SmugKitZine Tied for the best movie I have ever seen

Ameriatch One of the best films i have seen

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Woodyanders A corrupt general plans on smuggling one million American dollars out of the banana republic he rules with an iron fist. A band of local revolutionaries plan on stealing the loot, but are doubled crossed by scuzzy and treacherous bandito gang leader Malavasi (a deliciously hammy Sid Haig). Tough cop Lynn Jackson (tartly played with winning spunk by Gloria Hendry) and slick'n'shifty con artist W.P. Willingsley (a nicely smarmy portrayal by John Ashley) help two revolutionaries -- brash Jo Turner (a splendidly sassy Cheri Caffaro) and feisty Mei Ling (a suitably steely Rosanna Ortiz) -- bust out of jail in order to get their hands on the cash. Director Eddie Romero, working from a perfectly lowbrow, yet still fairly sharp and witty script by Harry Corner Jr. and H. Franco Moon, relates the enjoyable story at a brisk pace, maintains an amusing tongue-in-cheek mood throughout, and stages the rousing action with aplomb. While Romero surprisingly (and disappointingly) skimps on the T&A, he delivers more than enough goofy humor and bloody'n'brutal violence to compensate for this. The ubiquitous Vic Diaz has a juicy part as Malavasi's wormy toady One-Eye. In addition, Eddie Garcia provides plenty of laughs with his hilarious turn as the slimy and sadomasochistic Captain Morales. Justo Paulino's competent cinematography does the trick. Les Baxter's funky syncopated score hits the get-down groovy spot. A fun little grindhouse flick.

Johann I caught this little biscuit over winter break from school. I've been a huge fan of 70's exploitation fare, and decided that my film diet needed a good injection of cheese, so I sat down to watch it. The plot is pretty basic, three very different women (an Asian revolutionary, a black bad-ass, and a rich white girl) team up to track down a desperado (an over the top performance by Sid Haig) who has one million dollars stolen from a corrupt third world dictatorship. The Asian girl and white girl are involved in a revolution (for very different reasons) and the black girl was a torture expert used by the government, but she switched sides to get the cash. Along the way, they meet up with a scumbag wheeler-dealer (John Ashley) who wants the cash for himself and are chased by an incompetent army captain trying to make a name for himself.The plot is pretty standard cookie cutter exploitation fare, and it obviously was made on a budget, but it isn't without its charm. The jokes that they pull off, although extremely campy, actually are kind of amusing. The girls give solid performances and John Ashley seems to be having a good time playing the used car salesman type, but the real winner here is Sid Haig. I wouldn't say Sid is the only thing this picture has going for it, but he's obviously enjoying his role and gives a fantastic performance.Recommended for anyone who likes the women in prison genre (even though there is no nudity in this one).

Wizard-8 You have to give credit to this Filipino actioner for at least trying something different, and that's with making the movie more or less a comedy. However, the comedy is so lazy, so uninspired, and so utterly unfunny that sitting through the movie is more painful than had it kept the comedy out! (Also, the comedy sometimes has a mean-streak in it, giving some scenes a bitter taste.)It's not that the movie is just bad with its comedy, it's also badly made. The "action" is poorly choreographed, and the mayhem has the intensity of seeing a group of people running by you. As well, there is some unbelievably slipshod editing; characters suddenly appear (or disappear) with no explanation as to how they got there or where they went. Added with a prologue that suspiciously looks like it was filmed and added in at the last minute, there seems to have been some problems during the shooting, or that they were frantically trying to save the movie in the editing room.Oh yeah, don't let the "R" rating fool you. The rating seems to be more for several utterances of the "ultimate" four-letter words. The action isn't graphic, the sex happens off-screen or just out of camera range, and I don't think there's one instance of actual nudity by the ladies. You have to ask yourself why if they were headed for an "R" rating with the language, why they didn't use the opportunity to spice things up.

Infofreak 'Savage Sisters' comes from the same period as the Jack Hill led Filipino "chicks in chains" flicks of the early 70s ( see 'The Big Doll House' and 'The Big Bird Cage' for the best of the genre). Hill wasn't involved in this one mind you, the director is Eddie Romero, also responsible for the classic 'Black Mama, White Mama', who also appears in a supporting role as Captain Morales. The three aforementioned movies all co-starred blaxploitation icon Pam Grier. Grier isn't along for the ride in 'Savage Sisters', the Grier role is taken by Gloria Hendry ('Live And Let Die', 'Black Belt Jones'), and while the prison side of things isn't as important as the others in the series, fans of them will really dig this one. As always, while filmed in the Philippines, the movie is set in some unnamed Banana Republic. General Balthasar (Leopoldo Salcedo) plans on smuggling one million dollars US out of the country. A group of local revolutionaries plan on stealing the money and form an uneasy alliance with some bandits, led by the wily Malavael (the legendary Sid Haig, a regular in these kinds of movies), and his bumbling sidekick One-Eye (Vic Diaz, another familiar face). Malavael not surprisingly double crosses the revolutionaries and makes of with the cash. Meanwhile Jo Turner (Cheri Caffaro) and Mai Ling (Rosanna Ortiz), each with varying commitment to the Revolution, are captured before they can rendezvous with their comrades, who include Turner's lover. While in prison they are interrogated by tough hooker turned cop Lynn Jackson (Hendry). She is later convinced by the shady W.P. Billingsley (John Ashley, who also co-produced) to break the two women out of prison and help them track down Malavael, with the secret intention of getting hold of the cool million for themselves. However, Billingsley's plan of betrayal may not go exactly as planned as Jackson begins to bond with her "savage sisters" on the jungle journey. Newcomers to these kinds of movies may not enjoy this as those more familiar with their style and approach, but I enjoyed 'Savage Sisters' a great deal, and think it deserves to be much better known than it currently is. A tough and cool movie with plenty of fun and thrills.