Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

stranger I have to say that is a great movie and it can be understood only by ones who know the sad story of Macedonian refugee children from Greek Civil War...Milcho is a great artist and he knows how to make people laugh or cry... Maybe I really did expect more from him in this movie, like - to show us all drama of Aegean Macedonians from Greek Civil War but I was satisfied with seen after the end of the movie! I liked a little horror in it... sexual scenes were like porn in some moments and that was only irritating thing. BUT in the end of the movie Milcho was a KING for me!!Great job!

HumanoidOfFlesh Doctor Lazar Perkov has just returned to his apartment in Skopje from his parents' villa in the lakes district after a year convalescing from a near-fatal car crash.He tries to return to work at the hospital,but his nightmares won't help him.He forgets things,fears his recovery isn't stable and has now had his first visit from the disturbed souls of the dead(the old lady and the creepy looking guy with unbaptized infant).I saw "Senki" during Warsaw Film Festival and I was a little bit disappointed.The film is too long and quite dull in spots.It offers some beautiful photography of Macedonian landscapes,some scenes are pretty moving,but the horror elements are weak.Still there are four lovely sex scenes with a good dose of female nudity to keep me happy.6 out of 10.

wondercritic This film sounded so interesting in the description I read of it in the guidebook of the Istanbul International Film Festival 2008, and I had to admit I was pretty gripped from start to finish while watching it. But the ending was so disappointing, in fact so immature in its concept, I walked out feeling cheated.Where the director succeeds is in the area of horror. With the desensitization of world cinema audiences to shock horror and gore, this movie actually comes up with some genuinely scary moments, and for that it scores points. There is also an impressive, quirky performance by the actress in the role of Menka, the mysterious young woman with short dark hair that keeps appearing unexpectedly to entice our hero, "Lucky" Lazar.But it is ultimately silly, and I think most mature moviegoers could think up a better, more interesting premise for the experiences of the main character. Instead, we get a kind of "Sixth Sense Lite". The director throws in some softcore erotica to keep us entertained, but that does not make for a film worth seeing. Not impressive.

Lucian Ghita I am very disappointed after watching Manchevski's film this evening. I came to the screening with his masterpiece "Before the Rain" in mind but some of the elements that struck me most about the film were endlessly recycled imageries of death/memory/temporal boundaries, exoticized depictions of landscape, identity and cultural otherness, tautological and often overstated motifs of death and desire, which literally drown the spectator into a sea of clichéd, old-fashioned psychological thriller formulas. Don't get me wrong, I like films which foreground their rich, highly-tuned semiotic texture and which interweave symbolic structures skilfully and compellingly. But here this twofold directorial temptation towards the symbolic and the literal doesn't quite pay off cinematically. The music is great, some of the montage is also powerful, the initial spatio-temporal build-up promising, but the film never quite takes off for me. The surreal, nightmarish, ghostly presences that populate the screen and Lazar's troubled mind amount, in my opinion, to some of the interesting cinematic effects of the film.