Rendezvous

1935 "Bill Solves an Exciting Mystery and Wins a New Sweetheart!"
6.6| 1h34m| en| More Info
Released: 25 October 1935 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A decoding expert tangles with enemy spies.

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Reviews

Palaest recommended
Actuakers One of my all time favorites.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
SimonJack "Rendezvous" is a 1935 MGM film that has William Powell doing duty during World War I. The film is a mix of comedy, drama and action with Powell's character uncovering an espionage ring in the nation's capital. The comedy comes by way of his love interest, played perfectly by Rosalind Russell.Powell is Bill Gordon, a former news correspondent. While working in Asia, he filled his dull moments with studying and deciphering codes. He wrote a masterly work on making and breaking codes, and it was published under a pen name – Anson Meredith. Now he's a lieutenant in the Army and just wants to get to France to do his part for Uncle Sam on the front lines. But, through a sudden encounter and romance with Joel Carter (played by Russell), Bill's future is changed.When they first meet, Joel mistakes Bill for a Russian opera singer at an embassy party. In a hilarious scene, Bill plays it to the hilt with her and her facial expressions lead to many laughs. The next day, Bill sees Joel marching in a Woman's Suffrage parade. She's carrying a sign that reads, "I sent my sons to war. I want to vote." Bill asks if she has any grandchildren and she swaps signs with another woman. Some funny fisticuffs ensue when the police try to break up the parade because it doesn't have a permit. Later, Joel goes with Bill to catch his train, and a troop train pulls out while they are kissing. He said his train doesn't leave until the next day.They have lunch and spend the day together. Bill tells Joel about his anonymous authorship of the code book. He doesn't know that she is the niece of the Assistant Secretary of War, John Carter. So, the next day at the train station, Joel and Bill kiss goodbye. But as Bill steps onto the train, an MP delivers new orders. He is to report to the War Department for his new assignment.The rest of the story unfolds with intermixed scenes of espionage, romance and comedy. Binnie Barnes has a major role as Olivia, a German spy. Fine performances are given by a supporting cast that includes Cesar Romero, Lionel Atwill, Samuel Hinds, Henry Stephenson and Charley Grapewin.This film also has some interesting scenes that recall early 20th century history. The sign atop the Park Hotel reads, "Your home in Washington, D.C. 500 fireproof rooms." That was a time when hotel and office building fires were quite common. Another scene shows telephone operators "patching through" a long distance call from Washington, D.C. to San Diego. Some seniors will recall the time that it used to take just to get a long distance through.Most of Hollywood's leading men of sound motion pictures starred in war-related films in the first half of the 20th century. Some were action or battle films, others were in espionage or underground movies, some were in wartime dramas on the home front or in England, and some were in comedies. They were with the troops on the ground, at sea and in the air.William Powell was in just a few such films in his career. He is probably best remembered for his role as Doc in the 1955 smash hit, "Mr. Roberts." That comedy and drama was set during World War II and is unique in that its top four roles were played by actors who had been or were to become leading actors in Hollywood. Besides Powell, it starred James Cagney, Henry Fonda and Jack Lemmon.Powell was a consummate actor who played a variety of roles. He is most known and regarded for his comedies, and for some comedy-crime roles he played. Most notable was his Nick Charles role with Myrna Loy in the Thin Man series of movies in the 1930s and 1940s. Three of his comedies are among the funniest and best comedies of all time. Besides this fine film, I recommend those for any serious collector's library. They are, "Libeled Lady" of 1936, "Double Wedding" of 1937, and "Love Crazy" of 1941.
Abby-9 Other reviewers have covered the main points of this confused "comedy"/spy-mystery film very well. I would like to point out the particular insult to women and to the intelligence of both sexes in the Rosalind Russell role. It sapped the mystery of any believability--what War Department is the plaything of the daughter of its assistant secretary?? What woman could wander around in such self-centered oblivion to a war-time effort? William Powell is remarkable in his ability to carry off his role as her--huh?--husband-to-be. I mean, NOTHING bothers him. I am not so unflappable--Russell's character kept my teeth on edge throughout. Grrr. Why did I watch this chestnut? To see the beautiful Cesar Romero--that was the payoff. And the rip-off. In this movie the old saying is true: "The good die young." Virtually with the mention of his "mama" on his lips.
misctidsandbits If you like William Powell enough (or another actor in this film) and its venue, you may flow with it. It is a weaker one to my view, and while not a throwaway, not really picked up by anyone in particular. The character Russell played was incongruous and annoying, though she was probably refreshing as a newcomer. There's a bit too much overdone flip and horsiness about her performance here and in a lot of her pictures, to my taste. Likely, it's a script flaw, but given the level of weight of the decoding project at hand, her stunts are incongruous at best. The fact that she had such easy access is also unbelievable, despite her connections by relation. Also, she doesn't really work with Powell's character. After about her third shenanigan, I think, that's it for her. He'll move on. But he trots right along and they end up together. What? That a man of his caliber would hook up with a loose cannon like that just really doesn't work. And they aren't believable together. Binnie Barnes' character, though the villainess, was easier to take down, being consistent and well enough done. This essentially war picture has its interest, but I can't say after one more run through, I would care to repeat. But I do hang onto my classics and after some time, enjoy going back for just the era and actors. One can always ogle the clothes if nothing else.
Jim Tritten Not an often shown film, nor a great one, this is worth your time if TCM ever shows it again. The plot is somewhat dated but nevertheless interesting -- code breaking and spy catching -- if you ignore some of the excesses that were probably added by Hollywood. Folding in comedy, drama, and action into what would probably have made an excellent military training film, we are left unsatisfied with the overall effect. Yet there is a hint of the "Thin Man" chemistry between William Powell and Rosalind Russell that brings a smile to your lips. Fair but I am not sorry that I watched it.