One Damned Day at Dawn... Django Meets Sartana!

1970
4.9| 1h37m| en| More Info
Released: 13 June 1970 Released
Producted By: Tarquinia Cinematografica
Country:
Budget: 0
Revenue: 0
Official Website:
Synopsis

The small desert town of Black City is held in a reign of terror by a nasty gang of criminals lead by the ruthless Bud Willer. Earnest, but inexperienced Sheriff Jack Ronson arrives in town to establish law and order. Mysterious bounty hunter Django helps Ronson out.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Tarquinia Cinematografica

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

CommentsXp Best movie ever!
Connianatu How wonderful it is to see this fine actress carry a film and carry it so beautifully.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Portia Hilton Blistering performances.
Benedito Dias Rodrigues This kind of western are too much accepted in Brazil,mainly because around the late sixties had a invasion from this italian productions in ours theatres over the cheapest price allowed for fit in brazilian pockets,another important thing to ad is about a violence available in those pictures a bit more than american productions,in this one a usual movie about endless Django against contless Sartana,nothing new just the same on bad image of course!!Resume:First watch: 2017 / How many: 1 / Source: DVD / Rating: 4
Red-Barracuda Django and Sartana team up to fight back against two gangs of outlaws who are terrorising a lawless town.The unique angle of this Italian western is in combining both the Django and Sartana characters together, both of whom had their own series of spaghetti westerns. Although it does have to be said that this distinctive aspect has to be set against the fact that both protagonists only resemble these characters in name and act decidedly differently than usual. Truthfully, it seems obvious that these names were only applied to the characters as an after-thought. Quite honestly, this is a very clichéd and derivative affair with stock characters such as an enigmatic bounty hunter and amoral villains aplenty. But despite all this, I found it overall to be slightly better than average for this kind of thing. It didn't descend into tedium too often and its sparse running time seemed like good manners on the part of the film-makers. So, while any seasoned fan of this kind of thing is highly unlikely to find anything new here, I still think it entertains more effectively than many others in the sub-genre.
ma-cortes The small desert town called Black City is besieged by a brutal band of bandits led by the villain Bud Willer (Dean Stratford) and ruthless Mexican called Paco Sanchez (Benito Pacifico). The gang holds up the Tombstone bank and flees with his loot . Earnest Jack Ronson/Sartana (Fabio Testi) arrives in town to establish law and order . Mysterious bounty hunter named Django (Jack Betts or Hunt Powers) helps Sartana out. They also help Peter's Widow (Simonetta Vitelli or Blondell , Demofilo Fidani's daughter and starred several films of his father) who was murdered by a gang of vicious outlaws . As astute Django and an inexperienced Sheriff join forces to terminate a reign of terror carried out by a brutal band of criminals . But shrewd bounty hunter Django imprisons Sartana and after that , mysterious Django faces off a duel against the crazed Bud and then the Mexican Sanchez seeks vendetta . Stubborn and cunning Django along with saintly roving gunslinger Sartana take on Sanchez .This below-average Ravioli Western packs thrills , action , brawls , crossfire and drags at times , balancing in ups and downs . The movie has the typical Spaghetti characters , as the violent facing , greedy antiheroes, bloody and spectacular showdowns, quick zooms , extreme baddies but being wretchedly directed . Here unite forces two mysterious heroes from Spaghetti Western : Sartana and Django , their history is the following : The first movie on Sartana as an avenger hero was by Frank Kramer (Gianfranco Parolini) interpreted by John Garco or Gianni Garco or Gary Hudson , besides it was starred by Klaus Kinski and William Berger . As always , the mythic personage appears elegant and dressed in black and with a killer look . After being continued by Alfonso Balcazar ¨Sartana non perdona or Sonora¨with Jorge Martin and Gilbert Roland . Miles Deem directed two Sartanas which are considered awful . Anthony Ascott (Giuliano Carmineo) realized