Politics

1931 "Vote the Straight Laugh Ticket!"
6.3| 1h12m| NR| en| More Info
Released: 26 February 1931 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A widow's decision to run for mayor kicks off a battle of the sexes in a small town.

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Reviews

Lucybespro It is a performances centric movie
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
zardoz-13 Director Charles Reisner's battle of the sex's comedy "Politics" concerns a 52-year old woman's mayoral campaign in her hometown after she exposes the current candidate's corruption. Although Zelda Sears and Malcolm Stuart Boylan penned the screenplay based on Wells Root's adaptation, with Robert E. Hopkins providing the dialogue, the basis of this comedy is the famous Greek play Lysistrata about women who denied their husbands sex unless they outlawed warfare. At one point during her campaign, single-mother Hattie Burns (Marie Dressler of "Mim and Bill") advises her followers to stop doing anything for their husbands. Mind you, nothing about this early MGM comedy is subversive, though the source of all the trouble is a shooting in a speakeasy where the an innocent girl dies from a gunshot wound.After this initial burst of gangland violence, Reisner focuses on matronly Hattie Burns. She defies Mayor Tom Collins (Tom McGuire of "Steamboat Bill, Jr.") at a ladies campaign rally when he refuses to round up all the criminals who own the nightclubs and put them behind bars. The moment that she does this, Hattie wins the support of all the women. Meantime, what Hattie doesn't know could derail her campaign. As it turns out, Hattie's well-meaning daughter, Myrtle (Karen Morley of "Scarface"), has been secretly dating a guy, Benny Emerson (William Bakewell of "Gone with the Wind"), but her mother doesn't know anything about their romance. Benny and Myrtle are sitting quietly in the Lake City Park one evening when a beat patrolman spots them, and they discreetly leave before he can run them off the premises. As they are leaving, Benny and Myrtle encounter one of Myrtle's friends, Daisy Evans (Joan Davis of "Anna Karenina"), and she wants to accompany them on her way home. Benny has to drop in over at a speakeasy run by notorious gangster Jim Curango (John Miljan of "Apache Warrior"), who is Tom Collins' biggest supporter. Daisy tags along with Benny and Myrtle into Little Club. Curango has given orders to one of henchmen, Nifty Morgan (Kane Richmond of "Traffic in Crime"), to gun Benny down. Unfortunately, Daisy gets in the way of the bullet meant for Benny, and Nifty's second slug wounds Benny. Myrtle and Benny escape, and Myrtle decides to stash her boyfriend in the attic of her mother's boarding house without informing her mother of his presence. Curango orders Nifty to turn himself over to the police and tell them that he saw Benny shoot Daisy. The men of Lake City get fed up with Hattie's mayoral campaign because the ladies are more involved with Hattie than their husbands. Initially, the husbands ruin Hattie's first campaign rally after Hattie's campaign chairperson Ivy Higgins (Polly Moran of "Adam's Rib") bows to the wishes of her stuttering husband Peter (Roscoe Ates of "Freaks") convinces Ivy to quit the rally. The other wives rejoin their husbands and leave, too. Nevertheless, things turn out swell for Hattie in the long run. This 73 minute movie doesn't squander a second.
bkoganbing Hard to believe that this dowdy old woman was one of the biggest box office draws in movies during those Depression Days. But ex- vaudevillian Marie Dressler was a very funny woman, especially when aided and abetted by Polly Moran as she is in Politics.Dressler is a widow with daughter Karen Morley and her neighbor is Polly Moran and her husband Roscoe Ates. When a gangland shooting at a local speakeasy results in the death of a young woman hit with a stray bullet, Dressler goes on the warpath. It's good to remember that the 19th Amendment giving woman the right to vote was only 11 years old at the time and women were just starting to flex some political muscle.Marie declares herself a candidate for mayor to replace pompous old windbag Tom McGuire. And the women get behind her candidacy and start a Lysistrata like effort to put her over.The subplot here is that Karen Morley is in love with William Bakewell who was fingered falsely for the shooting. Bakewell was also slightly wounded and Morley has him stashed in her house attic to heal. I think I can safely say that that situation is also cleared up nicely and all is right with Dressler's corner of the world.Politics is a wonderful satire on same and I think it could easily be remade today. Just think of the funny women of today as to who could replace Marie Dressler and Polly Moran.
John Seal Women were still strongly represented in the guild of screen writers in the early thirties, and their influence shows in this proto-feminist comedy drama about a matron (Marie Dressler) who decides to clean up city hall by running for office in an effort to dispatch the corrupt incumbent (Tom McGuire). She coordinates her campaign with a housewives strike and snubs the local mafioso (John Miljan), who arrives at her home with a big bouquet of flowers. Though the film is mildly pro-Prohibition, its politics are clearly in the progressive LaFollette tradition, and modern day viewers will find it in turns refreshing and depressing. Some things never change! In addition to its enlightened screenplay, the film also looks terrific and was beautifully lensed by Clyde De Vinna, whose next film would be MGM's first swipe at Tarzan the Ape Man. Strongly recommended for all.
boblipton This sprightly programmer, starring Marie Dressler, transforms the story to modern politics ca. 1931. Dressler and the women are anxious to close the speakeasies -- this was made during Prohibition. There is a strong cast of women, including Polly Moran, Joan Marsh and Karen Morley. The men are played by supporting comics, including Roscoe Ates, on whose voice Porky Pig was modeled.Dressler was an interesting character. A big legitimate stage star, she was one of the leaders of the strike that formed Actor's Equity. By the late 1920s, she was washed up, until screenwriter Frances Marion wrote a role for her, and by 1931, she was MGM's biggest star. Her character was a fat, good-intentioned, foul-mouthed harridan, and she could tread the line between comedy and drama as surefootedly as anyone in the industry.Charles Reisner directs without much visual flair in this movie. He relies mostly on cuts to move the story along, moving the camera only slightly to maintain composition.POLITICS is pretty well dated, but it remains a fascinating film, if only for the performance of Miss Dressler.