Stage Door Canteen

1943 "YOU'VE HEARD ABOUT IT! READ ABOUT IT! NOW *SEE* THE WORLD'S GREATEST ENTERTAINMENT HIT!"
6.2| 2h12m| NR| en| More Info
Released: 24 June 1943 Released
Producted By: United Artists
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance

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Reviews

Softwing Most undeservingly overhyped movie of all time??
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
gridoon2018 Not much stands out from this patriotic revue, either musically or comedically; the high spot is probably "The Flight Of The Bumblebee" on the violin! (the low spot is a slightly sickening song about shooting down Jap planes!) Most, if not all, of the famous actors who appear (as themselves) are wasted; Harpo Marx's blink-and-you-will-miss-him participation is especially disappointing (as is Gypsy Rose Lee's non-stripteasing "striptease"). The whole production is mostly airless and claustrophobic, but when (near the end) the two leads spend the night on a roof talking about each other's likes, it's a beautiful scene. My public domain copy runs neither 132 minutes nor 93, but 111. ** out of 4.
Gary Lewin I loved this film. I actually found it on youtube. Most of the reviews have concentrated on the fact that all those celebrities of the wartime era were seen. And it was indeed lovely to see them especially Katharine Hepburn who was lovely as ever. And the beautiful Merle Oberon.But for me the best part of the movie was the interaction of the soldiers and the girls. And I was especially enthralled by the performances of the little known actor William Terry as Dakota and actress Cheryl Walker as Eileen.This was obviously their one chance to shine in a big movie and I feel they did so magnificently. Indeed without them I don't think there would have been a film at all as you can't just have a movie filled with a bunch of cameo performances.I thought William Terry gave a lovely performance as the gentle Dakota. While Cheryl Walker I thought to be quite brilliant as the self centred Eileen who changes at the end. Indeed there were tears in my eyes at the conclusion. And it was definitely their performances that made the movie for me.
jmar1978 As a film, this is almost tissue-paper thin. The leading characters are almost stereotypes, the plot is tediously predictable, and the work's values are conventionally true-blue.And yet: this, I think, is a valuable film for what it captures about the mood and values of the nation in 1943. Katherine Hepburn's speech near the end to the young lass whose fiancé missed their wedding due to deployment orders, I think, grasps the essence of what the U.S. was dealing with in the troubling year of 1943 (remember, the air campaign over Europe had been dealt setback after setback, in the Pacific U.S. forces were still slogging up the Solomons and New Guinea, and the 1st ID had just been handed its helmet at Kasserine Pass).There's an air of both uncertainty and hope in this film -- the sense that a lot of these lads were going over and never coming back, combined with a sense of resolve: it was a dark hour, but we're going to prevail. And we're going to do what we can for the troops as they embark and return.So I have a world of respect for the performers who make cameos in this film: Goodman, Basie, Kyser, Bellamy, Bergen, Hepburn -- the list is immense. They probably got paid for it, but they still invested their clout, their personality, their franchise, for an unabashed paean to U.S. soldiers. I know it was a simpler times and the issues were more clear, but I doubt you'd see a comparable lineup today honoring U.S. troops in Afghanistan, etc.
wmoores This movie has more stars in it than the firmament! Even more stars than its cousin Hollywood Canteen.I remember seeing it as a child in 1943 and have had it on tape for years and wonder why it has not been digitally remastered. The picture is scratchy and bumpy in parts, but nothing can spoil the innocence of our youth in uniform ready to go off to war.Cameo appearances of so many entertainers on one stage give you an idea of what vaudeville and the big band era were like. There is no plot line or even a semblance of continuity in the performances of these stars, but all are polished appearances as if the casts were on tour. Their time was donated and their patriotism shows through loud and clear.The story line involves a group of army enlistees who are given a mini furlough in New York City before they ship out. They are in awe of the big city at first but are told of a place where there is entertainment and free food. This, of course, is the canteen. Over the course of less than forty-eight hours, Dakota, Californa, Tex, Jersey, and others pair off with hostesses at the Stage Door Canteen. It is amazing how quickly love blooms in this setting. The hostesses have taken a vow not to get involved with the fellas, but how can they resist when they see the innocence, charm, and sincerity of the boys? If there are starring roles in the storyline, they belong to California and Eileen, though they are not paired as sweethearts. California (LonMcAllister)looks like a teenager and is so likable. He has never kissed a girl! Eileen (Cheryl Walker) is torn between her duty to the canteen and her love for Dakota.Some have said this movie is a morale booster or war-time propaganda. I like to think of it as the way things were during World War II.