Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

luby_matt "Shanghai Ghetto" might sound boring at first glance: it is a ninety minute documentary.But this film is so heavily emotional, it is so chilling and thought provoking, that it makes "Schindler's List" seem trivial.The story is told simply enough. Narration is used when needed, but the majority of the movie is told by the very people who were there, the very Jews who escaped Hitler's tyranny by fleeing to Shanghai.The survivors of the Shanghai Ghetto are all remarkable. They are excellent story tellers and they are able to give the audience a lot of details. The movie also does an excellent job of providing relevant visuals as they speak, so that what you hear you also see.The thing that makes this film stand out above other Holocaust films is the combination of historical footage and eyewitness accounts. "Schindler's List" was an amazing film, but the viewer could still remain blissfully detached because we never heard an eyewitness account. But in "Shanghai Ghetto," the eyewitness testimonials give you no choice but to be personally involved.I walked out of this film feeling overcome with emotion. In the car on the way home, I made myself promise to never allow a crime like the Holocaust to be perpetrated on humanity again. It is quite rare that I feel this emotional after seeing a movie, but "Shanghai Ghetto" is simply amazing.

syn201 The stories of the interviewees were rather banal. (I guess we are too much exposed to a similar kind of testimony films nowadays.) But, more problematic is that the life of Shanghai natives at the time was too lightly handled. The Jews who had been better off moved to Shanghai, and now they talk about the hardship they had to go through there. But to me it seemed that their life was lot better than that of the Chinese who were under Japanese occupation and persecution. Those interviewees all left Shanghai after the war, and lived well off (maybe still worse than they used to in Europe, but). I didn't see why their personal stories are that important in that specific context. If there were more about culturally specific difficulties (of being in Shanghai on the other side of the world) rather than just complaints about heat and hygiene, I would be more appreciative about the film.

jspivack This film held my attention. It was very well done; the still photo's and moving pictures were well integrated with the narratives. This was a part of the "holocost" I was not famiiar with and as a result I did not feel that I had seen this before.

Ralph Michael Stein Documentaries about the Holocaust tend to fall into two classes. The first is the wide view of central events and personalities, subjects that very many people recognize. Intriguingly, a second class of film emerges from time to time: documentaries that educate by illuminating a thread of history relatively or even almost totally unknown to most. Such a film is Dana Janklowicz-Mann and Amir Mann's subtly powerful "Shanghai Ghetto," the story of frightened German and Austrian Jews who after "Kristallnacht" and before the borders were sealed found refuge in Japanese-occupied Shanghai, the great Chinese port.With documentary footage and well-edited interviews of men and women who trekked to Shanghai and now appear to live in comfort, as well as with commentary by several academics and narration by Martin Landau, the directors tell a fascinating story.As Western European countries, Great Britain and the U.S. fell over themselves expressing sympathy for the plight of Germany's Jews while insuring that few would find refuge within their respective nations' borders, Shanghai was a destination where, miraculously, anyone could debark from a ship without passport or visa. Shanghai before 7 December 1941 was an odd city, a metropolis where the Japanese freely and without compunction murdered and brutalized Chinese residents while respecting the international enclaves that enjoyed extra-territorial status from the days of the Opium Wars.Why the Japanese, in league with their Nazi partners, seemed to care little about the sudden influx of European Jews isn't clear. The film suggests that the Japanese had some sort of bizarre but fixed belief that the myths about Jewish hegemony over banks and industry would somehow benefit their Empire. I doubt that explanation has any validity. I suspect that at first the Japanese simply didn't much care about these refugees and then discovered they had to deal with them. After Pearl Harbor when both British and American nationals were interned the Jews dwelled in a twilight world with some restrictions but overall a remarkable degree of freedom.The interviewees describe harsh living conditions but it's clear almost from the first comments how relative that concept is. That many if not all the escapees lost an affluent or at least middle class lifestyle is certain. There was disease and insanitary conditions abounded but these were largely endemic to pre-Maoist China, not the result of ghettoization as in Eastern Europe. An Israeli professor and several of the elderly interviewees can't even concur as to whether the Japanese actually established a ghetto. The professor says they didn't and the former residents use the term "ghetto" repeatedly.There is a curious juxtaposition between the interviewees describing their travails and period footage and still photos showing a fairly vibrant Jewish community with music, art, literature and sports clubs. The Shanghai Jews were free to form their cultural groups and pursue their interests as they wished. This was not Theriesenstadt with its horrific Nazi-created Potemkin Village orchestra and drama company.Of course the uprooted refugees suffered hardship and a few of them on this film suddenly draw a sharp breath before a sob and tears interrupt the flow of their narrative. In one of my favorite Manhattan theaters, (the small Quad on 13th Street between 5th and 6th) the house was packed people running in age from about thirteen to their eighties. The impact of learning this chapter of Hitlerian monstrosity was palpable.Near the end of the film familiar stock footage of Nazi death camps and crematoria, replete with victims, is shown alternating with the interviewees' honest, to a degree anguished, reflection that, as several say, they were living in "paradise" compared to the many relatives they lost in the cauldron of evil. Or the survivors in Europe. Not until the war ended did the Shanghai refugees learn the fate of European Jewry.Whatever the relative scales of suffering by widely separated survivors, the producers/directors have added a unique chapter of Holocaust history to the archives. "Shanghai Jews" is a thoroughly engrossing work, complemented by the music of Sujin Nam and largely performed on the Chinese erhu.This film won't be shown in many venues but it ought to be widely televised and certainly made available for rental or purchase.9/10.