Blucher One of the worst movies I've ever seen

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

A_Different_Drummer Ground rules first. This masterpiece (won a half dozen Emmys) is not merely a lost miniseries from the 70s, but rather it is the first miniseries of its kind, the template from which all later efforts came. And what an effort it was! Adapted from an international bestseller about a non-Jewish physician who ends up getting special treatment in a concentration camp by "assisting" with medical procedures. When the camp is liberated, said doctor becomes prominent in England, and he (and his family) enjoy the benefits and respect that brings. Until his reputation -- what he may or may not have actually done in that camp -- is challenged in England by an upstart American who is convinced that atrocities were committed. OMG what a cast. Here we have, in a performance of astonishing depth, Anthony Hopkins long before he became knighted, long before Hannibal. And Ben Gazarra giving the performance of his life in counterpoint to the doctor that Hopkins was portraying, as the American upstart. The story engages from the start and just gets better. And better. And better. Today it seems clichéd to have the finale take place in a courtroom but as I said this was the FIRST miniseries, and such criticisms have no substance. I recently saw this beginning to end for the first time in over 30 years, and was again stunned by the quality and the nuances. Like many of the productions that I focus on here on IMDb, it is a one of kind, something so special that to compare it is to misunderstand it. See it.

LauraLeeWasHere I saw this mini series when I was only 8 years old. It came on for 2 afternoons in a row during school hours. The first day I was recovering from a trip to the dentist and saw the first part. The second day I did a lot of begging and my mother finally consented to let me stay home to watch it. And my mother never let me out of school for a TV show. But she knew it was good too. I don't think I've ever given a movie or TV Show such a high rating before and I've seen thousands of both during my more than 40 years of watching. But it's the first time I saw Anthony Hopkins in anything and even though I didn't understand everything that was going on, I was memorized by the story. (before that the most intense things I had ever watched was "The Wonderful World of Disney".) "QB IIV" kept me thrilled and enthralled at 8 years old and all these years later when I understand more and see more layers I can say it's even better. Do YOURSELF a favour and watch this miniseries. It's based on a true story about a trial of a doctor who was tried for war crimes by doing surgery on Jewish people in concentration camps. But the entire show you are trying to figure out if he did it or if it is just some horrible mistake. (It certainly would be a nightmare to be accused of such a thing if you didn't do it). So you'll have to watch to find out the solution. I wouldn't even hint at what happens and deprive you of one moment of fascination. Enjoy! And don't forget, it's also a book. So you may want to read that too. It's more layered than the MiniSeries is. L-L

bkoganbing One of the earliest of TV mini-series casts Anthony Hopkins and Ben Gazzara who are the plaintiff and defendant in a libel suit. The case is being settled in the courtroom number seven of the Queen's Bench in London, QB VII. What Gazzara is accusing Hopkins of is monstrous indeed, the participation of experiments on Jews in the concentration camp of forced sterilization which involved chemical and physical castration. Not an easy thing to prove because since World War II, Hopkins, an anti-Communist Polish refugee has been knighted by the Queen for his humanitarian work among the Arab desert tribes. That's probably no accident he chose to settle there with his wife Leslie Caron and son who grows up to be Anthony Andrews. The shifting sands of the Cold War has made such charges tinged with political overtones.Gazzara is author Leon Uris inserted into the novel and Uris himself doesn't paint a flattering portrait. He's one of Jewish heritage who is not terribly religious. Gazzara married a British girl, Juliet Mills, who was a nurse seeing to his recovery and they have a son who grows up to be Kristoffer Tabori. Gazzara becomes a hack Hollywood screenwriter and gets rich and bored. But he then writes an epic Jewish novel the way Leon Uris wrote Exodus of deeply researched historical fiction and he names Hopkins and what he allegedly did.This is by no means a strange phenomenon. From the Fifties through the Nineties we heard stories of former Nazis turning up in all kinds of places and in plain sight, not hiding in the deep recesses of Argentina or Paraguay which seemed to be favored by Nazis of higher rank and profile like Dr. Mengele. The President of Austria in the Eighties, Kurt Waldheim had his Nazi past uncomfortably exposed once he was in office. And Ivan Demjanjuk at the ripe old age of 95 after years as an automobile worker in the USA just got sentenced for his war crimes. I doubt we'll be seeing too many more though.QB VII got a flock of Emmy Awards and nominations including in the Supporting Acting category for Juliet Mills and Anthony Quayle who plays the barrister representing Gazzara. His cross examination scene with Hopkins is devastating. And of course Gazzara and Hopkins are at their usual sterling best.QB VII marked the farewell performance of Jack Hawkins who had for several years performed without a voice box due to throat cancer which finally claimed him. In QB VII a voice similar to his was used which was not always the case. In a sense this film is his because Hawkins plays the judge presiding over the court in QB VII.This mini-series holds up very well today and I recommend it highly for viewers who are interested in Holocaust justice and the unfortunate politics that sometimes accompanies it.

