Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Grimerlana Plenty to Like, Plenty to Dislike

Supelice Dreadfully Boring

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Horst in Translation (filmreviews@web.de) "Paradies: Hoffnung" or "Hope" is the 3rd and final installments to Ulrich Seidl's "Paradise" trilogy. After fairly heavy material in "Love" and "Faith", this one is a bit lighter. However, it still has its serious moments. It is the shortest from the 3 movies as it only runs for roughly 90 minutes and also the one that got the least awards attention. Still, it is a pretty good film in my opinion. The protagonist here is the obese daughter/niece from the protagonists of the other 2 films. Hofstätter has a cameo in here as well at the beginning. The girl's name is Melanie and she is sent to summer camp to lose weight. Basically, for the entire film we watch her routine at the camp. Seidl chooses a mix of comedy and drama again. The tough sports coach is fun to watch with his determination and lets be honest: fat children making sports is a funny sight, no offense. When one after the other makes forward rolls from the left of the screen to the right, there is something hilarious to it. Another funny scene would be when the gang tries to steal candy at night and they get caught by the PE teacher again.However, this is by no means a comedy. There are many serious moments in here. The P.E. coach is for the humor, the doctor is for the drama as he is at least as attracted to the main character as she is to him. This results in many complicated situations and, ultimately, in heartbreak. But the girl is really only looking for somebody to understand her, enjoy spending time with her, which was probably something her mother neglected, even if she came across as a caring mother from the first film in my opinion. Anyway, the girls' calls say a lot in this film. She does not want to ruin her mother's holiday in Kenya (now that was a holiday!), so she says it is all good at the camp, but she tells the truth to her father because she knows he won't care anyway. In the end, however, she is also honest towards her mother. Her mother is her ultimate attachment figure again after the doctor "broke up" with her and her best friend left her alone at the club when she was in really bad condition.I have never been at such a camp because I never had weight problems and looking at this one here, this may have been a good thing. But even with all the drama going on, I felt that, overall, this was a lighter watch than the other 2 films, especially "Faith". I definitely recommend this trilogy, very well done from Seidl and everybody who worked on this massive project, especially the 3 lead actresses. Now let me clap my (non-existing) fat because I'm happy I got to watch these. Thumbs up and I recommend "Hope" just like I recommend the previous 2.

petarmatic We find out that Anna Maria has a niece and that she is a daughter of the women sex vacationing in Kenya. So trilogy starts to make sense.Girls in their teens. The fat once. Fighting with pillows and talking about sex. But then the hairy Guy comes to train them and teach them how to try to loose fat. ;) I think that sending girls to the village is an idiotic thing, but girls who escaped, and went to a night club, dancing girls really gives us HOPE! I find this film weaker link of the other two. Especially the second one. Faith. Glaube. So powerful, that this one looks weaker. But it should not be underestimated. It should be watched together with other two. Very powerful trilogy!

OJT Paradise: Hope is about 13 year old Melanie, which is sent on diet camp in the Austrian mountains, while her mother is on sex vacation in Kenya.The third installment of the Paradise trilogy by Austrian Ulrich Seidl is not as great as the first two think. Still it's both interesting and funny, as an odd view of Austrian life. All film's are connected, as they are all about three persons in the same family, still they can without any problem be seen as individual films. But this, which I find the least interesting, is more interesting, if you think if the trilogy as a whole.The three film's really worth a good discussion, and for a film club this is really something to enjoy. The films are all very realistic, and all are rising questions, without giving any answers. All the films balances ethical questions. What do we think about this, and that? It could all happen, not only in Austria, but elsewhere as well. Lines to cross, or not. Humans seeking out, trying, doing strange things, searching for either hope, God, emotions, recognition, satisfaction, life, entertainment... We could go on...It's also interesting, this film as both a trilogy and as in it self, that it balances right and wrong with enjoyment/fun and sadness/tragedy, with seriousness and the comic of it all. It's a slice of life, of struggling with our demons. Seidel balances well. Keeps away from real controversy, but more than once approaches the nasty dilemma, but it's always terminated before it's getting really serious.All films are kept in the same style, obviously, though filmed in very different environment. Slow, dwelling pictures, but never without any reason. The camera is still, often in a not to distant view, clinical, bleak. Still fresh and actually pastel. Probably not without reason, still not sure why.Seidel is another very interesting Austrian director, which differs from the lot. Like Haneke he had a very distinct style. Very different from each other, and in a strong filming language. Simply interesting. I'm sure this trilogy will be seen upon as interesting for years to come. Deservedly so.When this is only getting a 6/10 from me, as opposed to the better ratings for the first two, this is due to the lesser interesting and driving plot. It fades out without giving a real impression, and a small disappointment lingers, since the first was so good. Paradise: Love was interesting in any levels. If thus bad. Er the first, and he first the last, it would have given a greater impact. Maybe that is what Seidl wants us to discover. If I am to watch the three films again, I surely would reverse the trilogy, and try to discover if there's more to it than I saw during the first watch.

Sindre Kaspersen Austrian screenwriter, producer and director Ulrich Seidl's fifth feature film which he co-wrote with screenwriter Veronika Franz and co-produced, is the last part of his partly theological Paradise trilogy which was preceded by "Paradise: Love" (2012) and Paradise: Faith" (2012). It premiered In competition at the 63rd Berlin International Film Festival in 2013, was shot on location in Austria and is a Austria-Germany-France co-production which was produced by producers Philippe Bober and Christine Ruppert. It tells the story about a 13-year-old girl named Melanie who whilst her mother named Teresa is on vacation in Kenya is taken to a diet camp by her aunt named Anna Maria where she befriends a girl named Verena and takes a liking to a doctor.Precisely and statically directed by European filmmaker Ulrich Seidl, this quietly paced fictional tale which is narrated from multiple viewpoints though mostly from the main character's point of view, draws a heartrending portrayal of a girl's experiences whilst participating in a residential program. While notable for its naturalistic milieu depictions, distinct production design by production designers Andreas Donhauser and Renate Martin, cinematography by American cinematographer Edward Lachman and Austrian cinematographer Wolfgang Thaler and use of colors, this somewhat character-driven and dialog-driven story about friendship and hope depicts a mindful study of character where the rare humor occurs as a result of the at times rhythmic and subtle continuity.This humane, involving and somewhat surreal sequel which is set mostly at a weight loss resort in Austria and where an adolescent girl begins looking for the same thing that her mother is looking for in Kenya, is impelled and reinforced by its cogent narrative structure, substantial character development, colorful characters, sparse dialog and the reverent and commendable acting performances by actress Melanie Lenz in her debut feature film role, Austrian actor Joseph Lorenz and actress Verena Lehbauer. A minimalistic, characteristic, sociological and atypical coming-of-age drama where Ulrich Seidl's dystopic universe which may not be for all tastes and where he has gone to the extremities of humanity with a bittersweet, realistic and somewhat bleak though far from melancholic point of view comes to an end.