Riverdance: The Show

1995
8.3| 1h11m| en| More Info
Released: 01 January 1995 Released
Producted By: RTÉ
Country: Ireland
Budget: 0
Revenue: 0
Official Website:
Synopsis

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

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Reviews

Flyerplesys Perfectly adorable
Borgarkeri A bit overrated, but still an amazing film
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Cheryl A clunky actioner with a handful of cool moments.
DollyZahn The clicks of the dancers shoes beat in synchronization with my heart.The Rockettes could not hold a candle in Radio City to these fabulous step dancers. I sat mesmerized as in a trance watching the intricate step work of the Lords and Ladies of the Dance.
haldjr This show is incredible. I must admit, I have never seen a Broadway show in person. But this Dublin version of Riverdance (the original version, I believe) meets my impression of "The best of the best." For me, this version is the basis for any followup, and includes a synergy between Michael Flatley and Jean Butler that does not exist between Colin Dunne and Jean Butler. This is not meant to take away from Colin's obvious talents, but only to make sure the magic between Michael and Jean is not overlooked. Using what I think is the current vernacular, I was "blown away" by this show. All of the dance routines are great. I particularly like the routine where the three female dancers use skirt linings of red, blue, and green. The performance is spectacular and the stunts are entertaining and something I look forward to. I am going to buy a second video of this performance in case I wear out the first tape. I do wish it were on DVD.
thomasdosborneii It is because of the movie "Billy Elliot" that I wanted to watch "Riverdance"; I just needed some more of that folk dance foot-stomping energy that Billy would use at the beginning of his dances and I figured that Riverdance would have it. And boy does it have it, and then some! I have never seen and hardly dared imagine anything like this before. And never again can anybody say, "white folk don't have rhythm"--you can hardly be more "white" than the Irish, nor hardly more rhythmic than what was displayed here!Michael Flatley, the composer, and his spectacular companies of dancers and musicians have created and performed a phenomenally inspiring and soul-stirring exhibition of pride, power, and beauty. I've heard of ballet dancers who leap and then seem to hang in the air in violation of the dictates of gravity. Well, the same is true with these dancers, who, with the complicated patterns of leg kicks interspersed with their powerful tap dancing seem to be as immune from gravity as winged unicorns.Historically, the Irish have had a hard time of it (Angela's Ashes and all that), but listening to music like this where the human spirit infinitely yearns and the body prevails against any obstacle, I can feel the mystical, eternal strength of ancient Celtic and Druidic roots that predated Roman and Christian invasions. I'm not really sure of the meaning of the title, "Riverdance", but I believe it has something to do with leprechaun-like water spirits; there is an emotional element of fairyland magic or the revelation of a mystical dimension that is somehow inside the world we normally inhabit. The Irish are true survivors and now, finally, their country is emerging as one of the most successful economic powerhouses in the new Europe--they have amply shown that they have the strength, magic, and spirit to prevail; may they long and abundantly prosper.Beyond the spiritual and physical dimensions of these performances, there was a great intellectualism, too, a mathematics and spacial relations in the dance routines that was an amazement and a delight to the mind as well as to the eye. What a joy it all was to behold: such smiling stamina, such expressive integration with the rhythms and the emotions of the music, what beautiful and humorous people who seemed to be having as much fun exploding their controlled energy on stage as it was for the ecstatic audience to watch them.And finally, Michael Flatley, obviously the star of the show, never quite lorded over everybody else or succumbed to what might be a justifiable arrogance, but freely expressed through winks, smiles, and various pats on the arm signs of warmth, appreciation, and love for his fellow dancers, which was a great pleasure to see.I happily wear green on St. Patrick's Day and my roots are from somewhere on the British Isles, but now that I've seen "Riverdance", I really wish that I were Irish!
AlisaD Just because she got to work with Michael Flatley....anyway, I want to say that I've seen this video so many times it's not even funny. I love it! the dancing's great, but what I really love is the music..I mean how can you NOT love the music? :)