Evengyny Thanks for the memories!

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

random_avenger An inept but constantly talking small-time thief Quentin (Gérard Depardieu) is sent to prison after a botched bank robbery. There he shares a cell with a hardened gangster Ruby (Jean Reno) who refuses to say a word until getting out. Believing Ruby to be his new best friend, Quentin helps him to escape and tags along with him, much to Ruby's annoyance. Many crazy incidents follow, as the escapees are chased not only by the police but also by Ruby's former colleagues, led by a crime lord named Vogel (Jean-Pierre Malo).The appeal of the movie is largely built on the charisma of the two stars and many buddy movie conventions. Quentin and Ruby's initially one-sided friendship advances exactly as expected, so originality is not among this movie's achievements but who cares as long as it's funny, right? Luckily the dialogue is fairly amusing and some of the situations earn a chuckle or two, like the Ruby-lookalike horse and the cops' habit of losing their patrol cars. Perhaps the movie could have benefited from being more over the top especially during the chase scenes, as now the crime and drama aspects of the story are not very well developed (e.g. Ruby's financial schemes against his former boss and his love for a deceased woman). Adding more jokes or other entertaining scenes could have helped to make the movie more memorable, even though it is funny now, too.In any case, Depardieu and Reno have good on-screen chemistry together and make the movie very watchable for any fan of buddy comedies. Tais-toi may not be the comedy gem of the century, but it's a fun little movie all the same.

dbdumonteil In the delicious "le Dîner De Cons" (1998) by the same director Francis Veber, Pierre Brochant (Thierry Lhermitte) says to his doctor on a dogged tone: "I've got a damn fool of world class tonight!...". The viewer who discovers "Tais-toi!" for the very first time could attribute as well this opinion to Quentin from Montargis (Gérard Depardieu) in this film. The IQ of this character is so low that the wardens in prisons and the male nurses in psychiatric hospitals can't stand him until one day, he makes the acquaintance of a taciturn inmate Ruby (Jean Reno) and thinks he's his friend because unlike all the ones Thomas met in his life, Ruby never tells him to shut up. The two men escape in a preposterous way and are soon tracked down by the police and the underworld...For many French viewers, Francis Veber is the guarantee of a quality entertaining movie. Throughout the years this respectable scenarist gained a large reputation thanks to a recognizable comic recipe: the mismatched duo of men. Two men with a very different disposition who have to be and to face together unexpected situations. This formula gave laugh-filled works like "la Chèvre" (1981), "les Fugitifs" (1986) when it wasn't pure genius with "le Dîner De Cons" I mentioned earlier.With "Tais-Toi!", he remains faithful to his cinematographic writing and coming after the dismaying "le Placard" (2001), it is a few notches above his precedent work. Of course, it never reaches the pinnacle of "le Dîner De Cons" but the Veber touch can be felt here and there. This man is a mastermind when it comes to depict the persona of his duo of men between the grouchy, ominous Ruby and his partner, the silly, simple-minded Quentin or to put verbal wit in hilarious dialogs. And it would be hard to resist taut, droll moments.If the 2003 vintage is more palatable than the 2001 one, that doesn't make a great film for all that. Apart from indisputable assets, Veber's scenario is plagued by a humdrum imagination and a lackluster directing to weave an immaculate story for our maladjusted duo of men. Most of the film consists in a chase with fights, shooting and stunts a little lazily filmed during which the director doesn't appear to be at ease in spite of the fantastic steps his tandem goes through. What also hampers the venture is its ultra-mapped direction and a patchy direction of actors. It would be hard to resist the blissful ignorant Gérard Depardieu but Jean Reno is a more debatable choice for he's unable to shade his acting even if Veber wrote him some witty lines.I would be tempted to write that this film showcases Veber's strong points and his limits. When he stays confined to the grounds of comedy, Francis Veber is in his element. But when he tries to make a foray into other cinema territories or to incorporate his comical gifts in it, laughter are too scattered even rare. Even if "Tais-toi!" isn't to be hammered, it will be soon forgotten after the screening.

twistyhair I saw this film when it premiered in the U.S. and have been waiting, waiting, waiting for it to get into distribution so I can see it again. Jean Reno and Gerard Depardieu are such an odd and wonderful pairing. I think only French actors and a French director could have done such an unlikely thing so well. These are two of the finest actors each in their own right; but they manage to put egos aside while coming up with odd little nuances that had me crying with laughter.Personally, I found it refreshing to see a story that I haven't seen a thousand times already and especially a comedy that does not rely on stale or embarrassing humor. Thumbs up for Francis Veber (Writer/Director) for an original and engaging film! The film is sophisticated, touching and endearing. I am genuinely surprised that it never hit the U.S. market.

khabiri I've never been so far a fan of neither Depardieu nor french movies, but this time i've got to recognize he achieved a superb performance. The film, without being much more than another movie about thieves with a rather simple plot, made me laugh from the very beginning to the end.Reno was also great in his duties. The scenes are simply the adequate for a comedy about "voleurs" running ahead of police officers -which means such scenes are far from being pretentious- and the only difference between this movie and the traditional ones on the same subject are the attitude and behavior of the two main characters -incarnated by Depardieu and Reno- and the unusual and laugh-some relationship which is born among them.