Personal Services

1987 "The future lies in kinky people"
6.3| 1h45m| R| en| More Info
Released: 07 May 1987 Released
Producted By: Zenith Entertainment
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter as the down-at-heel waitress who, with the help of prostitute Shirley and cross-dressing Wing Commander Morten, seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding judge isn't unfamiliar with her work.

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Reviews

Matrixston Wow! Such a good movie.
SpecialsTarget Disturbing yet enthralling
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Breno Bacci As a fan of Monty Python, I've watched every movie directed by either Gilliam or Jones, and one day I will manage to watch every single movie featuring them, John Cleese, Eric Idle, and the other guys. "Personal Services" was a bit hard to find, and although I've ranked it slightly below average, the experience of watching it was actually quite a pleasant one.Since it's based on a real story, I won't waste any time mentioning the plot in my review. The storyline is indeed engaging, and as for the dialog, I believe a decent effort was made by both the writers and the cast. Altogether, Jones' comedic genius is visible and works in many scenes throughout the movie.However, this was one of the first - if not the first - directing enterprise for Jones after his work with Monty Python, during which he shared directing duties with Gilliam. It's interesting to notice how the director attempts to forge his own style, specially in this case where he was a part of a big ensemble of extremely funny people.Jones managed to mature his style over his next films, to the point I'd say his last one, "Absolutely Anything", is perfect almost in every way. This movie is the beginning of that and, although it's not brilliant, it's entertaining and worth your time. In some instances it almost looks experimental, like something out of film school. But even when it looks like that, it still feels better than many movies with terrible plots or solid directing. Sometimes a funny person doing a sloppy job directing a good story is enough to make a movie watchable. At least I think it beats renowned directors showing off their Cinema credentials, with an uninteresting plot.If not anything else, this movie helped me solidify this notion: there is probably nothing more important in Cinema than a good storyline.
Michael Neumann The story of Cynthia Payne (London's notorious 'Luncheon Voucher Madam') could have easily been made into a tawdry little sex farce, but underneath all the kinky detail is a film aspiring toward something more than just another naughty biography. Julie Walters' vivid performance, bristling with barely suppressed nervous energy, creates a memorable portrait of a working class girl who, to make ends meet, opens a cheerfully uninhibited suburban brothel catering to the milder perversions of errant older gentlemen: costume fantasies; flagellation; transvestitism, and so forth. There's plenty of wit (much of it with a sharp edge) in David Leland's screenplay, which despite its forthright lack of inhibition is remarkably tolerant of (and even sympathetic to) the shortcomings of its characters. Names have been changed to protect the innocent (and hide the guilty), but the facts are essentially true (despite a pair of disclaimers) and Terry Jones' direction shows more tact than otherwise might be expected from a former member of Monty Python's Flying Circus, a troupe never known for their subtlety or discretion.
ianlouisiana If you find a poor working - class woman's gradual slide into prostitution funny then feel free to laugh your way through "Personal Services".Cynthia Painter made the best of the bad options available to her(sh#g or starve basically)but no way in real life was "fun" an option. The rest is mostly a myth(albeit a self - serving one)propagated by the Red Tops when Ms Painter's business finally came to their official notice. Late 20th century British sexual hypocrisy is exposed to absolutely no one's surprise and the Judicial System is shown to be open to corruption or so Ms Painter maintains,but then, as an earlier celebrity prostitute Ms Mandy Rice - Davis might say,she would - wouldn't she. Miss Julie Walters - an estimable actress perhaps slightly over - exposed on British television - plays Ms Painter in her customary no nonsense I'm working class and proud of it style.She is at her best in the movie's more serious moments before giving it her all as the wise elderly tart with a heart which was presumably how Ms Painter wanted to portray herself. Men are shown to be mostly weak or crooked or both,barely getting a fair crack of the whip unless it is wielded by Miss Walters or one of her acolytes. The whole media - induced "scandal" about the "People's Madame" was a storm in a teacup and soon forgotten in the newspapers' never - ending hunt for fresh sleaze."Personal Services" too was a bit of a nine days' wonder and Miss Walters herself has gone on to better things.What reputation it has is as a sex comedy but there isn't much sex in it and it isn't funny.Go figure.
maatmouse Often it is said that you can define a country by the way it deals with that thorny business known as sex. Personal Services is as English as it gets about sex. Based very loosely on the life of English madam Cynthia Payne, Personal Services takes the character of Cynthia Painter and follows her progress from London waitress to a brothel keeper or 'Madam'.It starts with an accident. Madam is renting out flats but her clients (particularly one) don't pay her rent so she has to pay her landlord in a different way, by offering him sexual favours. Pretty soon, she starts to do this on a regular basis. Usually her clients are old men or men with a particular 'kink' such as wearing rubber and being locked in a cupboard with only a panic button for company. Others prefer being treated like naughty school boys and being spanked by matron or mistress. All this is done in the only way it can be done, the English style, accompanied by ribald comments about male anatomy, cups of tea, transvestites called 'Dolly' and, of course, the law, the police and eventually the crown court judge (who happens to be a Painter client).It is Belle De Jour without Catherine Deneuvre and with a lot more fun and more honesty. And of course, loads of tea and biscuits.