Speechless

1994 "There are two sides to every relationship... Don't trust either of them."
5.8| 1h39m| PG-13| en| More Info
Released: 16 December 1994 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

In the midst of election season in New Mexico, political speechwriters Julia Mann and Kevin Vallick begin a romance, unaware they are working for candidates on opposite sides.

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Reviews

Smartorhypo Highly Overrated But Still Good
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
Irishchatter Seriously, this is not the best movie of Michael Keaton's and Geena Davis' acting career. This is like watching two goofballs who just want to mess around like little children and fall hopelessly in love with each other. That really ain't a story, its pretty much a Disney movie gone wrong. I wish I didn't have to speak more about this because, its just plain awful and you know, the title says it all. Thats why its called Speechless, it completely wastes your time by becoming"Speechless". I think this is one of the worst movies of the year I was born. I beg you to avoid this!
SnoopyStyle Kevin Vallick (Michael Keaton) and Julia Mann (Geena Davis) are two speech writers working for opposing sides in a campaign. Of course they fall for each other immediately over sleeping pills, but end up in a love hate relationship.The two leads have great chemistry together. They make for a fun competitive couple. If there's anything missing, it's an edge. There's nothing in particular wrong with a light-hearted, light-weight rom-com. But the politics is hopelessly naive and out of date. Overall it's a sweet likable watch with some fun exchanges. It's just nothing that exciting.
David_Brown I really liked this film and there are multiple reasons behind it. First unlike many films where the word Republican = Evil, and Democrats = Saints this film has both Senatorial candidates as being corrupt, which is fair. Next Keaton & Davis have real chemistry together, and are both on the same level (Which is rare these days. Usually it is one is rich and the other is poor, one is smart and the other is dumb, or something like that). It is also funny, (Spoiler ahead: The part when they find out what the other does for a living at the school (And the reaction of the teacher and kids) is worth watching in and of itself). Finally, this is not a "chick flick" which in 99% of cases, is an absolute turn-off from the get go. It is mostly told from Kevin's (Keaton's)point of view, which means that as a straight guy, I could watch it without changing the channel. Frankly, I have seen one too many films with women trying on wedding dresses (Sad to say, these women are not exactly hot to begin with). Is it the best romantic comedy of all-time? No "Blind Date", "Stakeout", "Adventures In Babysitting" & almost anything starring Myrna Loy (Most notably "Libeled Lady & "I Love You Again")are my personal favorites. But it is well worth watching. Highly recommended.
erikpsmith I guess you could say this contains a partial spoiler.* * * * I'm a little perplexed at the low ratings most folks seem to give this movie. I think it's because people tend to look at movies as a total product. Me, I'm the kind of guy who can appreciate a classic car, and overlook the rust spots.That's kind of where we are on this movie -- a movie that hits on seven out of eight cylinders. The problem is that romantic comedy is the most difficult of genres, and for most folks, it has to hit on all eight to "work." Viewers think about their feelings; they don't analyze a romantic movie in an intellectual way, and if something doesn't quite work, they leave the theater feeling dissatisfied without knowing exactly why.This movie has so much going for it -- a good premise, clever banter, believable characters, and a romance that doesn't seem forced. And for me, there's a double appeal -- I've worked in the press/political world, and all I can say is I can tell the writers must have been there, too.Was it miscast? Was it shallow? Was the dialog unrealistic? Was everyone too cute? Was the "strange bedfellows" premise beyond belief? Naah. None of that.The problem is the third act. I don't want to give away too much, but we have a scene in a bar in which Michael Keaton is given some interesting information, and he has a choice to make. Now, the movie might have spun in a half-dozen interesting directions from this point -- first time I saw it, I was half-sitting up in my chair, once I recognized where the whole thing was leading. I couldn't tell quite where it was going, but I knew it was going to be mighty interesting. There was plenty of dramatic potential, the sort you always need at the start of the third act in a comedy, to make the ending seem a happy relief. The way it spun out in my mind, I suppose the movie would have gone on for another five or six scenes.But here's the trouble -- the next scene is the big climax at the balloon fiesta, and the producers settled for an ending so simple, so dishonest, so downright cheap, that I'm sure it's the thing that left the bad taste in most moviegoers' mouths. Up to this point the movie was a clever comedy of words and ideas and romance; suddenly we got slapstick.How on earth could something like this have happened? How could writers who had done such a good job up to this point have failed so miserably at the climax? My guess is that they didn't -- my guess is that someone with a complete lack of understanding of the material took a movie with a complex, adult, and somewhat ambiguous ending, something in which there were no heroes and no villains, and decided to "improve" it.Or maybe a different ending was shot, and it didn't test well in Pomona, and the studio tried another approach.Or maybe the studio decided to save a little money by cutting 15 minutes out of the script.But I suspect some big-time tinkering here -- something that basically spoiled the movie for most viewers, and turned a potential classic into a bomb.Wouldn't it be cool if another ending was shot -- and if someday a "director's cut" might be made available? There was so much "right" about this movie, I hated to see it spoiled by a botched last couple of minutes.Erik Smith Olympia, Wash.