ada the leading man is my tpye

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Edgar Allan Pooh . . . should have no problem seeing that Warner Bros. is foreshadowing all four years of Benghazi with its animated short, PORKY'S POULTRY PLANT. This cartoon begins with Porky stuttering. Such repetition represents Hillary's Private Email Server, which Gratuitously Rebroadcast all of America's Top Hat Secrets here, there, and everywhere. Porky's scattershot approach to chicken feeding denotes Hillary's haphazard expenditure of mere chicken feed on securing our U.S. embassies abroad. The posters mourning the losses of Olga, Dorothy, Gertie, Rebecca, and poor Petunia are meant to prepare Americans for the attacks on our African Embassies (three in total), the U.S.S. Cole, and our NSA Protection Program under the Clinton Team. When a clueless Porky cannot operate his own gun proficiently after the Chicknapping here, Warner is predicting Hillary's indecisive dithering during the Benghazi Zero Hour. But Porky's Transformation into a fighter-plane-flying hero to wrap up PORKY'S POULTRY PLANT is Warner's way of saying "Don't give up--there's still hope, as long as America doesn't expect a chick to do a rooster's job!" Just be thankful that the Looney Tuners are so easy to decipher, that they cover such important topics, and that they allow us ample lead time to react to their warnings. Eat your heart out, Nostradamus!

slymusic "Porky's Poultry Plant" is an early Porky Pig cartoon that marked the directorial debut of Frank Tashlin, who would eventually make a transition from animated cartoons to live-action feature films. In this film, Porky doesn't look or speak the way we are accustomed to, but he is still such a lovable character as he watches after the livestock on his farm.There are two scenes from "Porky's Poultry Plant" that I especially like. First, Porky plays a funnel like a snake charmer's flute in order to retrieve a few worms from the ground for his baby chicks to eat. And second, when Porky flies his airplane trying to save a chick that has been swiped by vultures, a rooster serves as a football commentator!Lots of great action and quick camera cuts characterize the animated cartoons of Frank Tashlin, and "Porky's Poultry Plant" is no exception. Tashlin was certainly a welcome addition to the Warner Bros. cartoon family.

phantom_tollbooth Frank Tashlin's 'Porky's Poultry Plant' is a case of historical importance exceeding enjoyment factor. 'Porky's Poultry Plant' was not only the directional debut of Tashlin, it was also the first Warner cartoon with music by the irreplaceable Carl Stalling. Tashlin and Stalling would both go on to produce an astonishing array of work for the Warner Bros. cartoon studio and their enormous talents are much in evidence here despite the weak material. The cartoon opens with a gorgeous pan across the farmyard which is typical of the live-action techniques Tashlin brought to his cartoons. However, we then have to sit through a series of cutesy gags about feeding chickens into which even Tashlin cannot inject any energy. Porky's voice is also excruciating here, provided as it was by Joe Dougherty, an actor with a real speech impediment who was unable to control his stutter as Mel Blanc later would. Some of Porky's sentences seem to go on forever! 'Porky's Poultry Plant' picks up towards the end as Porky becomes embroiled in an airborne battle with some vultures, resulting in a terrific battle which showcases Tashlin's instantly assured direction. It's too late to really save the cartoon though and it peters out with a cutesy gag that's more in keeping with the dull opening scenes. 'Porky's Poultry Plant' emerges as weak material brilliantly directed, probably of interest mainly to those who are interested in animation history but of little worth as the entertainment it was intended to be.

boblipton A remarkable cartoon for the period. First, it was Carl Stallings' debut as Termite Terrace's musical director, a position he would hold for twenty years, producing a remarkable body of work. Second, it was Frank Tashlin's second directorial credit -- his first was three years before for Van Beuren -- and his mastery of directing is already obvious. Notice the long panning shot that opens the movie, and the POV (Point Of View) shots from the chickenhawk's perspective. Or perhaps it is a vulture; species are not rigid in the cartoon universe.This is not, I should add, a very funny cartoon. The situations are handled dramatically and the number of gags is not very high. But it is worth your time.