Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

GamerTab That was an excellent one.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

calvinnme This is a somewhat fictional account of the assassination of Mahatma Gandhi. The film starts off really well, and has a good climax (unless, of course, you're Gandhi), but it drags a bit in the middle as we learn about the assassin and his motivation. Horst Buchholz plays the killer; oddly, he seems less repulsive than usual, so that's a plus. Jose Ferrer is the policeman trying to track him down. A few British actors show up in small roles. The big revelation to me was the British actress Valerie Gearon, as the upper-class Indian whom Buchholz loves. I hadn't seen her in anything before; she is quite striking. Diane Baker has a small part as an Indian, and is semi-believable. Gandhi is played by J. S. Casshyap, and he certainly looks the part.It would be great if this existed on DVD with commentary since there are holes in the plot that require explanation. It's probably worth a look, if you can tolerate the flashback sequences.

jclark9 I watched this film completely at random from my library of "old VHS" I thought it to be a very good production, but probably of marginal interest to today's public.After I realized what the movie really portrayed, I was fascinated to pursue some of the other comments, a piece of history that has been "missed." Really some of this is very relevant to what is happening today. I very much appreciate the sentiments pro or con in the above reviews.Good movie overall, I'll not comment on the production, but would make the following observations: Bucholz - great performance, but where did he go from here? (I did see the obit); Ferrer - very impressed with his handling of his role; Morley - miscast and not in characterLastly. this was an AngloHollywood production of an IndoPakistani historic event. A Bollywood reproduction might prove interesting!

Thomas Chacko NINE HOURS TO RAMA distinguishes itself in the category of "historical fiction." While remaining faithful to Stanley Wolpert's novel, it perfectly captures the political tension of post-independence India which led to the murder of Mahatma Gandhi on 30 January 1948.Nelson Gidding's screenplay eliminates some of the clutter of the novel, limits the flashbacks to the background of the assassin, Nathuram Godse, and maintains a good pace through the painful climax. Director Mark Robson (THE HARDER THEY FALL, VON RYAN'S EXPRESS), with the help of cinematographer Arthur Ibbetson, makes good use of the diverse landscape and people of India. Robson's international leads portray Indians with intelligence and sensitivity, blending expertly with many Indian supporting actors. In making the transition from an exuberant 18-year old to an embittered fanatic of 30-plus, Horst Buchholz delivers an intense, focused performance as Godse, the real-life killer. Don Borisenko is his partner Apte, plagued by doubt and fear, and straining to reconcile his fateful mission with the tenets of his Hindu faith. The biggest liberty taken with history is the addition of a sophisticated, married woman with whom Godse falls in love, played by the lovely, elegant Valerie Gearon. Jose Ferrer is superb as the Delhi police inspector desperately trying to prevent the inevitable, but hamstrung by the target himself. His frustration is shared by Harry Andrews, unrecognizable as a Sikh general. Robert Morley is fabulous as the parliamentarian whose hard-headed politics clashes with Gandhi's idealism. The gorgeous Diane Baker plays a prostitute who provides Godse with some much-needed refuge. By far, the most inspired piece of casting is that of a former teacher, J. S. Casshyap, as Mahatma Gandhi. (Yes, HE is Indian!) His scenes, however brief, are the most startling. His resemblance to the great leader -- face, body, and voice -- is nothing short of remarkable, even more so than Ben Kingsley in the second half of GANDHI. It is one of the many injustices of the film world, that Casshyap was never even nominated for an Oscar for "Best Supporting Actor."Robson and his crew deserve high praise for their fidelity to the subject matter and the professionalism of its execution, from Saul Bass's chilling opening credits (showing the inner workings of a stopwatch) and Malcolm Arnold's magnificent score, through the costume and production design, all the way to the brilliantly staged and edited assassination sequence. The result is one of the most underrated films of the 1960's.I am furious that this is not available on VHS or DVD; in fact it should be in the widescreen format! One can only hope that 20th Century Fox will someday rectify the situation.

hedgehog-10 A film which builds up to a climax is spoilt by some unconvincing performances, especially Harry Andrews' Indian Officer and Robert Morley. Despite this, the direction is reasonable and the film worth seeing as there seem so few films about this subject.