Old Man Rhythm

1935
5.6| 1h15m| en| More Info
Released: 02 August 1935 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

Romantic rivalries between father and son enrolled at the same college.

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RKO Radio Pictures

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Reviews

Artivels Undescribable Perfection
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Justin Easton There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
debo-mills Unlike much of the other posters here, I really didn't enjoy the many musical numbers in this movie, and thought more acting and plot was needed. The first number on the train went on waaaaaay too long, I thought it would never end! I think I clocked it at around 8 minutes of silly, uninspiring singing. I would have liked to have seen some classroom scenes, a football game, or anything that positioned the action in a college. The sets were spectacular art-deco architecture and interior decorating, making me wonder if the movie had actually first been envisioned as a sophisticated Manhattann penthouse romp.Not a terrible movie, but nothing much happens in my opinion.
movingpicturegal In which a dad enrolls in college when he learns his son has become infatuated with a blonde (dad prefers a different gal for junior). Dad is soon strolling around campus in freshman beanie and getting into trouble for walking on the sophomore pathway. When he sees that sonny is set on sticking with the blonde, he gets advised from a fellow student in the know - she's a gold-digger. So - dad pretends his business is going bust to get the gold-digger to leave his son alone!This film is a bit of fluff, mainly held together by some really good musical numbers. The opening scene features a train ride to college, full of the students singing a very catchy tune - I particularly enjoyed this number. Best of all - one of the students is played by a very young and beautiful Betty Grable who sings, tap dances on pointe, and charms her way across the screen to coming super-stardom - every time she is on screen she is all you can look at! The story in this isn't the greatest, and Buddy Rogers (who I love in silent films) is a bit of a dud here, though still pretty handsome to look at - he even sings (or is dubbed, I'm not sure) a rather lackluster number himself. Enjoyable, light fare.
Kalaman This is a small and harmless RKO musical galvanized by some tuneful (though unmemorable) songs and rhythmic dances. It is mostly set on campus and captures the youthful zest of its largely unknown players, including Betty Grable, Lucille Ball, George Barbier, Charles Rogers, Barbara Kent, Johnny Mercer, Eric Blore, John Arledge and Sonny Lamont. For one thing, it is great to watch a very young Betty Grable with her exuberant dancing and carefree enthusiasm before stardom. This is one of her earliest movies I've seen along with 1938's "College Swing"(also a campus musical). George Barbier as the rich and overprotective father who enrolls in college to watch for his son's social life is cool especially in the "Old Man Rhythm" number. Sonny Lamont is amusing as the heavy-set college boy who does some back flips and acrobats. The song that opens the movie, set on the train where all the college students are singing and dancing is quite catchy. But my favorite numbers are "What Would You Suggest?" and "When You Are in My Arms".
Arthur Hausner The plot is silly and the songs are mostly unmemorable, but there are small pleasures to enjoy in this film. First, there's fifth-billed Betty Grable, who is featured in several songs. And she does a rapid-fire tap dance on her toes, ballet style, that seemed very difficult. I never thought her talent extended to the tips of her toes. Next, there's a character called "Blimp," played by heavy-set Sonny Lamont. He does acrobatic dancing usually reserved for people much lighter on their feet. I also enjoyed seeing the great lyricist, Johnny Mercer, in the first of his two acting roles. He seemed to have a natural acting talent that made me wonder why he didn't appear in more films. Finally, there was the challenge and pleasure in spotting Lucille Ball in an early uncredited nonspeaking part. She's there, but I had to re-run the tape and take my focus away from the action and look in the background.