Platicsco Good story, Not enough for a whole film

MamaGravity good back-story, and good acting

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

JohnHowardReid Directors: FORD BEEBE, RAY TAYLOR. Screenplay: George Plympton, Sherman L. Lowe, Basil Dickey, Jack O'Donnell. Story: Oliver Drake. Photography: Jerome Ash and William A. Sickner. Supervising film editor: Saul A. Goodkind. Film editors: Joseph Gluck, Louis Sackin, Alvin Todd. Music director: Charles Previn. Dialogue director: Jacques Jaccard. Stunts: Leroy Johnson. Associate producer: Henry MacRae.Individual chapters copyright on various dates from 6 March 1941 to 21 April 1941 by Universal Pictures Co., Inc. U.S. release: 1 July 1941. Each chapter consists of two reels. Total running time: 283 minutes.Chapter titles: (1) Death Marks the Trail; (2) Menacing Herd; (3) Plunge of Peril; (4) Flaming Fury; (5) Avalanche of Doom; (6) Blood and Gold; (7) Death Rides the Storm; (8) Descending Doom; (9) Death Holds the Reins; (10) Devouring Flames; (11) Fatal Blast; (12) Thundering Doom; (13) The Bridge of Disaster; (14) A Fight to the Death; (15) The Harvest of Hate. SYNOPSIS: An old prospector discovers a lost gold mine which he deeds to his niece, Mary Morgan. Jim Benton and his riders offer to help Mary locate the mine and then work it for their mutual profit. A gang of outlaws in cahoots with two crooked saloon owners have other ideas.COMMENT: Despite assembling a colorful cast headed by two of our favorite cowboy heroes (Dick Foran and Buck Jones), who are pitted against two of the wickedest heavies in the business (Charles Bickford and Chaney Junior), this turns out to be a tame, lack- luster, repetitious serial with slender plot ideas and cumbersome comic relief. It's hard to believe that experienced writers like the five gentlemen credited here were unable to exercise their collective imagination and could come up with nothing more exciting than this disappointing charade. The chapter titles themselves indicate the general poverty of their invention. "Death" figures no less four times, "Doom" three times, and "Flaming/Flames" almost twice! It's particularly sad to see a fine talent like Buck Jones wasted in what amounts to a straw man supporting role with no fiber at all. What's worse, the action often grinds to a halt to allow that classic ham, Leo Carillo, leave to ham away with his phony but totally "unfunny" Mexican impersonation.It's hard to pick out a view-able yet representative chapter. Admittedly, two or three in which the action gets stuck in a mine are particularly boring, but the others plumb the depths of mediocrity and scale no heights at all. Just try the first and the last. They will give you a good idea of the quality of the serial as a whole. The "first million-dollar serial," Universal proudly proclaimed at the time of its initial release. Well, it may have cost a packet in players, extras and locations, but any Mascot effort you name delivers at least ten times the thrills and excitements. True, "Riders" does boast a great theme song. That's just the trouble. The credits promise bags of gold but deliver only a few drops of gloss.

tomwal This was my first western serial. I was seven years old in 1941.The thing I remember most was the chapter where Buck Jones knocks off the bad guys with a rifle while riding in a racing stagecoach. Our small town theater held special Saturday matinees that showed a feature, western, cartoon and serial chapter. It was mostly for kids like me.I don't recall too many adults there.This was also the year that my love affair for serials began. When I view it today, I find it has lost a lot of its charm. Charles Bickford and Lon Chaney Jr. made top notch bad guys. The location shooting and score are still exciting, but otherwise ,the fifteen chapters are pretty much standard for a serial that called itself " The million dollar serial". For old times sake, I rate it seven out of ten stars.

