Romuald et Juliette

1989
6.9| 1h48m| en| More Info
Released: 22 March 1989 Released
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Synopsis

A company president gets framed with a food-poisoning scandal and the only person who can help him is the evening cleaning-woman, who always seems to be at the right place at the right time.

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Reviews

Tacticalin An absolute waste of money
Asad Almond A clunky actioner with a handful of cool moments.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
rosie-brocklehurst Why does this film lift my spirits when I am in the lowest of moods? It always does, and has done so for 25 years. I watch it at least once a year. Daniel Auteuil has the most expressive face. Firmine Richard, an untried ingenue when she made this, just lights up the room when she smiles. (Auteuil was brilliant as Ugolin, the dim innocent peasant of those masterpieces of French cinema - Jean De Florette and Manon Des Sources, based on the Pagnol novels.) Auteuil's face is just as expressive in his role as the duped boss in this fast moving light hearted farce, where he plays the blinkered and pompous chief executive of a multi-national yoghurt producer who develops an unlikely relationship with Juliette, the office cleaner. She is a woman raising 5 children single handedly in a dump of a flat, while working nights and surviving on minimum wages and less sleep. Big, black and beautiful and totally unlike Romuald's chic, over-indulged adulterous wife, Juliette represents woman with all her emotional strength and practical virtue. The contrasts are multiple. Juliette is poor. He is rich. She is French African and black. He is slightly built and white. She is working class. He is Bourgeois. He is blind to the world he inhabits and the scoundrels who surround him. She is good, strong, independent minded and wise. This is the sweetest of films that has the extraordinary ability to reach out and give you a hug.
devonblue I would not compare it to Le Placard, which IMHO had more comic moments, but Romuald & Juliette while being a slow starter certainly kept your attention going throughout the film, nicely paced and reaching a heart warming conclusion :) There were many marvellous comedic moments, some brilliant pathos and realistic situation acting by all actors.It was a typically French film, in which while confronting prejudices and phobias, which in turn the made the viewer confront his own shortcomings! I am certainly pleased to have this in my library, and will no doubt watch it time and time again, which to me is a mark of a great film.
ladylabyrinth37 There's nothing wrong with a movie that doesn't attempt to be deep and meaningful. Sometimes, you just want a nice "pick-me-up" to brighten your day. This movie doesn't exactly bring rainbows to your life, but it's not a waste of time either. I don't see the point in trying to bring up a deep-rooted psychological undertone when in fact, the movie is less racist for it's frank and casual attitude about the subject as pertains to the two characters. When He says "why?" to Her, She replies "because you're white, you're selfish, you're ..." and goes on to list a host of personal traits that the man definitely carries. Being White is one of his problems but her characterization of him BEYOND that one fact illuminates her view that his race is only a problem because he embodies all the negative aspects of that. Yes, she's a "lowly" but the fact is that that's reality - many minorities are stuck in low-end jobs living on the "lesser" end of life. The unfairness of this situation is mildly underscored in this movie - she is obviously intelligent, wise and kind. Because she is black, this somehow means that the idea of her entanglement with him is racist? I enjoyed the fact that this movie added race (or allowed to, perhaps the original script didn't include that aspect) to the mix to further dichotomize their differences. The point is that their differences aren't as wide as it seems; she extols his flaws and makes a conscious decision to change those flaws. What could be sweeter than watching a man make himself over for the love of a good woman?I say anyone who thinks this story has racist elements either missed the point of the movie or they think minorities should never be portrayed as they are globally: trapped in low-end jobs, struggling to live decently and often clashing with the well-to-do who understand nothing of what it's like to live so "miserably". If you think adding a dash of reality in a movie is racist, then you're living in a dream world. I found this movie to be entirely believable mostly because IF such a thing were going to happen in real life, THIS is how it would most likely go down: subtly, spasticly, awkwardly and romantically.There's nothing wrong with a nice romance movie now and then. All movies don't have to change your life.
Rach-13 Romuald et Juliette is one of those French romantic comedies where they seem to break all the rules, rather like Trop Belle Pour Toi. The gorgeous Daniel Auteuil learns about true loyalty and love when his life threatens to crash around his ears. The film isn't a preachy morality tale, but a wonderful story that will keep you hooked until the last. Firmine Richard (as Juliette) is a heroine that women will cheer - her laughter is my abiding memory of this warm and witty film. The down-to-earth way she has of including all her children by their different fathers - particularly the birthdays - gives the film an edge that lifts it above your average romantic comedy. But its always the French that seem to show us how effortless this all is!