Greenes Please don't spend money on this.

Micransix Crappy film

Solidrariol Am I Missing Something?

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

drpakmanrains As another reviewer stated, "Summer Scars" is nearly identical in theme and mood to "The Boys Club", a little known but far superior Canadian film from 1997 about a small group of rather tough acting adolescent boys who encounter a stranger, who at first seems very cool to them, earning their admiration, but in reality turns out to be extremely dangerous, and puts them in a situation where they realize they are in way over their heads. The problem with this film is that the stranger's motivation is never explained or fleshed out, so we are left to guess if he is just a psycho-drifter. The running time is less than 70 minutes, so while it moves along, there is not enough time spent on the increasing danger or the climax, which leaves the viewer with a letdown feeling. The performances are mostly good, and the script (often undecipherable due to heavy Welsh accents) is believable. Unfortunately, none of the kids are very likable, although a couple are decent. OK as a rental, but as a DVD to add to your collection, probably not. Rent "The Boys Club" first if you can't decide.

Jasha Hirsh (Spoilers) One of the several derivations of this movie is clearly the superior "The Boys Club" (Canada,1997), in which three somewhat younger boys, about 14, encounter in the woods a wounded man who manipulates them in brutal fashion similar to Summer Scars through lies and flattery. In the process of derivation, however, the director of "Summer Scars" has lost the original's tightness of story -- in fact there is almost no plot development and little character development. (At one point, one hopes the director is creating a character in crippled Ben whom we can cheer for, but inexplicably, he wastes the opportunity, choosing instead to plod ahead with his predictable agenda of mild sensationalism.) Thirdly he has neglected to cast, or could not afford, child actors with adequate experience, which results, among other things, in the greater part of the dialog among the children being indecipherable. On the DVD, this is complicated by the fact that there are no subtitles. The viewer might wonder if there are no subtitles because no one can figure out in fact what was actually being said.In the case of derivative movies, one would hope to introduce improvements over the original, not defects.

sally-bridgman Before i watched this i wondered how this film would turn out considering the subject matter but i have to say it was very watchable. It did have a few funny moments and i very quickly warmed to some of the characters. The kids in this film were very believable and enjoyable to watch. Kevin Howarth was very convincing as Peter, the drifter who gets the kids confidence and very quickly becomes someone they really will wish they had never met. Peters actions do make you feel uncomfortable in places but the whole film keeps you gripped wondering what will happen next. This was brilliantly shot and thoroughly enjoyable, another great film by Julian Richards.

dekalog666 This new feature from Julian Richards the director of THE LAST HORROR MOVIE boasts another 'volcanic' performance by Kevin Howarth. It would spoil the fun of SUMMER SCARS to reveal what exactly happens, but this morality tale, which takes place entirely in a forest, is an unsettling film about abuse, mental, emotional and physical. This is a film that has resonance with a youth crime phenomenon in Britain. As knife crime dominates London and teen suicide dominates Wales, the best screen villains are now not serial killers or zombies but contemporary British youth (although In SUMMER SCARS the teens are more anti-hero than villain).The irony, of course, is that SUMMER SCARS works precisely because of this social context, and not despite it. It is beautifully shot and intensely acted, and it's queasy approach to youth culture gives it a fascinating attraction. We've had troubled youth movies in the past, everything from BULLY to MEAN CREEK, but this bold marriage of topicality and slick genre formatting is startling and defiantly un-Hollywood.