Laikals The greatest movie ever made..!

Teringer An Exercise In Nonsense

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

dougdoepke First-rate matinée fare with Roy in fine early form. Republic popped for more than usual with a load of extras and TruColor. Then too, the storyline's almost contemporary with Roy and guys trying to save wildlife from greedy poachers. Of course, this means flying fists, fast guns, and hard riding. Plus a gang headed by a pretty girl (Bachelor), instead of the usual mustachioed slickster. Wow! And most challenging of all, Roy's got to survive being trapped in a frozen meat locker, of all things. Good thing hefty Andy Devine's along providing more than comedy relief. I guess Dale was busy elsewhere, so nifty little Jane Frazee gets to supply the romance, while the Sons of the Pioneers get to croon a few tunes along with our hero. I guess my only minus is the locations. Too bad Republic didn't pop for more scenic surroundings than scrubby greater LA. But that's okay since there's more than enough to keep this Front Row geezer happy, and hopefully you too.

classicsoncall Considering all the Westerns and cowboy stars I've seen in action, Roy Rogers pulls a move here I've never seen before and it looked really cool. Near the finale with the bad guys giving chase on horseback, Roy hooks his left leg over Triggers saddle, faces backwards towards his pursuers, and with his right foot firmly in the stirrup, begins shooting at full gallop! So as I'm marveling over that maneuver, good girl Taffy Baker (Jane Frazee) catches up with bad girl Jean Loring (Stephanie Bachelor), knocks her off her horse, and brings her personal battle to an end with a solid right cross! What more could you ask for?Well I probably shouldn't have started with the way the picture ends, but the film did have an exciting finish. Leading up to it had Roy investigating the murder of old friend Cap Foster (Harry Cheshire) on his way to exposing a poaching racket that had Miss Loring's bunch hunting game out of season and turning a profit on selling illegal venison. I have to say, the Loring character could have given any male villain a run for his money; she's the one who plugged ole Cap while smugly stating, "This is going to hurt a little bit".So let's see, besides Trigger in this one, we've got Snoopy the squirrel and Jimmy the Crow in supporting animal roles. The animal theme probably made this flick a Roy Rogers favorite back during the matinée days, and it still appears pretty entertaining today. The picture seemed to go out of it's way a bit in the early stages when a piece of stock footage was used to convey an anti-poaching message by calling out professional hunters who do it for the money. The story then goes on to excoriate the poachers for using silencers, telescopic gun-sights and camouflage gear to shoot their prey, thereby taking the sport right out of traditional hunting for food and survival.With Bob Nolan and the Sons of the Pioneers on hand, the picture offers up a good eight or nine tunes in it's seventy five minute run. Roy does well by the picture's title with an opening rendition and then once more about a third of the way through. Andy Devine sidekicks Roy as his recurring character Cookie Bullfincher, and I was pleased to see the uncredited Pat Brady with a fair amount of screen time.

bkoganbing Springtime In The Sierras finds Roy Rogers trying to help Harry Cheshire who is animal lover and conservationist against out of season poachers. Cheshire runs an animal shelter and hospital from his place in the mountains where he also has a crusade against those who poach. Cheshire is convinced that there is an organized gang of poachers operating in his woods. His investigation proves right and he's killed for his troubles. That brings Roy into the picture big time.Roy has two women in this film good girl Jane Frazee whose brother Harold Landon is mixed up with the poachers and Joan Lorring who heads the poachers along with her number one aide, perennial western villain Roy Barcroft. In the climax Roy and Roy mix it up along side a dandy chick fight with Jane and Joan. I also have to say that Lorring is one evil villain in this film.Andy Devine who did several Rogers films in the Forties is in this one in his usual befuddled state. Andy was a good ally to have, but he was kind of slow and there isn't a Roy Rogers film in it where he doesn't to have Roy patiently explain the situation. Of course it's a plot device to make sure the Saturday afternoon kids understood exactly what was happening, still it made Andy look stupid. But it was worth seeing him at the climax give one of Lorring/Barcroft's henchmen the big splash as you would see someone like King Kong Bundy do. That villain would have been out for a 25 count on the WWE.As someone who is not particularly fond of hunting other than as a means for food and regulated at that, I have a soft spot in my heart for this particular film. I wish I had seen a full length version, but what I saw was cut down for television back in the day.

Mike-764 * This review is based on the shortened 54 minute version * A group of poachers are violating all of the hunting regulations so they can provide the venison and other meats for market. Roy Rogers and Captain Foster, who provide a sanatorium for the wildlife go searching for the criminals, who happen to be neighboring rancher Jean Loring. When Foster discovers Jean's gang at work, she shoots him, which unnerves Bert Baker, a young member of the gang, whose sister runs the ranch Roy works for. Jean and her main henchman Matt Wilkes, find out that it is not safe with Roy on their trail, since he already suspects the two of poaching. Roy sets himself as a member of the Loring ranch, but when he finds the proof he needs, Jean and Wilkes make sure that he never reaches the marshal. Enjoyable routing Rogers picture with a nice amount of songs, action, and mushy sentiment often seen in his films. The fight between Roy and Barcroft in the freezer is very well handled by Witney mainly because of free camera movement even in the cramped quarters. Rating based on B westerns- 6.