Pepi, Luci, Bom

1992
6.1| 1h22m| NR| en| More Info
Released: 29 May 1992 Released
Producted By: Fígaro Films
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Synopsis

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

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Reviews

Matcollis This Movie Can Only Be Described With One Word.
MoPoshy Absolutely brilliant
Salubfoto It's an amazing and heartbreaking story.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
paulvachier Actually this is my favorite Almodóvar film because he wasn't trying to please or appease anyone with this movie, he just says what he wants to say and does it in a very original and (at the time) provocative way. A bit dated now but still a brilliant deconstruction of Spanish culture with zany characters taken straight out of a John Waters movie. It's also the only one of his movies where Almodóvar (looking VERY young) makes an appearance himself (as the judge of a penis size competition no less). Considering that this movie was made in less than a week with a budget of around $5,000, it's actually quite well done. The cinematography is probably the weak point but the story is great and the characters a parody of everything good and bad about Spain in the 80's. It is full of in-your-face-irreverent kind of humor as well as great little cultural bits and references that only native Spanish speakers or people familiar with Spanish culture will get. One of my favorites is the song "Murciana Marrana" that Alaska and her punk rock band sing as an ode to her new found lesbian lover and repressed house wife - hilarious lyrics and pure 80s punk rock at its best. The movie itself is really genius and despite some technical shortcomings, it's a real gem.
RResende i suspected i would get something like this before i saw it. I was interested in understanding the roots of Almodóvar as a filmmaker, how he started developing his kind of visual storytelling, which is so unique today. At the same time i wanted to understand and feel some of the pulse of the underground spirit in Madrid of those days. Both these issues are personal. I wanted to understand how one can use a force of available young (and inexperienced) talents and give a faithful expression of a certain moment in time and space. I also wanted (and still want) to get to "first works" by directors i admire, so i can understand how they used their technical and budget limitations to pursue ideas they were after. This is not Almodovar's first film, but it is the oldest to which one can have access in legal (and i suppose illegal) market.I think this is a failure. Not because it's technically and formally (very) flawed. I actually enjoyed watching all the flaws passing in front of my eyes, i think some times a project can work out stronger if its amateur/inexperience face shows. This is that case. Anyway, i think this is a failure because it is a film where Almodovar is not yet capable of turning his soap operish stories into something intelligent from a visual narrative point of view. The story here is not more or less poor than in many other successful Almodovar features. But here he couldn't find a device that can with intelligent turn the experience into something purely visual, the way he does in his best works. So, i tried to see the positive side of this. The film proves to me how intelligent Almodovar is, for the paths he pursued after this adventure, intelligent in what concerns storytelling, and visual narrative and how he always searches for new ways to fold his stories and deliver them to us as visual products.Actually, we have hints here. In between the scenes, the girls suggest the production of a film about their own lives. That film would depict precisely the events we get on screen. I decided to understand (i think this is a matter of choosing which interpretation you want to give) that i was watching the film they were discussing, as if the story was in fact things from the real world that actually happened, and i was watching women representing those lives. But there's an important statement, Carmen Maura's character warns that for those girls to interpret their own lives, they have to perform. They have to act, in order to be themselves. Intelligent. Almodovar would go on depicting women who act, many times act like themselves, other times they act like actresses ("Todo sobre mi madre" was all about this). This possible film within a film, and the denouncing that we may be watching a film depicting characters who represent themselves was to me a hint to layered storytelling, and narrative invention. Almodovar's career to me has everything to do with that."La movida" is here. In a moment i'm willing, and trying, to move into creating something in the visual world of images (call it cinema if you want), i really care about understanding how in this moment of Spanish pop culture so many talented people were able to come out, and produce important work. I'll search for other visual proof and important documents from this time, i'll try to understand how this and other films were possible. This is a bad film which i envy. I which i could one day gather such a crew.My opinion: 2/5http://www.7eyes.wordpress.com
Cristian Life in the underground could be horrible, and "Pepi, Luci, Bom y otras chicas del monton" proves it. In this way, the film has a good topic, but at th end, i think ... it doesn't achieve it. Really, i thought than "Pepi, Luci, Bom y otras chicas del monton" (after all, the title is very creative)will another of that funny films ... but, don't. The story of "Pepi, Luci, Bom y otras chicas del monton" is about Pepi, Lucy and Bom. Pepi, a victim of a rape by the husband of Luci that is the girlfriend of Bom (Bom is friend of Pepi), want revenge. That three women become friends. The film is very dark, i think, because some scenes are like that, dark. The movie has the funny parts, but after all, with a little decadent "thing" that makes it very uncomfortable, because makes it see like a good thing. But, well, i cant blame it because that was the life of people who lives in th "underground" world. There is a thing, that i love of "Pepi, Luci, Bom y otras chicas del monton" after all, and is the funny narration and the publicity mind of Pepi when we see their commercials. After all...*Sorry for the mistakes ...well, if there any
timon88 If you're an Almodovar fan, this film is definitely worth seeing; others may find it a bit obscure. Almodovar's unique personality is already in full evidence in this first film of his to be widely distributed. Yes, most of its low-budget seams are in full evidence, but compensates with moments of outrageous hilarity that no one else would even attempt. It's worth seeing for the lesbian rock star's punk love song to her lover alone.