reptilicus Back in 1918 Universal Studios gave the world the first feature film that cost over $1 million to make. That was BLIND HUSBANDS directed by Erich von Strohiem. It was 23 years later when Universal also made the first serial that cost $1 million. By this time the Laemmle's, Snr. and Jnr. were long gone and I wonder when Carl Laemmle the elder would have said about spending so much on a serial?Well that is the movie I am here to-night to talk about. RIDERS OF DEATH VALLEY stars Dick Foran, best known as a singing cowboy. He's backed up by Buck Jones (Edward D. Wood Jnr's fave cowboy actor, there's a bit of trivia for you!), Jean Brooks, Leo Carillo, Noah Beery Jnr. and Guinn "Big Boy" WIlliams. On the side of the bad guys there's Charles Bickford, Lon Chaney Jnr., James Blaine and Monte Blue.This is a western serial with 4 staff writers working on it so you just know not a single cliché will be left untapped. Characters have names like "Tombstone", "Pancho", "Smokey", "Trigger", "Tex", "Borax Bill", "Cactus Pete" and "Chuckawalla Charlie". There's even a location called "Funeral Pass" (what, no "Deadman's Gulch"? How'd they miss THAT one?). Have I mentioned the plot yet? I haven't? Sorry!James Blaine and Monte Blue want to run all the prospectors out of Death Valley and grab all their claims for next to nothing. To do they they enlist the help of "Wolf" (Charles Bickford) and his gang. Butch (Lon) is the second in command and just as quick on the trigger as his boss. The good guys are known as The Riders and they just happen to know the location of a lost Aztec gold mine with a fortune in ore. For 15 chapters Wolf and his gang try to get it and are constantly thwarted by the Riders. Complications include framing good guy Jim (Dick Foran) for murder, sabotaging mining equipment, stampedes, explosions, shootouts and LOTS of fistfights! Sadly the cliffhangers are not as good as the ones offered by rival serial makers Republic and Columbia. One example: Jim and Mary are about to be run over by a stampede at one chapter ending but in the next chapter we see the horses have miraculously all missed them! Another one, Jim and Tombstone are going into the mine on an elevator when a minor villain sabotages the cable and they plunge to the bottom. In the next chapter they simply are pulled up again and neither has so much as a bruise!Charles Bickford had worked as a villain for Cecil B. DeMille in movies like DYNAMITE (1929) and the rarely seen THIS DAY AND AGE (1933) so he knew how to be a convincing bad guy. For Lon Jnr this movie came after MAN MADE MONSTER and before THE WOLFMAN and he was still hoping to get more leading man roles. Noah Beery Jnr does not have much to do in this one but he and Lon would work together again, this time on the same side in OVERLAND MAIL (1944). Monte Blue and also worked with Chaney in the Republic serial UNDERSEA KINGOM (1936).So do I like this movie? YES! It may be predictable but thanks to so many great character actors and competent direction by serial vet Ford Beebe it is never dull.

Mike-764 The town of Panamint is being controlled by Kirby and Blake who are trying to drive out all the prospectors so they can obtain all their land, but are opposed by the Riders of Death Valley, a group led by Jim Benton opposed to the oppression caused by Kirby and Blake. An old prospector, Chuckawalla Charlie, leaves one half of a claim on a gold mine, The Lost Aztec, which is richer than any other mine discovered. The mine is shared also with Charlie's niece Mary, who goes searching for the mine (based on Charlie's map) with Jim and the rest of the riders. Blake sends Wolfe Reade and his outlaws to get the map giving the location of the mine, but after Jim, Mary, and the riders find it, Blake & Kirby get Wolfe to sabotage their efforts of getting the lode mined, smeltered, and assayed, while Kirby tries obtains the bank note Jim took out to pay for the work on the mine, while also framing Jim and Tombstone (fellow rider) of the murder of the banker. This "million dollar serial" is just advertising and nowhere near the effort Universal put into Flash Gordon, but for B western fans this serial is a treat. Foran makes a good hero, but I would have rather seen Buck Jones assume his role rather than be regulated to a sidekick. Blaine and Blue are okay as Kirby and Blake, but the screenplay could have just merged the two characters into one. Bickford is great as Wolfe playing the role with a nastiness that should be in every western and serial. The serial seems a bit too involved at times as well. Rating, based on serials, 7.