Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Claudio Carvalho In the 70's, while acting in a porn movie, Jennifer (Cheryl Dent) has a vision of her dead sister Jessica and attacks her dwarfish partner Nasty Nat (Pancho Moler). She is sent to a mental institute and six months later, her doctor discharges her under the condition that Jennifer should stay with her parents using medicine for a period. While driving through the desert, Jennifer is thrown in a ditch by the truck of two guys that want to rape her. However she is helped by the dysfunctional hippies Damon Grey (Vin Crease), Violence Onelove (Michele Morrow) and Guilty Karma. They invite Jennifer to spend the night in their camp and they offer peyote to her. Under the effect of the drug, the delusional Jennifer and her new friends are haunted by a mysterious fiend. "Slaughterhouse of the Rising Sun" is a weird movie, with bizarre characters and situations that are not well-developed. The dysfunctional group of hippies, for example, are totally insane and silly, and their violent attitudes are unusual and against the philosophy of "love and piece" from the 70's. Jennifer's insanity is never explained, and the viewer has no explanation why she has this killer instinct and why she killed her younger sister. The genre shifts between a comedy that is neither dark nor funny and horror that is silly and never scary. Therefore the film fails. The best offered by this flick is the version of The Animals' "House of the Rising Sun" in the end. My vote is three.Title (Brazil): "Delírio Assassino" ("Assassin Daydream")

pesok101 This movie is bland.It has neither gore, nor sex, nor scares, nor comedy or suspense. Nothing at all. Just one "hand-grabs-shoulder" type of cheesy stuff.And contrary to claims by other viewers, it doesn't even remotely approach classics like Evil Dead, TCM, Dawn of the Dead and so on.The story is laughable. About 1/2 way through, the movie abruptly shifts gears and focuses on the "house". And where did the movie title come from?Not recommended -- go watch Fulci instead.

tedperkins-1 Rarely do you find a horror film with so much going on in the text and subtext. Both nerve-wracking and funny at the same time, it's a example of cinematic artistry, a perfect homage to its 1970s low-budget predeceases, and a compelling night at the movies all around. The tone of the film is eerie. The pacing is excellent. I can see why Oscar-winning distributors THINK FILM picked up this gem of a movie. Production quality is first rate. Amazing when you consider that it was not a huge budget film. I had nightmares. And funny dreams. This movie takes you places you might not want to go. Or do want to go.

mikerobins67 I saw this film at the Denver Underground Film Festival and I was so surprised to to see such a funny, campy and creepy film. Although this is a new film, you would swear this was made in 1972. All of the characters are hilarious and memorable -- especially the psycho-duo Guilty and Violence (they're also really hot!!!). The movie touches on so many horror and exploitation films from the time -- from "The Texas Chainsaw Massacre" and "Last House on the Left" to Russ Meyer's films and all the groovy counter culture films from back then. Even the music, editing, titles and effects are dead-on. The film is definitely the kind you'll see at midnight shows for years to come. It has the kind of lines that people will probably interact like they do with "The Rocky Horror Picture Show". I can't wait to see this again. A true modern cult classic.