ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Perception_de_Ambiguity Plot: "Set against the rugged beauty of the Brittany seacoast, it tells the story of a young girl whose lonely isolation under the watchful eye of her stern and bitter father is abruptly shattered by the arrival of a seductive fugitive from the law."'Rapture' is a coming-of-age tale, a dark Gothic fantasy, a romance, a bit of a melodrama, and maybe a few other things. Its ability to stay clear from clichés despite the familiar dramatic framework alone is astonishing, which makes the film ultimately pretty uncategorizable, not to say anything about how sensible and dare I say perfect everything else is about this relatively layered production that feels grounded in realism while often being quite magical thanks partly due to the script, and partly due to its beautiful dreamy score and arresting as well as intelligent compositions of its CinemaScope black and white cinematography.Its nationality isn't easily identifiable either. The spoken language is English, the writer of the source novel is British, as is the director, but he was born to French parents, the film (unlike the novel) is set in France and most of the crew is French, as is the main actress. Its overall feel is predominantly French but it definitely also has British and American touches and there's something Bergmanesque about it as well as it often plays like a chamber psychodrama and with Bergman regular Gunnel Lindblom in the cast providing a direct link to the Swedish auteur. Speaking of actors, although without big stars the main players are all recognizable faces who fit their roles excellently and all of which give very good performances with the memorable standout being French actress Patricia Gozzi as the young girl, she bowed out of acting only a few years later but if you happen to have seen 'Sundays and Cybele' you certainly will remember her from that movie.There are many films I could compare it to, but no comparison would be exhaustive. The enigmatic stranger who enters a family with each person projecting their own desires onto him and them essentially creating their own image of the man is an important element in the film that recalls Pasolini's 'Teorema'. Then there's an impressive section later in the film in which the girl finds herself in Paris for the first time and she is completely overwhelmed by her surroundings and the situation in general, which has something of the same year's 'Repulsion'. In fact I think I saw Catherine Deneuve rubbing her nose in the background in one of the shots...OK, I didn't. Anyway, those comparisons are just scratching the surface.I'm not really sure to whom I would recommend 'Rapture', but if my genre description made it sound like your kind of thing you may want to look into it. Especially if you loved Chan-wook Park's 'Stoker', I think there are a few similarities between them with a general oddness that is not only captivating with its complex web of character relationships but also feels perfectly natural to the material, in particular thanks to its mentally troubled young protagonist on the brink of sexual awakening who is like a warmer but also more visibly unhinged version of India Stoker with the actress very much having the same strange appeal as Mia Wasikowska as well as the acting chops to go with it.Although understandably not the kind of film with a huge mainstream appeal 'Rapture' apparently never even saw all that much of a release back in the 60's. The handful of reviews that I found (all written within the past few years) amazingly enough are unanimously very positive, which strengthens me in my belief that this is a gem still waiting to be discovered by a much wider audience. It's only now that the film sees its first wide home video release by the UK label Eureka, so maybe now its time has finally come.

chivepotato i first saw this film about 7 years ago and i still pop it in every now and then. i seem to be the only person that finds the story to be well formed and moving. a young stockwell plays a charismatic fugitive that becomes involved with a tattered young girl and her estranged father. There is some very simplistic yet beautiful foreshadowing techniques that tie the movie together neatly. overall, i think this a great little flick about the trials of human nature and the way our hearts sometimes take us on journeys we are not prepared to undergo.

kinolieber This film has been showing up lately on Fox Movie Channel. Catch it if you can or have a friend tape it for you. You'll never see another film like it. Delerue's music is probably the one element that makes the film unforgettable, but there's also the screenplay which could almost be a modern day greek tragedy about the torments of adolescence before and after sexual awakening; the central performances by 15 year old Patricia Gozzi, Hollywood veteran Melvyn Douglas, former child actor Dean Stockwell and Swedish Bergman star Gunnel Lindblom that keep the whole thing believable in spite of the overheated plot; the incredible cinematography whose fluidity and composition enhance every word and emotion; the sound design which, although almost entirely post synchronized, is done brilliantly and never feels canned or artificial. There is so much that's puzzling about the movie, one wonders if we'll ever know how it came to be made. The original treatment that it's based on is by Ennio Flaiano, Fellini's most frequent writing collaborator, but it's written by an Englishman, Stanley Mann. The director never made anything before or after that indicated he had the imagination or sensitivity to create something like it (yes this is the same John Guillerman that made Shaft in Africa and The Towering Inferno). It's shot on location and yet has the look of an A-list film shot on a sound stage. The cast includes two Americans, a Frenchwoman and a Swede, so it was probably dubbed into many languages for international distribution. Produced by 20th Century Fox, it couldn't be less American. Most puzzling of all: why has it never received the recognition it deserves?If anyone reading this has background information about its production, please contact me.

eriners Not to be confused with the '90s turkey of the same name. Found an old video tape I made of this one years ago primarily for the music and finally got around to sitting down and watching the whole thing through. Verdict: It's good. Very good. Good acting. Good location photography (looks good even in black & white. The fact that it happened to be raining outside the evening I watched it only added to the film's rainy atmosphere!) Good story. Good score. I thought the way the ending was set-up could have been better, but that's a minor quibble. In short: Recommended.