Seven Sweethearts

1942 "It's A SWEETHEART Of A Picture!"
6.5| 1h38m| en| More Info
Released: 13 November 1942 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Little Delft, Michigan follows the customs of old-world Holland and is known for its Tulip Festival. The owner of the hotel insists that his seven daughters marry in order, from eldest to youngest.

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Reviews

Konterr Brilliant and touching
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
JLRMovieReviews The oldest daughter must marry first is the usual protocol in families. Who says so? Well father S.Z. Sakall does here. At least it's expected to happen that way. Marsha Hunt, as the oldest daughter, gives a very memorable performance as a diva who gets her way and thinks she's the center of attention and the Queen of Sheba. But when reporter and photographer Van Heflin comes to cover the tulip festival in this small Dutch community in Michigan, he falls for another daughter, played by the lovely Kathryn Grayson. And, what a voice. And, she sings some very creative and imaginative songs. There aren't a lot of well-known recognizable names or faces in this film, but it has fun, sweetness, and good music abound. I had never seen this before and was very pleased with it. Its cute and old-fashioned ways make the viewer feel good and more than make up for any flaws this film may have. I have no criticisms of it. This is a special place where time seems to stop and where there are no cares and when you think you're getting mad, you pull on your ear. (That usually works.) I could make a habit of watching this infectiously happy little film. You should too.
lrrap A wonderful film to sit back and simply ENJOY---no pretense, no attempts at greatness...just a chance to escape and enjoy the world as it was once-upon-a-time in Hollywood.This despite a few references to WWII and even the term "goosestep" used in the lyrics to "You and the Waltz", sung by Kathryn Grayson and accompanied on the piano by Carl Esmond's character. And HEY---why were those five strapping young male suitors always hanging around the hotel, instead of off fighting the war?? But...as one reviewer said, this film was meant to take the viewer away from the overseas hostilities during the very dark and turbulent year of 1942.I would agree that Miss Grayson's singing can be a distraction, but her light, rather quivery ("tremolo" as it's called in the film), somewhat shrill and brittle sound was the taste of the day....and she WAS in fact a very capable coloratura soprano. I wish she would have sung something other than the big "Mignon" aria at the Festival's concert scene...something more in tune with the film itself, more folksy and romantic. Loved the big outdoor Festival scene (the kind which MGM always did so well), the kitschy all-girl orchestra number as dinner music, and the singing of the moving hymn "We Gather Together" in the church; it's so refreshing and touching to see the sincerity of a scene like that appearing in a mainstream film of that bygone era.SK Szakall is wonderful in this film; a first-rate, substantial performance, requiring lots of humor, split-second timing, and some very tender pathos. Marsha Hunt is stunningly gorgeous as always, even though her role requires that she play a pain-in-the-neck.And where did the main pair of lovers decide to settle down? One would hope that they chose to stay right there in Tulip Town.A delightful precursor to "Brigadoon", with certain similarities to "Seven Brides", both of which MGM would be hard at work on a decade later, during the sad decline of the Hollywood musical.
dbdumonteil An American man from NYC arrives in a small town where Dutch people live.This is a very strange place to be ,predating Minnelli's "Brigadoon" .A place where time stood still:you do not pay when you are staying at the hotel,the girls all bear boys' name -cause dad wanted boys-and they can 't get married till the eldest does.By no means one of multi-talented Borzage's greatest achievements (most of them were behind him at the time),his movie retains freshness , a "Carpe Diem" spirit ,a good antidote to stress .My favorite scene takes place in the church.Good performances by the whole cast,particularly Van Heflin who learns to like another way of life.
blanche-2 "Seven Sweethearts" is about a journalist who travels to Holland, Michigan to do a story about tulip time there and falls in love. The owner of the hotel has seven young, lovely daughters, all with men's names, who live in an isolated little world of clogs and tulips. One of them is pretty Billie (Kathryn Grayson) with whom the jaded reporter falls in love. All the girls, with the exception of the ambitious, cold Reggie (Marsha Hunt) have boyfriends and are aching to get married. But tradition states that the oldest girl must marry first.This movie seemed very long to me, strange, and somewhat boring. It's filled with B actors, with the exception of Heflin, Grayson, and character actor S.K. Sakall, who hands in one of the best acting scenes toward the end of the film when he has a confrontation with Billie. Grayson had a thin, fluttery coloratura soprano that nevertheless possessed some beautiful high notes and pianissimos, and she entertains throughout with songs and arias such as "Je suis Titania." She's good in her role. Heflin seems out of place but is quite likable.For those who don't know, the oldest girl marrying first was and perhaps still is a tradition in many cultures. The ending is cute, but this is still a cloying film, and it's hard to believe that this family had no relatives in Holland that they were concerned about during wartime. I suppose the idea was to take everyone out of the war for a while.