Scoundrel in White

1972
5.8| 1h35m| en| More Info
Released: 10 October 1972 Released
Producted By:
Country: France
Budget: 0
Revenue: 0
Official Website:
Synopsis

Jean-Paul Belmondo plays Paul, a former womanizer who marries the head of the medical department's "unattractive" daughter Christine because he thinks attractive women can't be trusted and make poor wives. A car accident leaves him bedridden and he begins to miss his playboy days, when Christine's bombshell sister Martine arrives and Paul decides he must have her. He begins drugging Christine at night so he can sneak out to kill of Martine's many suitors one by one.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Laikals The greatest movie ever made..!
Actuakers One of my all time favorites.
ReaderKenka Let's be realistic.
MamaGravity good back-story, and good acting
gridoon2018 According to IMDb trivia, "Docteur Popaul" was Claude Chabrol's biggest commercial hit in France up to that point in time, however Chabrol himself probably wasn't too pleased with how his little experiment in comedy turned out, since he rarely attempted it again for the rest of his long career. The laughs are few and far between (a dream sequence with Belmondo playing multiple roles is an interesting idea that doesn't really come off), and what's worse, for most of the running time the story doesn't seem to have a point; when it introduces an elaborate deception near the end, it hardly seems worth the wait. Still, any movie that features (even fleeting) nudity from the incredible Laura Antonelli can't be ALL bad! ** out of 4.
kregenow I've watched this film about thirty years ago and it stuck in my mind until now. When I came across it on DVD, I didn't hesitate too long, even more, because I have a predilection for early Belmondo flicks. But what a bad surprise! Some movies should be allowed to resign from public exposure, to preserve a certain memory, and not to shock audiences.Widely hailed as one of Chabrol's rare cynic works, the only lasting impression I got from re- watching it is... boredom. Some movies really do not age in style. But what about movies which didn't have any sense of style at all?The flaws in the script, uninspired acting - presumably due to the lack of direction -, a sort of production design, which doesn't deserve its name, less than mediocre photography and, last but not least, the worst editing job I've seen in ages, make this one truly hard to stand.My impression was, that there was a bunch of people with too much money and equipment but obviously, no idea or any skills at all. It really comes as a surprise, that this one didn't abruptly end Chabrol's career. Don't blame it on the overall bad taste of the 70s, this one is crap in its own right and a worthy contender for the most useless waste of celluloid ever.
dbdumonteil At the time ,Chabrol was producing movies at an alarming speed .And that period is still looked upon as his very best:"la femme infidèle" "le boucher" "que la bête meure" "la rupture" and "les noces rouges" are unqualified musts for any Chabrol fan.Two works took a divergent road in this golden era: "la decade prodigieuse " was a failed (but not completely wretched) attempt at transferring one of Ellery Queen's absorbing books to the screen .And then "Docteur Popaul" which is from Hubert Monteilhet's "meurtres à loisirs" .Monteilhet writes thrillers which sometimes recall Boileau-Narcejac ("Diabolique" "Vertigo" )but he introduces a sense of humor and a certain bad taste not present in the works of the writers I mention above.Chabrol has given a totally true rendering of Monteilhet atmosphere:the set up,the grotesque characters (particularly a made look ugly Mia Farrow :why her anyway?The director had to dub her in French ).The conclusion ,like in any Monteilhet's book, is immoral to a fault.But deliciously immoral.
Stefan Kahrs A delightful black comedy which is quite unlikely ever to be re-made by Hollywood, it is just too cynical about beauty and love and marriage and family and medicine and murder. Jean-Paul Belmondo plays the title hero, ever in pursuit of ugly women (which incidentally furthers his career) until the sight of his sister-in-law, played by Laura Antonelli, make him change his priorities. It is amazing how Belmondo manages to stay likable while his character's actions are thoroughly objectionable throughout - it probably helps that his adversaries are not such terrific people themselves.