Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

SimonJack This Christmas film and drama was based on the last Truman Capote work published before his death in 1984. The short story by the same title came out in 1983 as a gift booklet. Capote's writing output slowed to a trickle the past two decades of his life. He had become wealthy and was a celebrity who mostly lived a gay lifestyle immersed in alcohol and drugs. But in this autobiographical story he returns to his youth as a young boy given up by his divorced parents to be raised by cousins on his mother's side. The nostalgia comes through, mixed with initial dislike for his father and his dad's life in New Orleans. Three years after this TV movie was made, Hallmark would make a film of Capote's first story about his childhood. "A Christmas Memory" was published in 1956 and made into a film in 1997, starring Patty Duke as Capote's beloved elderly cousin, Sook. That was a superb performance. We don't know if this story is true or not. Here, his character, Buddy, goes to visit his father for one Christmas as a boy. Sook (here played by Julie Harris in a short beginning) helps him pack and takes him to the bus in their hometown in Alabama. The original (1956) story doesn't give a hint of Buddy visiting his father while he was living with his cousins. And, he had no recollection of his father in that film. So, this may have been a fictitious visit that Capote made up for another story. Or, it was something that had taken place but that he hadn't remembered or wanted to remember until his later years. Katherine Hepburn got top billing for this film, but her role of Cornelia Beaumont was a minor one. She was 87-years-old when this film came out. It was her last film before she died in 2003 at age 96. It must have been a difficult role, and her lines were hard to hear a couple of times. She plays an irascible spinster and matriarch of a wealthy New Orleans family. At one point, she tells Buddy (played by T.J. Lowther) that she never had children and she didn't like them. This may have been a close parallel to Hepburn's own life, which biographers and other writers have recorded as an unusual life of varied sex. This film hasn't been very well received, and it doesn't quite come across as a Christmas movie. It is more of a short chapter in a boy's life, but the focus being as much or more on his estranged father. That is the best part of this film and why I give it six stars. Buddy's dad is played superbly by Henry Winkler. It's a look at a different type of lifestyle, and a type of gigolo and flimflam man who hung around the fringes of the top society of New Orleans. This also reveals a striking aspect of Capote's childhood. His dad comments on his lack of interest in or knowledge of baseball, football, or other sports that boys play while growing up. As Buddy is in these two movies, Capote in real life was raised in the world of women. He never had a fatherly figure or healthy masculine influence in his youth. He didn't go to a military school, as the later film implies. Rather, after being raised in his early boyhood years by his elderly cousins, he then went to live with his mother in New York City. So, during his teen years he was exposed to party life and the seedier atmosphere surrounding the theater. Recalling that the setting of this film was around the early 1930s, I wondered about a scene toward the end. Miss Emily (played very well by Swoosie Kurtz) is talking with Buddy. He says that his father lied to him. She says that it's a normal thing of society and that people tell many lies. She gives various reasons. This clashed with what Buddy had learned up to the point in his life – being raised in rural Alabama. In my childhood of the 1940s we also were taught the importance of telling the truth – and not lying. So, I wonder if Capote was trying to make a distinction in his story between cultures. Was it the rich and people around them who told lies as a matter of course? Or, was it people of the big cities? Or a combination of the two? This, in contrast to the rest of America where truth still held ground?This movie probably wouldn't make anyone's list of good Christmas flicks. But, it does provide a rare look at one life style that survived by softly peddled scams. And in that, Henry Winkler gives a superb performance.

jjnxn-1 Minor reverie based on Truman Capote's short story about a trip he made as a youngster to meet the father who to that point was a stranger to him. What he finds is hardly the stuff of fairy tales. His father is a shyster living a flashy front but hollow beneath. On top of that he's a selfish, thoughtless, sometimes cruel man who has no idea how to relate to his lost needy little boy.The biggest deficit the film has is Henry Winkler in the lead. He's just not believable as a film-flam man who has the women of the town falling at his feet and pushing money in his pockets. He doesn't give a bad performance but he doesn't fit the part in the least. Then there's T.J. Lowther who plays the young protagonist, he has big mournful eyes and a quiet manner but he doesn't register enough on screen to keep the viewer interested in his plight.Fortunately the cast does include Swoosie Kurtz who makes anything she's in better as she does here and in a small role Julie Harris who does a great deal with her few minutes on screen. She's actually more memorable in her tiny bit that either father or son throughout the entire movie. The film has a lovely spic and span look, too clean to actually be real places but nice to look at nonetheless. This Hallmark holiday special marks the end of Katharine Hepburn's career. Playing Swoosie's rich aunt she is required to do little more than to grumble and grouse until loosening up a bit towards the end. By this time her palsy was severe enough to be ever present and impeded any real characterization but her star power is still there no matter how frail she is. It's certainly a more dignified exit from the stage than many of her contemporaries were able to manage. A respectable rendering of Capote's story, nothing magical but worth catching once to see a legend take her final bow.

waverly94 One Christmas was an autobiographical short story written by Truman Capote. Buddy, in the story, is Capote. Capote's father was actually a scam artist who spent time in prison. This story along with "A Christmas Memory" and "The Thanksgiving Visitor" make a wonderful trilogy. This movie doesn't do justice to Capote's beautiful, bittersweet prose, but might be worth seeing if you are a big fan of Capote (like I am) or of Katherine Hepburn, as this was one of her last appearances. Also, the wonderful Julie Harris plays Sook, who is the heart and soul of the movie (and the stories mentioned above.) However, if you are looking for a "happy, happy, joy, joy" Christmas movie - you should probably skip this one.

Goon-2 I can't really enjoy a film if I do not care for the main character. This one is a bratty little kid named Buddy who gets sent to live with his father during the Depression-era Christmas season. Buddy had previously been living with some older-by-about-60-years cousin(the only character I kind of liked) due to the fact that his father is basically a scheming criminal. The father(Henry Winkler) pretends to be some great success for Buddy, but Buddy doesn't really buy it and neither does the rest of the town, which looks down on the dad. Although the father makes an enormous effort with Buddy, Buddy the monster never really accepts his father or his new living situation. This means Buddy yells, complains and has outbursts similar to annoying Kevin Arnold's at the end of a Wonder Years episode. Instead of people yelling at Buddy and teaching him to appreciate his life, constant praise is heaped upon him and it is clear that Buddy is supposed to be some wonderful, charming child. I didn't buy it and did not appreciate being subjected to the little brat! (for the record, the rest of the film is disinteresting, slow-moving and not worth investing one's time in)