Reservoir Dogs

1992 "Every dog has his day."
8.3| 1h39m| R| en| More Info
Released: 23 October 1992 Released
Producted By: Live Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.

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Reviews

Btexxamar I like Black Panther, but I didn't like this movie.
Holstra Boring, long, and too preachy.
Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
oliverhardy-00798 People said it draws inspiration from city on fire, but inspiration is to inspired a film that should deliver some sort of originality that sepereates the two. Reservoir dogs uses all the important plot point and just switch minor detail for western audiences minus the actions. If you seen one you basically seen the other.
parameswaranrajendran A unique and fresh screenplay for this debut feature film by Quentin Tarantino Director. Reservoir Dogs
cinemajesty Movie Review: "Reservoir Dogs" (1992)Relentlessly in its 95-Minute-Editorial-Format extensively cut-to-close-perfection by the director's close-encounters editor Sally Menke (1953-2010), in benificiary 35mm cinematography by Andrzej Sekula, comes already the early fulfillment for feature debutante Quentin Tarantino, at age 28, getting lucky by presenting a pushy draft of the screenplay, co-written with "A Band Apart" companion Roger Avary, in industry-influential actor Harvey Keitel, also-playing the lead as mid-town sharp-to-overthrown character of Mr. White, who builds close ties with independent Hollywood producer Lawrence Bender, who then again equally benefits from Tarantino's ingenious combination techniques of past-tense motion picture beats reflecting "Nouvelle Vague" of Truffaut / Godard owned 1960s and "New Hollywood" enfant terribles as Sam Peckinpah's directions for "Straw Dogs" starring Dustin Hoffman (1971) and the action-thriller "Bring Me The Head Of Alfredo Garcia" (1974).This movie, marking one of the most receivable low-budget - realized with just 1.2 Million-Dollar production expenses - scenes of non-stop talking ultra-cleverly build characters, including Michael Madsen as Mr. Blonde, Tim Roth as Mr. Orange and a show-stealing Mr. Pink due to playing-defector actor Steve Buscemi, which performing beats could only be topped by a lucky striking appearance as Garland "The Marietta Mangler" Greene in the unlikely but major entertaining action-movie "Con Air" starring Nicolas Cage of Summer 1997, when Tarantino utilizes signature-defying explosions of violence in deep blood-reds on black suits and white shirts in a neutral-conflicting warehouse exploitation, when the plot constantly thickens in favors for twisting flashbacks and intermingling of narratives brought to a young director's perfection in "Palme d'Or" as Best Screenplay Academy-Awarded recognitions for improving successions with "Pulp Fiction" (1994) of a depth-reaching, substance-digging collector of national and world cinema.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)
nbfcblog Writer/director Quentin Tarantino explodes unto the cinematic landscape with his masterful directorial debut that quickly establishes all of his trademarks (profanity-laced poetic dialogue, pop culture references, black comedy, music juxtaposition, shocking moments of violence).Rarely do filmakers start off with a masterpiece but Tarantino directs this unconventional low-budget star-studded paranoid crime thriller like a seasoned pro.Both this and Pulp Fiction will always remain some of my favorite movies ever.