Ensofter
Overrated and overhyped
Steineded
How sad is this?
SteinMo
What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
dsmith-25000
A very nice movie if you can get around the plot holes.You have to get around the idea that Sabrina falls out of love with David (who she has had a crush on for years) and into love with Linus in three days.Sabrina is flying back from France and taking Long Island Railroad (LIRR) to the Glen Cove station where she meets David by accident. But the LIRR didn't service Idlewild Airport (now JFK Airport). in 1954 (and still doesn't), You would have to take a bus or taxi (today a subway) to a LIRR station and then change. Also LIRR is a commuter rail (basically just an above ground subway), not an intercity rail line. This isn't practical for a lady with three suitcases and one dog. She would most likely take a taxi all the way home.At the end of the movie, Linus rushes to a tugboat to join Sabrina on the SS Liberte. Problems:
Ticket had been changed from Linus' name to David's.
Would the ship stop for a late passenger arriving by tugboat?
Did Linus have his passport?
He had no luggage.
He would only have the little cash he was carrying. Except for Diners' Club, charge cards didn't exist.When Linus discussing plans to send Sabrina back to France he points out the Liberte dock (which would have been further north on the west site of Manhattan) from one window. Later in the final boardroom scene, you see the Staten Island Ferry (on the south tip of Manhattan) from another window. But it isn't clear if in the Larrabee building (show as located at 30 Broad St. near NY Stock Exchange) , they could see both the route of the Ferry and the dock for the Liberte , even when using different windows.Also note that in the final boardroom scene, you can see Staten Island Ferry and a large barge moving from left to right. If you watch closely, you will see that the scene is repeated several times.
rebeccalucy
Another great classic, with both Audrey Hepburn and Humphrey Bogart in the star roles. They both are believable and unique characters, the chemistry at the end is heart warming. There definitely is a reason these two are remembered so foundly. Despite Linus being a quite cold character, Bogart manages to make him extremely likable. This really is a hard thing to pull of without it becoming really cliché. Furthermore, the costumes are very beautiful with the lovely dresses Sabrina wears. She manages to pull of the classic 50's style fantastically. The lighting can be very effective as well, which is quite common in older films to make up for the basic cinematography. Definitely worth a watch for classic film fans, or for fans of Bogart and Hepburn. It was a pleasure to see these two classic stars together!
SimonJack
"Sabrina" is one of the last films of Humphrey Bogart and one of the early films of Audrey Hepburn. Despite the 30 years difference in their ages (54 and 24), their match in this film works mainly because the plot doesn't have them as star-struck lovers. It doesn't even have them as a match, but as almost distant acquaintances until toward the end. The "romance" works as a gradual mature respect and attraction on her part, and letting down one's barriers against a personal life on his part. The film is billed as a comedy, romance and drama. Those who watch this film mostly for the romance may miss something in the drama. For, "Sabrina" clearly is a film about classes, and the very distinct boundaries, especially between employers and servants. And, it shows this as a cultural separation deemed an absolute must amidst the professional servants class as well as among the employers. Sabrina's father, Thomas the chauffeur (played superbly by John Williams), epitomizes this. However, the attention to such class separation is treated here lightly and with some humor. Oddly enough, though, children of servants are regarded somewhat differently among the employers. Although the parents would have them follow in their footsteps, to the employers they are in a sort of free state of their own. At least, that's how it appears in this film. There likely has been so little else paid to such situations – professional servants with families (mostly old European and early American), because so few marry and even fewer have children. The culture being what it is, this film has some nice scenes of the social life of the super wealthy. And of the spoiled children of the wealthy in the playboy David Larrabee (William Holden), and the straight- laced all business caretaker of the family name and fortune, Linus Larrabee, played by Bogart. Hepburn's Sabrina – at least 10 years junior in the film to Holden's character, grows up pining for the handsome, fun- loving, partying David. Her's is a clear example of puppy love, infatuation or a crush. Only when she is sent away to study in Paris (top chef's school to be a cook as was her mother) for two years, does she grow into young womanhood, develop some refinements and become molded to be influenced by maturity and emotions beyond puppy love. But, she still thinks she loves and wants David, and it will take some time for her to change in her ways. Most of the comedy and the drama is in the plot from there on. All of the characters are very good. For the little time he is on screen, Walter Hampden is very funny as Oliver, the retired patriarch of the Larrabee clan. Here are some lines of humor from the dialog. Linus, "You make it sound so vulgar, David, as if the son of the hot dog dynasty were being offered in marriage to the daughter of the mustard king."David, "Just one thing you overlooked. I haven't proposed and she hasn't accepted." Linus, "Oh, don't worry. I proposed and Mr. Tyson accepted." David, "Did you kiss him?"David, "Oh, you make me feel like a heel. If I don't marry Elizabeth, some kid's going to be running around Puerto Rico barefoot with cavities in his teeth."Thomas, "Democracy can be a wickedly unfair thing, Sabrina. Nobody poor was ever called democratic for marrying somebody rich."Oliver, "All columnists should be beaten to a pulp and converted back to paper."
elvircorhodzic
SABRINA is a very sweet, romantic comedy. A typical film of Cinderella, who is pretending to belong to the refined society and capture the rich, beautiful and charming prince. In this case, two ... Prince. One is good-natured, but spoiled womanizer and the other is a workaholic and businessman.This is an extremely funny comedy, which somehow works unconvincing. Love is gentle, but it lacks of sincerity.The film is emphasized by certain forms of irony. The story is fabulous and, fortunately, is not intrusive. The emphasis is on humor, from which permeate some serious romantic scenes. Everything is simple, even predictable. However, therein lies the beauty of this film. The scenario is quite "washed" and definitely could have been better. Characterization is satisfactory. The focus is on the relationship between daughter and father. That relationship really works extraordinarily.Actors are the biggest advantages of this film. I'm not particularly brag acting. Audrey Hepburn as Sabrina Fairchild is naive, enthusiastic and charming girl who wins with her eyes and a smile and simply exudes warmth and tenderness. Ms. Hepburn was a beautiful lady with a lot of style and acting range. Humphrey Bogart as Linus Larrabee is pretty slick and really in this film can be seen ease of his acting. Workaholic stumbles because of true love. It's a little too much for Mr. Bogart. William Holden as David Larrabee is excellent in the role of a spoiled playboy, who in the most important part of the film has to remove the glass from his own ass. It is a simple flaw in the script. Otherwise, I am convinced that we should enjoyed in excellent and very comical love triangle. John Williams as Thomas Fairchild, Sabrina's father is my favorite in the movie, very funny and excellent in his comments relating to the class difference.Well, this is a typical Hollywood comedy with outstanding actors.