Solomon Kane

2009 "Fight evil... With evil."
6.1| 1h44m| R| en| More Info
Released: 24 September 2009 Released
Producted By: Davis Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.solomonkane.com/
Synopsis

A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.

... View More
Stream Online

Stream with Prime Video

Director

Producted By

Davis Films

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Images

Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Prolabas Deeper than the descriptions
Cleveronix A different way of telling a story
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Michael Ledo The film introduces 17th century super-hero Solomon Kane (James Purefoy). The opening and ending scenes are filled with special effects and sequences of a 5 star film. Unfortunately the filler isn't as great. Kane comes from a family of wealth and nobility. He rejects his role in life to establish his own, a treasure seeking killer. When the devil attempts to claim Kane's soul, Kane balks and looks for a path of redemption, one that evil forces him to leave.Unfortunately the film plunged from its opening scene. Bad guys have less of the super natural special effects and Kane fights like a normal person. His relationship with Meribeth (Rachel Hurd-Wood) sputters in its development.Makes a decent rental.Parental Guide: No f-bombs, sex, or nudity.
Reuben Saunders Being an idiotic teenager, I am easily pleased by the good ol' ridiculous violence and overwhelming amounts of fake blood when it comes to films — or even games. As expected, this film is filled to the bloody core with it, and as it is well choreographed, visually impressive and with bloody amounts of blood, it's great, as bloody action goes.Nonetheless, it's by far the best thing the film has to offer. A slightly cheesy script, some hammy performances and a definitely- not-influenced-by-The-Lord-of-the-Rings plot mean Solomon Kane's not exactly a work of genius. However, I happened to like the 1600's west country setting, which is fittingly gloomy and pays homage to the cider drinking farmers' land — even though Axemouth Castle unfortunately does not exist. I forgive 'em for that though, because I don't really care about that nitty gritty stuff; especially considering all the great villain designs.The cheesiness is a bit of a problem though, and a lot of the performances are indeed hammy, as the film also doesn't try that much that's new. Even if there is some great action in a good setting Solomon Kane has its fair share of flaws and isn't one for the ages. For a teenage boy like me it is enjoyable for what it is, but, I think I've made my point.66/100.
MBunge Sometimes the movie business makes you shake your head and sigh. Sometimes it just really pisses you off. Watching Solomon Kane was the latter experience. As a fan of Robert E. Howard's dour, puritan adventurer, I was quite excited when I heard he was finally making it to the big screen. I mean…at least it had to be better than Kevin Sorbo as King Kull, right?Wrong.If this had been a good film but an unfaithful adaptation of Howard's work, I could've accept that. If it had hewed closely to the pistol- blasting, sword-wielding, explicitly Christian fanatic that REH created but sucked as a motion picture, I could have lived with that. Writer/director Michael J. Bassett, however, managed to screw this pooch coming and going. Whatever affection for or commitment to the source material he may have had, he let his ego run wild and decided to substitute his vision for REH's. Which would have been bad enough but then that vision turned out to be as hazy as Mr. Magoo's and as shopworn as a 53 year old crack whore.Let me start by addressing my fellow REH fans. You may be tempted to view this thing in the future. Don't. There is little to nothing of REH to be found here. This is a freakin' prequel, for pete's sake. It is set BEFORE any of the Kane stories or poems and purports to explain how Kane became the icy crusader against evil that you and I enjoyed reading about. Now, you may be thinking that means Solomon Kane is like a feature- length version of the origin story from the Schwarzenegger Conan flick. It isn't. This thing gives us a Solomon Kane who is a greedy, self- centered and somewhat cowardly bastard and is transformed by experiences into a steely, unflinching slayer of villains and monsters of all sorts. Imagine if Conan had started out as some effete, Hyborean Age accountant and turned into a barbarian thief and warrior. Who wants to see that? Bassett then compounds his arrogant error of thinking anyone would be interested in him de-and then reconstructing the creation of a writer a thousand times better than he with filmmaking skill on the level of a basset hound. Let's start with the most elementary of his mistakes. He introduces Kane as a murderer obsessed with treasurer who is told by a demon that his actions have damned him to Hell, causing Kane to flee to a monastery and be even more obsessed with saving his own soul, to the point that he begs like a little bitch when the head of the order throws him out. I don't recall Kane doing anything all that heroic for almost the first half of the film, and even then he only kills a bunch of bad guys AFTER they've slaughtered most of the Puritan family who took him in and kidnapped the family's daughter. Kane then gallops around killing possessed raiders, with no apparent plan of how this would lead him to the missing girl, and falls into alcoholic despair when told the girl has been killed. It's only when he learns she's alive that Kane rouses himself and confronts those responsible. That turns out to be Leatherface, who has somehow traveled back in time like Army of Darkness to the early 1600's in England, and this other dude who looks like he's been lifted entirely out of a REH Conan story because pre-history Cimmeria and Jolly Old England are interchangeable to a "writer" like Bassett. After defeating them and a CGI fire-demon that appears to have a slow wifi connection, Kane sets out as a redeemed soul ready for the stories REH came up with.Oh, and there's also this bit about an old friend of Kane who helps rally the people against Leatherface and the Conan sorcerer. Except he's introduced with about a half-hour to go in the movie, despite the movie starting out in Kane's past during roughly the same time this doofus was supposed to know him. Why not have the guy appear in those scenes and then return later in the story? Because if this guy hung out with Kane when he was a greedy, murdering bastard, that would make him a greedy, murdering bastard too, wouldn't it? Bassett somehow realized that would be problematic for a minor supporting character, but not that it was an even bigger problem for his main character. Forest. Trees. You know the rest.And this thing also has several flashbacks to Kane's childhood and we find out that the evildoers he's facing now are connected to what happened in those flashbacks. I guess because being horrible and vicious killers who pillage the countryside and massacre scores of innocents isn't bad enough. They have to have a backstory with the hero, as though that's going to be what finally gets the audience's attention.This is a prequel for a character that, sadly, few people have ever heard of. It takes nearly half its runtime to get that character into his classic outfit. Then by its end, he's abandoned that look and is garbed like some generic D'Artagnan-wannabe.On the plus side, the sword fights are okay.If you see this on a nearby screen, look away and go find the original stories by REH. You'll be glad you did.
timm45 This was a good one. It's worth seeing if your local video store has it. One of the attributes of the character is pretty much standard. A guy that has seen too much violence in his life and decides to make a break from it and take the path of righteousness. He's not a complex character. You'll not spend the entire film trying to figure out why he does what he does. Sibling rivalry does enter into the movie ( you'll just have to watch it). Some of the characters in the movie have the ," he's just a has been. Don't put your faith in him". While other characters in the movie have the ,"Solomon.We're all counting on you to deliver us from evil",opinion. You kinda feel bad for the guy. He makes an honest attempt at redemption,but it don't quite pan out. It also has the "save the damsel in distress" option added on here. Fairly typical,but like I said ," the mans trying to redeem himself".