Linbeymusol Wonderful character development!

Infamousta brilliant actors, brilliant editing

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

sol- Hired by a rich businessman to be his date for a week, a prostitute has to work out if the businessman is serious about his romantic advances towards her in this romantic comedy that propelled Julia Roberts to fame. A popular movie when first released, 'Pretty Woman' has received some backlash over the years for its lack of realism and indeed one has to suspend disbelief at how kind-hearted both protagonists are. There is enough snappy dialogue though to keep things moving along; "we both screw people for money" Richard Gere comments at one point, while his observation that "stores are never nice to people... they're nice to credit cards" offers some unexpected social commentary for a lighthearted film like this is. The other big plus is the talented supporting cast. Hector Elizondo is delightful in a Golden Globe nominated role as a prim and proper hotel proprietor who gradually warms towards Roberts while Jason Alexander is a lot of fun as Gere's cunning lawyer. Realism aside, the biggest issue with the film is how little Roberts changes over the course of the film. This is no 'Pygmalion' or 'My Fair Lady' tale in which we see a noticeable difference in the protagonist as a result of her experiences. Still, it is a pleasant enough movie with some really funny moments (Roberts commenting on an opera) in between the clichés.

Inthebiz80 There's science fiction that's more plausible than this movie. Let's start with the John's fiction. Apparently this is his first prostitute. He's not abusive, demeaning, and has no fetishes or perversions. Next we have a prostitute with no serious family or abuse issues, substance abuse or STD's. I guess because she's a executive hooker, she has to be white US citizen too.

Nobody-27 I remember watching this film when it first came out. Even as someone who at the time did not care for romantic comedies, I actually liked it. I mean, it was not another Eisenstein or Kubrick, but for what it was, it worked for me. That was some quarter of a century ago.Then, recently I started watching all those romantic comedies that I avoided over the years, and this one came up. Why not - let's see how I feel about it now.And I must admit, I was stunned, in the most positive way! Again, this is not Citizen Kane or City Lights. It is a fair tale set in the modern times, but what I loved about it, now that I have a few more years of experience under my belt, was that it was crafted with incredible attention to detail. Everything, and I mean EVERY little thing was done impeccably: the smooth setup at the beginning, gentle and interesting enough that we are never bothered by how unrealistic it is. The dialogues which are never forced. Scenery, which obviously being set in Beverly Hills could not be better. And finally, the ending which works so well.I generally don't believe in films created by a committee. Pretty Woman went through so many re-writes and test screenings that one cannot recognize the original idea in the final result. The original was supposed to be a gritty story about a hooker, and while more realistic, it could never achieve what the fairy tale story about a nice hooker with a big heart could achieve - that great feeling that there is still love in the world that maybe, just maybe, things could turn out really well for anyone. Yes, call me delusional or romantic, but all that really works in this film.They say that there was a lot of improvisation in the scenes, and they were shot many different ways. I have also seen other films by Gary Marshall and was not impressed at all. This is the only one I liked. I am tempted to believe that the director was helped by the editor or someone like that to polish out what must have started as diamond in the rough.Again, if you have not seen this film yet (highly unlikely), don't expect some "haute cinema"; but do expect some great fun, and a decent romance mixed together. One must admire the fact that such a fairy tale was made in modern times and that it manages to keep one believing in it. Never was I reminded that I was just watching a film - that's how well put together it is.

Gaylord McGee (gayinfolsom) An over-the-top elaborate extravaganza which pushes woman power down your throat like a roided up school bully. This is the kind of movie a woman with an extreme power complex would love, if she was straight, that is, and its a wonderful feeling. Most of the circumstances in this movie are absurd and very unlikely but it does posses a kind of class and a type of female domination theme. Great Movie.