several movies with George Hilton who replaces to Garco . Hilton plays more natural and roguish than Garco who was cold and peculiar . Garco starred various Sartanas with Carmineo as ¨¨Sartana the gravedigger'(69) , ¨Light the fuse Sartana is coming¨(71), among others.After successful original ¨Django¨ by Sergio Corbucci with Franco Nero , it was followed by several imitations , rip offs and cheesy copies , such as : ¨Pochi dollar per Django¨ or ¨Alambradas De Violencia¨ (1966) by Leon Klimowsky starred by Anthony Steffen , Gloria Osuna , Frank Wolff ; ¨El Mio Nome e Django¨ (1969) by Ferdinando Baldi with Terence Hill , Horst Frank , George Eastman ; ¨Django Le Bastard¨(1969) by Sergio Garrone with Anthony Steffen , Paolo Gozlino ; ¨¨Django defies Sartana¨(1969) by Pasquale Squitieri with George Ardisson and Tony Kendall ; ¨Ein Pressen Fur Django¨ or ¨Barro en Ojos¨(1971) by Edoardo Mulargia with Anthony Steffen ; and the official sequel titled ¨Il Grande Ritorno¨(1987) by Nello Rossati with Franco Nero , Christopher Connolly and Donald Pleasence .The picture was lousily directed by Demofilo Fidani or Miles Deem , considered to be the "Ed Wood of Spaghetti Western" and husband of Mila Vitelli Valenza ,a professional costume designer and father of actress Simonetta Vitelli , both of whom worked in various films of Demofilo . Fidani directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world , similarly to Bruno Mattei . He followed shooting these taboo-breaking films with excursions into porno film , adventure , as ¨Karzan, Jungle Lord" and specially , Spaghetti as ¨Django and Sartana's Showdown in the West" , ¨Giù la Testa¨, "Sartana, the Invincible Gunman" , ¨El Sartana... l'Ombre Ta Mort¨, among others .
TankGuy The plot line of this trashy Fidani saga is as non-existent as the inhabitants of the town in which it is set. Basically, a young fellow arrives in Black City to assume the position of Sheriff. The town is in the thrall of two minuscule outlaw gangs who spread terror amongst the elusive townsfolk. A mysterious bounty hunter(yes, you all know the type)turns up which then complicates things for the Sheriff.So, you and your mates are bored and decide to make you're very own Spaghetti western. Grab a couple of cameras, a hoard of props, scribble together some rough ideas using every western cliché there is and presto,this movie is the end result!. As with the other Fidanis The dialogue is excruciatingly dry and contains corny lines which have been spoken in every B western ever made. The Django and Sartana of this movie are two of the most uncharismatic anti heroes I've ever seen. The rest of the performances are filled by members of the "Miles Deem stock company",(Dino Strano, Dennis Colt, Simone Blondell etc.)who are just as wooden. For half of the movie we are forced to sit through painful conversations between one dimensional characters and then there's the longest and most incoherent flashback ever committed to film, which lasts at least 20 minutes. But hey, it's a Fidani trashfest,It's not supposed to be fantastic. In spite of the deliberate frustrating errors, this movie is very enjoyable.The action scenes are peppered with the usual Fidani stunts. Guys falling from balconies, tumbling down stairs and taking violent spasms as they pretend to get shot. The stunts are what is best about the film and will provoke a chuckle or two, which is what I love most about Fidani's westerns. The final shootout in the wind swept streets of Black city had next to no suspense but was fun to watch anyhow. I couldn't get over the part when Django walks out into the street to kill the outlaws whose main priority is to cover their faces with their scarves which subsequently proves detrimental to their lives. The fistfights were nothing spectacular and seemed to be thrown in to waste time, but were well choreographed and edited anyhow. Also, look out for the most intense arm wrestling contest ever seen(not). I can't quite put my finger on it but I find the bleak sandpit locations and constant emptiness of the town somewhat appealing.As a trashfan, I think it would be great if Spaghetti westerns like this were released in a boxset(region 2)as even though they lie at the bottom of the barrel, I enjoy them immensely. This movie makes for brilliant entertainment on a cold, dull, quiet afternoon or in the early hours of the morning when you are plagued by Insomnia. 7/10.