Freaktana A Major Disappointment

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

jwiley-86292 I'm giving this a pretty high score even though it's not the easiest to sit through. I just have too much respect for how it came across to me. Passion deserves to be talked about outside the niche within a niche of Sondheim fans. People who have seen this musical are likely to be repulsed, mainly because of the behavior of Fosca. Audiences shouted mean comments at the stage during preview performances! Why? Let's analyze the story.Giorgio, a green young man sent off to war, meets Fosca while stationed in a remote town. Fosca appears to suffer from mental illness, chronic physical illness, and eating disorders. Giorgio is the only person in the whole story who tries to know Fosca on her own terms and listen to her; no one finds her physically attractive. You can guess that she falls in love with Giorgio, but he is already involved with Clara, a married woman. Fosca is upfront, desperate and nosy about Giorgio and Clara. Giorgio is quick to call her out on it, insisting that her appearance is no excuse for her behavior. The trouble is, Fosca doesn't have anyone, and did I mention the self-esteem issues? We learn in a flashback that she was deceived by a suitor and brought up by her parents to believe that a woman's only value is in her beauty. Given what her life is like, I'd humor her a little more if I were Giorgio.Here's the thing: Giorgio denounces Fosca's infatuation as shallow and unreasonable, but his relationship with Clara is just that. We don't learn why he started seeing Clara. When we see Giorgio and Clara together, they do little other than make out, but in the bulk of his scenes with Fosca, he's talking and thinking with her. Fosca is more of an intellectual, being a reader and pianist, while Clara gives Giorgio permission to ignore her without having met her; unaware that no one sympathizes with Fosca a) because of her appearance, and b) from a lack of understanding of her medical condition!As you can tell, this is a thinker's piece. Passion is difficult to swallow, but it raises important questions. For one, where do we draw the line between pardoning antisocial behavior due to past suffering and total accountability? Is Fosca so defeated by society that there's no way she can't passive-aggressively harass the objects of her desire? (I say yes.) One could argue about this play endlessly, and to me, that is when you know a piece of writing or art has done its job.

TheLittleSongbird Passion is not for everybody and it will test the patience of some. It still however has Sondheim's beautiful music and intelligent lyrics, and the story is poignant once you stick with it. And this is an incredible performance, if you love Passion(I myself think that while it's not Sondheim's best that it's misunderstood) you'll find much pleasure in the performance. The production is transferred to DVD beautifully, sharp, fluid and clear, has simple but effective sets and costumes and it's a cleverly lit production also. With the way the orchestra play Sondheim's music positively sweeps, and the tempos are all appropriate to the moods each song is conveying. The drama and what's happening on stage is genuinely poignant and once you stick with the production and the musical itself you'll be drawn in. Fosca is also very easy to identify with. And that is mainly because of the unforgettable performance of Donna Murphy, a powerful and moving performance if there ever was one, she doesn't just perform Fosca, she becomes Fosca. Marin Mazzie is superb as well, beautiful voice and compelling acting complete with personal beauty and charm. Jere Shea has a great voice and is heartfelt towards the end, but his acting is rather wooden most of the time. That's the only speck of a criticism to be had with the production though. In conclusion, patience-testing on first viewing but stick with it and once you get past Shea's acting this is an incredible performance of an underrated Sondheim. To be seen especially for Murphy, who gives the performance-of-a-lifetime, and probably has not been better than here. 9.5/10 Bethany Cox

Lady_Schwartz I'm going to go against the grain here. Now, I really love the work of Stephen Sondheim. Since my first experience with Sweeney Todd, his art has continued to surprise me. However, this play was possible his worst and I can see why it failed to find popular audience.In my opinion, this play sent out a terrible message to the audience. From personal experience, I realize how dangerous obsessive love can be. There is nothing romantic or passionate about obsession and the behavior Fosca presents. The entire romance is just plain frightening and creepy. Fosca would have been more sympathetic if she had suffered from unrequited love alone rather than obsession.Marin Mazzie (Clara) gives the strongest performance in this, and is the only thing I enjoyed about the play. Some of the music is nice, but definitely not Sondheim's best. The sets and costumes are rather boring as well. If you're looking from some good old Sondheim than I would suggest watching Sweeney Todd, Into the Woods, West Side Story, and Sunday in the Park with George. The music, appeal, and overall production is so much greater in those plays.

ArrivederciBaby For some reason there's no credit given here for the 1981 Italian film this musical is based on - Ruggero Maccari and Ettore Scola's "Passione d'amore" - which, in turn, was based on the novel "Fosca" by Iginio Ugo Tarchetti. All versions are well worth checking out! :)