the scary iron door beneath the Golden Gate Bridge.. Pathetic! I'm not five years old, give me something to go on! You don't know if they're mutants, demons, robots, nothing! So not cool! I hated the music that'd instantly start playing whenever they appeared, it really grated on me. And some of the actors were really awful, like the main guy Steve who played a cheesy rock number near the end, he couldn't have said his lines with less feeling if he'd tried. There was just way too much wrong with it and too many gaping plot holes for me to ignore and I just couldn't enjoy it enough as a result, there was no story! And it's a shame because I really thought there were some interesting themes and the potential for something special buried deep in this hopeless picture that could've been great if the plot had been adjusted and it had been directed better. I think it could have been a classic of 80s horror instead of what it is. I liked the character of the teenage girl who was a horror movie buff not unlike young Tommy Jarvis from Friday the 13th: The Final Chapter. I wish they would've done the story so that the Maniacs had been monsters from horror comics that had somehow come to life and they were after the girl because it was her doing - if nothing else it would have offered a passable explanation as to their laughable fatal weakness to water! And the thing with the trading cards when the fisherman gets axed in the back made me wonder if at one point they had considered going for something of a Garbage Pail Kids idea. Yet another neat angle that is just lazily discarded.. Again, shame, there was potential! And I did like the gang of monsters, there was some good eerie moments with them. The scene where the mad doctor chloroforms the poor guy and cuts out his still beating heart is very macabre and scary, and the weird little cyclops alligator thing was so adorable! All of the makeup effects on the monsters was nice, and they each had a distinct look and personality, but you can't build a movie just on that alone, at least not without a little information for the audience to go on, and it just feels horrendously incomplete and unfinished to me, not good enough at all, they should have shelved it. Anyway that's all just my opinion, if you love it more power to ya, but I don't get you man, I don't get you at all! Utter trainwreck, in fact I'd say that if you wanna see how not to make a movie watch this monster!
amesmonde A group of teenagers in San Francisco are attacked by homicidal monsters living under the Golden Gate Bridge and set out to prove they are real.Despite its faults, logic, editing, pace and such director Joseph Mangine's ambitious Neon Maniacs counter balances its short comings. Larry Odien, Allan A. Apone and Douglas J. White's make up and practical effects are surprisingly good and the period music score is creatively ominous. To Neon's credit Mangines creates some jump moments notably the bus scene. Paula played by actress Donna Locke (who has disappeared off the planet) has a cute Goonie appeal. Leilani Sarelle's Natalie is a solid lead and not surprisingly went on to do bigger thing. The rest of the cast give typical 80s low budget hammy performances.In retrospect writers Mark Patrick Carducci's ambiguous origins of the Neon Maniacs adds to the films appeal and although uneven with more style over substance it deserves it cult status if only for the 80's nostalgia, it's monsters 'cool' factor and surreal atmosphere.
lost-in-limbo In San Francisco, Natalie is celebrating her birthday one night in the park with a couple of friends, when suddenly a large group of nasty looking monsters gatecrash it. She's the only survivor, and the police don't buy her story, because of what she supposedly saw and her friend's bodies have vanished. These mutants only come out at night, from their home under the Golden Gate Bridge and seek possible victims to take back with them. Now their eyes are set on Natalie, and with the help of her lovelorn friend Steven and a plucky, horror enthusiast Paula. They set out to stop these monstrous mutants.It doesn't get anymore ultra-bizarre, gloriously tacky and super-dumb, than the film known as "Neon Maniacs". Actually what mindlessly juicy fun, even though you'll be at a lost! Yep, it's one of those deliciously sweet and trashy horror oddities that only the 80's horror scene could possibly dream up! This low-budget item doesn't want to go into any sort of reasoning, or development to what's actually happening, so you just have to go with the flow and cop the threadbare screenplay for what it is. There's some imagination behind all of this kitsch, and what they mustered up with the wicked make-up effects for these cheesy looking nocturnal mutants are vividly creative with a whole variety to look at. Hey they even got their own collectible cards (don't ask me why), which we see at the beginning. The thing is they could've done far more with the unusual idea than what we got in the end. It was quickly thought-up and easily penned by Mark Patrick Carducci, and the results end up showing the shambles. Too many plot holes to poke a stick at and it might slow up in the latter half, but the cartoonish nature brings some nicely chiselled humorous touches and wacky situations of junky entertainment. It does have that childish feel to it, but the nasty side and gruesome effects make sure that it stays far from that crowd. The handling of it on the other hand came off looking more competent than you'll expect, but director Joseph Mangine (who's more often behind the lens), execution feels cramped and overwhelmed by the simple novelty. It's sloppy, but he keeps a steady momentum and spins out some atmospheric highlights (like a dream sequence). Shadowy camera-work is reasonably positioned, with moody lighting and there's a chewy bubblegum soundtrack with the familiar eerie electronic score finding its way in. The sound performances are pretty basic, but Leilani Sarelle, Allan Hayes and an animated Donna Locke are acceptable. Also popping up as one of the ghouls is Andrew Divoff, which was his first film appearance.This preposterous clunker is pretty much a low-end horror delight that lazily amuses. Remember logic has no say here, but goofiness and unpleasantness does.
Backlash007 ~Spoiler~ Neon Maniacs-where do I start? We've got an archer, a samurai, an indian, a doctor, a biker, a soldier, a hangman, an ape-man who reminded me of Lou Ferrigno's Hulk, and one guy who looks like the Toxic Avenger's ugly brother. They comprise the Neon Maniacs. The problem with the film is that we're given no backstory on the creatures. "Neon because they can only be seen in the dark; Maniacs because they kill at will." That's what the box reads. What I want to know is where in the hell did this motley crew come from? Why do they each have a spooky tarot card in their likeness? Also, If these monsters can only be destroyed by water, then why in the hell would they live inside the Golden Gate Bridge? Real geniuses, huh? Alas, these questions will never be answered. In fact, the problem we're presented with is never even resolved. The film is very open-ended and there is no sequel. I'm willing to forgive this I suppose because the writer went on to draft a screenplay for some little movie called Pumpkinhead. It also had some standout scenes including the first appearance of the maniacs in the park. Lots of gore here and good make-up. Neon Maniacs reminded me a lot of The Spookies in that in made no sense, but it was still enjoyable in all it's ridiculousness and fun to watch. "Neon Maniacs-just add water for edge-of-your-seat suspense and terror!" Note for genre buffs: Andrew Divoff is credited as the Doc and it's his first movie role.