Rough Cut

1980 "They're all gems. But who's the fake?"
5.7| 1h52m| PG| en| More Info
Released: 19 June 1980 Released
Producted By: Paramount Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Two sophisticated jewel thieves join forces to steal $30 million in uncut jewels.

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Reviews

Supelice Dreadfully Boring
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
HotToastyRag Picture this: Burt Reynolds is at a decadent party. He spies Leslie-Anne Down in a sequined black dress and is determined to meet her. Neither of them speak, until at last, Burt opens his mouth and does his best Cary Grant impersonation. She smiles and asks, "Why are you doing Tony Curtis?" If you laughed just now, you'll like Rough Cut. Burt catches Leslie stealing diamonds at the party, and he surreptitiously steals them from her a few minutes later. To get them back, she follows him back to his apartment and tries to stealthily rob him. Sparks fly, and he asks her on a date. In the next scene, she visits Chief Inspector David Niven; it turns out, she's cooperating with the police to catch Burt, a notorious jewel thief! Rough Cut is a constant game of cat-and-mouse and who's-playing-who, so if you like those types of movies, you'll love this one. It's funny and full of twists and turns in the plot-and everyone is easy to root for! Rent this for a cute date night with your sweetie pie; it'll be a lot of fun.
lost-in-limbo Another enjoyably hearty Burt Reynolds vehicle to the long-winded comedy caper list, but making it more a welcoming ride is a strong cast along side him with David Niven, Lesley-Ann Down and Patrick Magee. Director Don Siegel serviceably lets it flow without much structure, as the crafty story has its twists and turns with its clever façade before finally revealing its trump cards. An aging Scotland Yard detective Chief Insp. Cyril Willis is coming towards retirement, but before calling it a day he has plans of capturing Jack Rhodes an American jewel thief that throughout his career has always been one step ahead. So in comes a beautiful lady, which is part of the plan to nab his man. But what blossoms is unexpected.Tailored like an old-fashioned romance comedy, "Rough Cut" is all about a laconically lounging Reynolds sweeping the gorgeous Lesley Ann-Down off her feet, while finding some time to organise a quick in and out heist of some diamonds. Sometimes the tone can be jumpy, but everything feels like its on cruise-control with Siegel's automatic handling, especially when it comes to the excitement and dangers of the job. The witty script is where the rapid fire comes from. However the action when it arrives is masterfully shot. It's smooth and magnetic, just like the performances. The interplay between the cast works. Reynolds plays it dry and confident. A sexy Down is a complete delight and Niven only adds to the wilily fun.
fandangonoir Yes, the poster for this film. The neat image of sparkling, cut diamonds slipping through Burt Reynolds fingers. That's pretty much all I liked about this flick. Burt stars as a jewel thief who pulls off a heist in jolly old England. There's a very dated scene where one of the guys in Burt's crew shows of his collection of Nazi memorabilia. Nice. Not. But the Nazi dude then does his part in the caper working alongside the token black dude in the crew, so I guess the character's more liberal minded than the average Nazi. Don Siegel is usually a kickass director (i.e. Dirty Harry etc.) but he isn't here. Skip this film, you'll thank me in the morning, dear...over 'n' out...
gridoon Very ordinary indeed. There is almost nothing to separate this film from dozens of similar capers. There are bits of sophisticated dialogue and phlegmatic humor, but most of the time the film comes off as a poor imitation of its superior predecessors (Hitchcock's "To Catch A Thief" comes to mind). Unfortunately, director Don Siegel is not in top form and the film often feels too low-key and lacks energy. But Reynolds's charm is at its zenith here, and his pretty good byplay with David Niven provides some funny moments.