Maidgethma Wonderfully offbeat film!

Dorathen Better Late Then Never

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity

CMRKeyboadist I first saw this movie years ago when it was released on Virgin Video and I seem to remember that it was a pretty scary movie. Years later, in 2006, I finely get to see it again and unfortunately it wasn't as good as I remember it. The premise is a man called George (Lipscomb) decides to commit suicide on Halloween night. He jumps off of an apartment building and barely survives. After spending 3 months in a hospital, George has a new lease on life and kind of starts off with a fresh new start. The problem is when George falls asleep his body is taken over by a spirit with demonic powers and the spirit is out to kill the people who murdered him in life. This is actually a well directed movie with some great acting and good cast. The problem I had with the movie was for one, it is a very dated film. For instance, the music for the movie was so typical of the era it takes away from the seriousness of the story. And the ending seemed way to rushed. This movie runs almost two hours with some great build up to the climax but in the end the movie falls on its face. It is to bad because this really had some great potential and the makers of the film probably could have easily made this a 2 and a half hour movie and still keep your attention. I do, in the long run, recommend this movie because it is still an enjoyable experience. 6/10 stars

FieCrier Surprisingly good!A plain, somewhat overweight, nerdy-looking man stands on the edge of the roof of the Don Hotel (no "tiny bubbles" jokes in the movie, though). From the masks on the people below, we can tell it's Halloween. He jumps, and the monsters below look sad. We see the tunnel of light, but a burnt or mutated face appears as emergency responders try to revive him.In the hospital, he's rehabilitated, though he now walks with a cane and limp. The people in the Don Hotel, a somewhat strange bunch, are sympathetic, as is a neighborhood hooker he's friendly with. However, he has horrible vivid nightmares involving murder. Additionally, while he paints blood appears out of nowhere, and does at other times too and isn't just a hallucination it seems.In the nightmares, he visits people and brutally kills them with some sort of telepathic abilities while his eyes glow. In the morning, the deaths are in the paper. Though there aren't a lot of murders, the scenes are pretty strong. One begins with some particularly graphic (possibly real) shots of a slaughterhouse. The way a man dies there is quite memorable.While a Catholic priest works at the hospital, and the main character visits a church, the one attempt at exorcism is done by a "Dr. Rasta"! Perhaps more surprisingly, he's a friend of the hooker.

gridoon Solid B-movie with OK performances and slam-bang special effects. This is one of those neglected little thrillers that set out not to offer anything new to the genre, but at least to give fans of those movies their money's worth. And this one generally seems to know its business (although it does get a little too loud near the end). (**)

Christopher T. Chase Manic depressive artist George Miller snaps one Halloween night, decides he wants to end it all and jumps from the top of the inner-city fleabag motel he calls home. Across town, small-time gangster Vito Minelli finds out the hard way, what happens when you don't pay off your gambling debts, as his vengeful cronies blow out his kneecaps, then douse him in gasoline and set him on fire.Somewhere between life and death, George's and Vito's lives intersect, and both will be changed forever. This is not a good thing for George, and even worse for Vito's assailants, as they will each discover to their horror and dismay...As low-budget supernatural thrillers go, RETRIBUTION manages to strike a nice balance between the yen of those horror fans who like character-driven stories, and the gorehounds who like to see "folks git blowed up real good." TV and movie vet Dennis Lipscomb, who very rarely gets to carry a picture, delivers a scary and sympathetic performance as the troubled George. He has the chameleonic ability to disappear into his character, which is both a blessing and a curse to the best character actors. They make it look so easy, most people don't even consider what they do to be "work," and that's the trouble.Another out-of-print, hard-as-hell-to-find but worthy entry into the B-movie hall of fame.