Small Town Girl

1953 "THE NEW HIPPITY-HOP MUSICAL!"
6.3| 1h33m| NR| en| More Info
Released: 10 April 1953 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Rick Belrow Livingston, in love with Broadway star Lisa, is sentenced to 30 days in jail for speeding through a small town. He persuades the judge's daughter Cindy to let him leave for one night, so that he can visit Lisa on her birthday. After that he goes on the town with Cindy and she falls in love with him. But Dr. Schemmer wants his son to become her husband.

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Reviews

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Ed-Shullivan It is hard to believe that this film was released 64 years ago. I love these classic dance/musicals/romance films and this is a top notch Busby Berkeley dance and song production. Farley Granger plays the rich and spoiled Rick Livingston who thinks his money can buy anything. That is until he attempts to speed through the little town of Duck Creek and he is caught speeding at 85 miles per hour in a 25 miles per hour zone.Before he can get his wallet out and pay the fine Rick's big mouth gets him in big trouble with Duck Creek's local town Judge Gordon Kimbell (Robert Keith) and he is sentenced to 30 days in the town jail. Before he knows it he is falling for the judge's pretty daughter Cindy played by Jane Powell. So Cindy convinces the jailer named Happy (Chill Wills) to let Rick out of jail for just a few hours so that he can wish his mother a Happy Birthday where he lives in New York city.There are great supporting cast members in Chill Wills, Ann Miller and Bobby Van. This film includes a dozen or so song and dance numbers that are very lively but you must enjoy Busby Berkeley to appreciate the 1950's song and dance era for which this is an excellent example of the simpler times. I enjoy being able to escape for 90 minutes to a simpler time with song, dance, romance and laughter. I hope Small Town Girl comes out soon in the Blu Ray format with all the brilliant colors this film exposed. If you want something current to compare it to just think of 2016's multiple Oscar winner La La Land. This film has it all and I give it an 8 out of 10 rating
TheLittleSongbird 'Small Town Girl' is a pleasant and entertaining film, but it is a case of some parts faring much better than others.One shouldn't expect too much from the story, which makes even the thinnest of ice seem thick in comparison and is so old-fashioned with very little variation that in the non-singing and dancing moments one can hear the creaks. Or the script, which does have some light-hearted moments and some sweet and amusing comedy but the more romantic parts lack warmth and momentum, and don't go looking for depth (know this is not the kind of film, but even for a comedy/musical/romance there is a lot of fluff and pleasant moments but not much more than that.The supporting cast do fare much better than the leads. Bobby Van is an energetic charmer and Ann Miller is a sheer delight. Hearing Nat King Cole sing is always a pleasure, and S.Z. Sakall and Billie Burke sparkle. To be honest Van and Miller would have made better leads perhaps than Jane Powell and Farley Granger, whose performances or scenes are nowhere near as good or as memorable.The problem by all means does not lie with Powell, who is cute as a button and radiates in charm, her voice bell-like in its clarity. The problems are her lack of chemistry with Granger, one gets the sense that they either didn't have much rehearsal or didn't get on, and with Granger, who is handsome but is a complete blank and looks like he took part in a bet, lost it and is regretting it on screen or something because he doesn't look as though he is enjoying himself one bit and it's draining to watch.It is Van and Miller that bag 'Small Town Girl's' best scenes. For me, Miller's ingenious routine in "I've Gotta Hear that Beat" (one of my favourite dance numbers from her, and this is from such a talented performer whose dancing and routines were highlights in films she appeared in) is the highlight. Will admit to have not always liked Van's hopping routine in "Take Me to Broadway", on first viewing (which actually wasn't from this film, it was when it was featured in 'That's Entertainment II') it seemed bizarre and too silly a scene but on repeat viewing it is actually a lot of fun and the energy is astounding, whatever opinion one has of the number that it won't be easily forgotten is undeniable.Cole's soulfully beautiful rendition of "My Flaming Heart", with Cole sounding as dreamlike as always, is another highlight. The scene does feel thrown in somewhat but when it features such a lovely song so beautifully performed that is forgiven very quickly. 'Small Time Town' looks great with the cinematography and costumes being especially pleasing, and while the songs themselves are not exactly timeless (as good as "My Flaming Heart" is, it's not one of Cole's greatest hits in a list that includes "When I Fall in Love" and "Unforgettable") they are very easy on the ear and they along with the dances accompanying them provide the energy, momentum and emotional impact lacking elsewhere in the film.All in all, a decent film that is worth seeing for the supporting cast and the dance sequences but anybody wanting a good story, depth good lead performances and chemistry between the leads will find themselves short-changed. 6/10 Bethany Cox
mark.waltz As a musical comedy, "Small Town Girl" is not on par with MGM's top films in this genre. However, it is a basically pleasant movie, colorfully made and professionally performed. Jane Powell, the beautiful leading lady, lacks in decent material, relegated to unmemorable songs and a characterization that is pretty bland when comparred to supporting characters played by Bobby Van and Ann Miller. The small town innocence is there, although a production number with Van and Powell at a box social seems totally out of place. When Van breaks into a musical number in Papa S.Z. Sakall's store, pure joy erupts, and when he starts his delightful hopping number, the silliness doesn't matter. His elation becomes the audience's.] As for the story, I couldn't find myself believing wealthy New Yorker Farley Granger falling in love with Duck Falls resident Powell and planning to move there. I liked the fact, however, that his mama (Billie Burke) supported Judge Robert Keith's decision to arrest Granger and hold him for 30 days for speeding through town and contempt of court. However, that as a ruse in the screenplay to get Granger and Powell together in a romantic way just didn't ring true. Powell is charming and Granger is very handsome, but they shared no chemistry. As for Annie Miller, she gets some witty lines and a magnificent musical number (the lavish "I Gotta Hear That Beat!") staged by Busby Berkley that features huge drums and other instruments coming out of the stage with only the musician's hands appearing to play them. Pure genius on Berkley's part, and an equal visual treat as original as the "Our Love Affair" number in "Strike Up the Band!" where cakes and a fruit bowl become an entire orchestra.
wfergie It's just too bad more people didn't appreciate Bobby Van when he was around. I've never seen him before, but I certainly will remember his energy and incredible footwork. Where are they now? 50 years seemed to have taken away the fun of making a entertaining musical. Watching rappers and boy bands has diminished our appreciation of what dance was all about. Donald OConnor, Fred Astaire, Gene Kelly, Danny Kaye all had desire that is lacking in movies now. Perhaps the cycle will return and will get away from Gangsta rappers and back to a style of entertainment that celebrated life rather than threaten it. Great work Bobby... Too bad I missed you. ......Wayne