Poseidon-3 The lives of two men, vastly different in their beliefs and in their lifestyles, come head to head in this sprawling mini-series, the first, in fact, of the "television events" that had their heyday in the 1970's and early 1980's. This one was based on a novel by (and real life event in the life of) Leon Uris. Hopkins plays a doctor and former concentration camp prisoner who, while in captivity, was compelled to aid the Nazis in operations related to their horrific human experiments. He is briefly charged with willing compliance in war atrocities, but is found innocent. He then takes his wife (Caron) and baby boy to Kuwait where he works tirelessly to make a difference in the world of the less fortunate. Eventually, he is knighted for his efforts. Meanwhile, Gazzara plays an American Jew who volunteers in the RAF and is gunned down. He courts his nurse (Mills), eventually marrying her, and becomes a celebrated writer. Before long, he is a jaded, wealthy hack who cheats on Mills and lives at odds with his heritage. Eventually, though, he finds that he is compelled to write about the Holocaust and when he does, his reference to Hopkins in the book sparks a libel suit from the now-decorated doctor. The climax of the film is a tense and agonizing court trial at Queen's Bench Seven (hence, the title) as Gazzara tries to prove that Hopkins is guilty while Hopkins strives to keep his name clean. This film set the pace for all mini-series to come (until budgets and tastes changed in the 1990's) and contains many of the characteristics which would mark the format (episodic story arcs, endless star cameos, dubious age make-up, etc...) The story takes a looonnng time to pick up speed with sporadically interesting periods done in by the common (at the time) practice of setting each scene with excruciating shots of buildings, cars pulling up, characters walking to buildings, etc... while Jerry Goldsmith's "Exodus"-flavored score blares and a hopelessly campy narrator butts in. There is, however, some good location work throughout. Fortunately, once the pre-history of the men is finally established, the courtroom scenes make up for the tedium and soapiness of the early sections. Hopkins is wonderful. He invests the character with a wealth of expression and mystery, especially as the case wears on. Gazzara is often wooden, but comes across nicely several times. Caron gets very little to do except fret under layers of age make-up and a grey wig. Mills won an Emmy for her sensitive, appealing work. The film gets a huge shot of class and talent from the excellent Remick (though her role peters out as the film continues) and from the appearances of several renowned British character actors, notably Quayle and Evans. It's a memorable mini-series due to the striking nature of the case, it's place in TV history and the work of Hopkins and a few others. Some of the sequences alluded to and shown are just as unsettling and horrifying in today's "seen-it-all" world as they must have been in 1974, with the tour of the actual camp and the visit to a Holocaust memorial particularly vivid (even if the same cheesy narrator of the mini-series is used, with an accent, to narrate the memorial's documentary!!) Many viewers will be put off by the pace of the scenes in the mid-section, but those who stick with it will find value in the courtroom climax.