Paramount on Parade

1930 "Sparkling as a June night; intimate as marriage. Something entirely new in screen entertainment."
5.7| 1h17m| NR| en| More Info
Released: 22 April 1930 Released
Producted By: Paramount Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors

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Reviews

Cathardincu Surprisingly incoherent and boring
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
GManfred "Paramount On Parade" is both a musical revue and a collection of skits by Hollywood stars who can sing and some who cannot. The entertainment value is uneven as some of their stints in front of the camera range from pretty good to mediocre, from Maurice Chevalier to George Bancroft, whose forte was gangster roles. The movie was an excuse for Paramount to showcase as much of their stable of stars as they could assemble, and there were quite a lot of them. I understand that there were a spate of star revue-type pictures produced around the start of the sound era, and this was another one in that mold.The main reason to see this picture in 2010, I found, was as a museum piece, watching old stars that I had only heard of. Hadn't seen much of Mitzi Green to speak of, ditto Skeets Gallagher, and had never seen Harry Green before. From that standpoint it was fascinating, but maybe not for moviegoers older than me. There was a good skit with four old-time movie sleuths, Warner Oland, William Powell, Clive Brook and Eugene Palette (who was more of a movie dim-witted cop).On the IMDb site it is clocked at 77 minutes but at Capitolfest in Rome,N.Y. (8/10), a 102 minute 35mm print restored by the UCLA film department was shown which made it extra special.
deskmandmna I've just watched the current restoration and can add some information to the 2002 review.The footage of the opening "Showgirls on Parade" sequence is missing but the sound survives.The sound disc for "Isadore the Toreador" has been located (only a few days ago) and will be put into the next restoration with the surviving Technicolor footage..Nino Martini's number is now complete, and in Technicolor.The "Dream Girl" Technicolor footage survives but the sound is missing.The "Gallows Scene" is missing most of the sound except for Dennis King's song.
kidboots When "Paramount on Parade" was filmed - Paramount had more musical stars than any other studio. The other studio revues (MGM's "Hollywood Revue of 1929" and Warner's "Show of Shows") may have been more flashy but most of the stars were not singers or dancers and people went for the novelty of seeing their favourites trying to sing or dance.In 1930 Nancy Carroll was voted "Queen of the Screen" and Maurice Chevalier was the new sensation of the movies - both were Paramount players. Helen Kane was also very much in vogue (although within a year her popularity had nose -dived). There are three Masters of Ceremonies - Leon Errol, Skeets Gallagher and Jack Oakie are introduced singing "Paramount on Parade".As dredmn says several of the segments are missing. Among the sketches I liked:- "Any Time's the Time to Fall in Love" - was sung by Buddy Rogers and Lillian Roth looking vibrant and happy."What Did Cleopatra Say" - Helen Kane attempts to teach history to a class (including Mitzi Green and Jackie Searle)."I'm True to the Navy Now" - Clara Bow was fantastic - she could really sing (apparently she had to film her segment during a break from another movie and also do her own hair.)Jack Oakie and Skeets Gallagher were sailors."Dance Mad" - "Dancing to Save Your Soul" was the highlight for me. Coming out of a shoe box Abe Lyman and his band played the song. Nancy Carroll was completely gorgeous and sang in a very sweet voice. Al "Rubberlegs" Norman was on hand and he and Nancy did a funny, eccentric dance."I'm in Training for You" - Jack Oakie and Zelma O'Neal did a novelty song and dance in a girl's gym.( I think Mitzi Mayfair was a featured dancer.)Maurice Chevalier came on for his first number "All I Want is Just One Girl" - it's great - Chevalier plays a gendarme who is helping out lovers in a park in Paris.Mitzi Green then comes out to sing the song as Maurice Chevalier and Moran and Mack would sing it. I actually really like her and found her very talented."Impulses" - I really loved - I thought it was very funny. George Bancroft (a movie tough guy of the day) in a sketch where people followed their impulses (elegant Kay Francis cracked a vase over Bancroft's head.)The finale was "Sweeping the Clouds Away". Maurice Chevalier was a chimney sweep with a chorus of pretty sweeps. It was originally in colour and would have been beautiful. Chevalier climbs a ladder to the top of the rainbow and the sweeps have transformed into the colours of the rainbow. I enjoyed this film so much.
niki-17 You get to see dozens of early talkie stars in this hodgepodge. The short "drama" sequences and most of the "comedy" sequences are awful, but the singing and dancing routines are tops. My favorites are the "I'm in Training for You" routine (Jack Oakie and Zelma O'Neal), the "Dancing to Save Your Soul" routine (Nancy Carroll and an uncredited Al Norman - the great deadpan rubberlegs dancer), Maurice Chevalier singing "All I Want is Just One" and "Sweeping the Clouds Away" and little Mitzi Green imitating Chevalier.