DipitySkillful an ambitious but ultimately ineffective debut endeavor.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Horst in Translation (filmreviews@web.de) "Speer und er" is a German mini-series from 2005, so this one is already over a decade old. It was written and directed by Heinrich Breloer and as he was not exactly too prolific in the last years, it is still one of his most recent career effort. He will return with a new mini series focusing on Bertolt Brecht soon. But back to this one here, it consists of three episodes of roughly 90 minutes each, so the entire thing runs for 4.5 hours. The title characters are played by Sebastian Koch and Tobias Moretti. But Koch's Speer is certainly much more in the center of it all, especially in chapters 2 and 3. This is actually from one year before Koch starred in the Oscar-winning "Das Leben der Anderen". The structure here is pretty clean. The first 90 minutes are about Speer's rise next to Hitler, the second 90 minutes are about the trial against him and the final installment is about his life as a prisoner. I believe quality-wise all chapters are pretty much on the same high level. Subjective taste and personal preference will decide which of the three is your favorite. I think my favorite is the first because Moretti's Hitler was great too and I just like Nazi films in general. But the third chapter was also really good when his involvement is discussed in detail or the second with all the other Nazis in Nuremberg and the genuinely very tense moment when the sentence is announced and this one is probably even more effective if you don't know about him not being given the death penalty. Another crucial component in these 4.5 hours is the documentary aspect. There are many many video recordings, photos and interviews included in here, with Speer's children especially and these may be the most interesting non-acted parts. Also during these interviews the subject of guilt is not just present, but dominant from start to finish. I think this three-part film made a good statement when it comes to Speer enjoying his rise to power, but also not losing his artistic approach out of sight. Is he evil? No. Is he innocent? No. The exact position between these two extremes is up for interpretation in Speer's case. Once again, your subjective opinion is crucial. This film provides all the information you need to make a judgment. It was certainly a good watch and I recommend checking it out. Thums up.

Andres Salama Fascinating German miniseries about Nazi architect Albert Speer and his strange relationship with Adolf Hitler. Speer is played by Sebastian Koch (who starred in The Lives of Others and The Black Book, and has also played Claus Von Stauffenberg in a German TV movie) while Hitler is played by Tobias Moretti. Most of the material is taken from Speer's two autobiographies, "Inside the Third Reich" and the "Spandau diaries".The series includes some documentary parts, including news footage from the era and contemporary interviews with, among others, filmmaker Leni Riefenstahl (just before her death), and Speer's children, Hilde, Arnold and Albert Jr. (the last, also an architect, and who until this film was reluctant to discuss his father publicly, is surprisingly dismissive about his father's abilities as an architect). Among the many supporting characters, one has to name Andre Hennicke (who played SS General Mohnke in Downfall) as Rudolf Hess.This compares very favorably with the American miniseries "Inside the Third Reich" made in 1982 and dealing with the same material (in that series, Speer was played by the Dutch actor Ruger Hauer while Hitler was played by Derek Jacobi). The series only flaw (unfortunately not a minor one) is Moretti's very weak performance as Hitler (this aside from the fact that he looks very little like the Fuhrer).

JonathanWalford This docudrama rehashes already well-known facts but uses these facts as devices to delve further into Speer's character. The conclusions are not always satisfying but by the end of the film the viewers will know more acutely what kind of man Speer was.You are never drawn to Speer empathetically, or reviled by his actions. The film reflects Speer's memoirs by sidestepping some issues -- was he or wasn't he an anti-Semite? Was he acutely aware of what happened in concentration camps? What did he know and what did prefer not to know? What is clear is that Speer was self-serving, ambitious, organized, tough, responsible, independent, intelligent, an opportunist, and detached. He refused a high rank in the SS because he didn't want to accept responsibility where he had no authority. He liked Hitler as a friend and had long talks with him about the new Germania and architecture but he was portrayed on film as remaining silent in any ideologies he didn't necessarily agree with.Not as sycophantic as other head Nazis he also had more class than the top thugs and was concerned more about the German people and their post war survival. He was not deluded like Hess or Goering and accepted his role more willingly than Donetz or Ribbontrop.The most interesting part of this docudrama is the final episode, which follows him throughout his twenty-year imprisonment. After having taken what he felt was his share of the blame at Nuremberg he had time to think how he was manipulated and charmed into his powerful position as minister of armaments where he was so good at his job he actually increased production and delayed the end of the war by perhaps as much as a year. He was a man with his own agenda, few friends in the Nazi upper rank other than Hitler, and had a convenient conscience that allowed himself to at best not see what existed, and at worst not concern himself with what he had no power to change.Speer's Achilles heel was flattery and attention. He was just barely 40 years old when the war ended and was simply not mature enough to be his own man. His self-serving career was nearly apolitical and his hunger to get to the top was blind-sided. Asked in later life if he would do it all over again or settle for a nice architectural position in Heidelberg he apparently said he would do it all over again. If he would do it all over again exactly the same way is left to the viewer to decide.I may point out negatives in this film that give the impression I didn't like it but these are not faults of the film, but rather flaws of the man himself. Speer was a complex conundrum and this film tackles the material very well to give insight into the man himself.

Michael Who was this man Albert Speer? What did Speer, minister of Armour, know about the cruel and brutal crimes of the Nazis? For which decisions he bearded charge of responsibility? In usual - and usual perfect and brilliant - method of film collage director Heinrich Breloer take a look behind the masks usually the human being Speer every times tried to vanish. In the middle of the plot of these three thrilling, historical very correct episodes (Third Reich, the Nuremberg judgment, the prison in Spandau) Breloer take the (nearly)amicable relationship between Speer and Adolf Hitler, who admires the giant, megalomaniac architectural projects very much. A terrific transformed, careful directed, wonderful acted (especially Sebastian Koch as Speer, Tobias Moretti as Hitler and Dagmar Manzel as Mrs. Speer) historical view, which shows Speer at first not as notary's manipulator but rather as a smart director of the grand delusion of his life. Try to see it, you will not be disappointed. German television of it's best: I give 8 out of 10 stars.