Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Walter Sloane Mostly, the movie is committed to the value of a good time.

cmalcolm-1 DARK, BAWDY AND FEROCIOUS This no budget hand grenade rips apart the mold of gutless, brainless and disingenuously politically correct products that have become DE rigger in film-making today: our main character discovers that his fiancée has appeared in several interracial porno films; our main character calls off the engagement and abuses said fiancée; our main character has his penis cut off and held for ransom. Sound like an exploitation film? Yes, but this one has brains and wit. Probably one of the darkest films you'll ever see, but the pathos is leavened with a twisted humor (catch 'Daddy Mac' rapping, or 'Dr. Johnson' counseling). This being said, 'Nowhere Man' is sure to offend some of you, especially those who specialize in getting moralistic and self righteously worked up over whatever. And many will be turned off by the low production values, and somewhat thin storyline. But these are petty qualms in what is a gutsy little piece of counter-culture.

talltale-1 Chutzpah has a new--perhaps permanent--definition: NOWHERE MAN, an execrable would-be drama, would-be comedy, would-be satire, would-be goof/spoof, would-be Troma-type gore fest (Lloyd Kaufman even has a small role). So many would-be's and not a single be.The height of the chutzpah is using outtakes during the end credits to what has already been one long outtake in itself. Without these dumber-than-usual add-ons, the film would have rolled in at just 70 minutes. With them, it stretches out the insult to 80. Jumping off (and crashing) from the John and Lorena Bobitt tale, the movie plays it mostly straight (very badly) but occasionally veers into leaden satire, which is even worse. The two leads could very possibly be decent actors. But not here. Technically the movie sucks, too, which leaves it without a single redeeming feature.Now that I rethink for a moment, I must admit my earlier mistake: The tip-top height of chutzpah is that fact that this film actually received a theatrical release. Imagine the poor schnooks who paid movie-theatre prices!

arthurpewty I have been recently watching a lot of Tim McCann movies in anticipation of his new movie with Robin Tunney and Aaron Stanford.This second-newest release, NOWHERE MAN, is a great slice of low-budget DV independent/ B-movie film-making. And when I say B-movie, I mean it in the best sense of the term. I read a FILM THREAT interview with McCann where he talks about preferring Anthony Mann movies to anything made today, and NOWHERE MAN has that same sort of hard-hitting pulpiness that a film academic could respect... if they weren't TOO uptight. After all, this is a movie whose main character has had his willy removed. The acting all around, from leads Rodrick and Rochon and Olivier to one-scene appearances by Michael Risley (who starred in McCann's excellent REVOLUTION #9) and Bob Gosse and Lloyd Kaufman, is really solid and plays more to the realistic side of the situation, but with a few moments of comedy -- both broad and subtly dark -- in there for good measure. The theme of NOWHERE MAN is quite similar to McCann's first feature DESOLATION ANGELS, which also featured Rodrick as a man who learns a secret about his girlfriend that drives him to unnecessary macho violence, but this is a much leaner, more effective film. Unfortunately, I fear too many people won't be able to get over this flick's cockiness, so to speak, and see it for the well-told drama that it is. Of course, the filmmakers aren't helping matters with the selection of crude outtakes put into the end credits, which sort of undercut the tone of the film -- but which presumably are there to pad this lean, mean film out to feature length.

JDCasey This is a must see film and Debbie Rochon's performance is her best one ever. Debbie will invoke emotions in you. as she chooses her own special type of vengeance upon a boyfriend that takes offense to previous job that Jennifer once held. Debbie by all rights should be collecting awards for her performance in this difficult roleTim McCannn has has written a great script and done great job in directing this film. Michael Rodrrick and Frank Oliverare really good in their roles as the abusive boyfriend and the porn star/friendI was really glad to hear that it was showing in limited release in New York, Chicago, and L.A.This movie is a lot better then some of the stuff showing in theaters today and a must buy when it comes out on DVD