Shinobi No Mono 5: Return of Mist Saizo

1964
6.9| 1h31m| en| More Info
Released: 30 December 1964 Released
Producted By: Daiei Film
Country: Japan
Budget: 0
Revenue: 0
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Synopsis

[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!

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Reviews

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Beulah Bram A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Jenni Devyn Worth seeing just to witness how winsome it is.
whatdoes1know This old black and white movie is amazingly fast paced and entertaining once the assassins make their moves on the target, the future Japanese Shogun. The manhunt scene in the woods is just an amazing sequence of action--that stays on the ground, as opposed to Ang Lee's sense of action in the infamous Crouching Tiger and Dancing Ballerina. This movie also portrays the stricter sides of the code of men of endurance (literal translation of ninja). An exemplar scene shows a wounded ninja, silently and quickly wiping his blood off the spearhead that ran through the ceiling and his thigh in order to hide his presence. As Saizo matures, he grows out of his material attachments and sees what is essential to shinobi (the way of the ninja). The ruses that the target and the assassin use on each other make for good plot twists and the crucial question on what it means to live by the code--does the ninja die for the mission, or does he endure the failure?--is answered splendidly.