Suntan

2016 "Some bronze, others burn."
6.6| 1h44m| en| More Info
Released: 31 March 2016 Released
Producted By: Nova
Country: Greece
Budget: 0
Revenue: 0
Official Website:
Synopsis

Kostis is a 40-year-old doctor that finds himself in the small island of Antiparos, in order to take over the local clinic. His whole life and routine will turn upside down when he meets an international group of young and beautiful tourists and he falls in love with Anna, a 19-year-old goddess.

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Reviews

Redwarmin This movie is the proof that the world is becoming a sick and dumb place
Dorathen Better Late Then Never
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
konskara Greece has hundreds of islands full of life during the summer but gloomy and melancholic during the winter. For us Greeks who work at the public sector, these islands are a necessary first step in order to accumulate points and someday maybe we will be able to work closer to our hometown where our interests lie. The middle aged doctor is a bit old to start his career from Antiparos but for various reasons that's what he does. He is strange guy. A bit of a loner. He doesn't make friends easily, especially with women. So here he is. A rainy day he disembarks on this small, windy, scarcely populated island and he tries to get used to his new life style. It suits him fine. But then, Summer arrives and with it, thousands of tourists. Young boys and girls, open minded, ready to have fun, willing to make the best of their holiday. The young doctor falls in love with a young woman but he seems to be a little more serious than he should have. He gets pushy, anxious,then careless and finally paranoid.
euroGary Kostis, a glum, middle-aged doctor, arrives with his pot-belly and receding hairline on a small Greek island to run the local clinic. It is winter and the island feels quiet and isolated - conversation for Kostis consists mainly of the local ageing Lothario promising him a United Nations of 'pussy' when the tourist season starts. Sure enough, summer brings with it hordes of tourists, and Kostis falls in with a group of twentysomethings who, when they are not partying hard in the local nightclubs, spend their time on the clothing-optional beach. They are all sleek and lovely (excepting one particularly horrendous beard) and among them Kostis sticks out like a sore thumb, but they tolerate him until he starts to drink increasingly heavily and ignore his duties at the clinic, indicating he is not as amusingly harmless as he at first appeared.Efthymis Papadimitriou turns in a good performance, portraying well both Kostis' pathetic eagerness to please the youngsters and providing a nice line in staring-eyed obsessiveness. He is also brave, offering to the camera his doughy, hairy body which is in marked contrast to the tanned firmness of the younger actors. The other characters - both tourists and locals - are all pretty much two-dimensional stereotypes, with the exception of Anna, young leader of the group and object of Kostis' admiration. Elli Triggou manages to make her not too obnoxious.As soon as Kostis finds happiness with the group, movie law dictates that things are not going to end well and in that the film is entirely predictable - and I found that waiting for the inevitable embarrassment to happen distracted me from the rest of the film. So I am not sure I would bother to watch it again, but it was worth seeing once.
GeorgMax I have to say that I really enjoyed the way this film unfolded. And it seldom happens watching movies anymore, lately scenarios are predictable and repetitive, this one is none of these. The director did a superb job in building up his characters. The movie's main theme shows how desire can blind you to the point that you have no self awareness, where the central character becomes hypnotized and losses all sense of his dignity and humanity. Makis Papadimitriou who plays a single, unloved solitary man in his 50'sis, does a superb job. He is an older man who falls madly in love and although at times he had to be excessive, his acting was realistic and left me suffocating, wanting to get into the screen to stop him. The cinematography was amazing, set in a sleepy sandy little Greek island, a paradise, a place that we would all want to fall in love.
Ironically Unimpressed Papadimitropoulos is an okay director, nothing spectacular, we knew that already. Papadimitriou already proved himself in the recent Chevalier so I wasn't too worried about him. Triggou, a newcomer, an a priori 50-50 of potential. The subject matter well-overused; a man confronted by his own fleeting youth and crushing loneliness falls ridiculously for the young, fresh-faced siren willing to enchant him with her blooming vibrancy and rampant uninhibition. So far, so average.And then I watched it.Well.Eff me sideways.I shall repeat that for added effect.Eff me sideways.Because what this actually is is a gloriously shot, tightly paced, hedonistic take on a climactic midlife realization that caught me off guard on every possible level of expectation I prematurely held before experiencing it.Against the contrasting backdrop of dawn's naked flesh quivering with the brazen need to explore, coming in like a tide to swallow whole the bashful self-consciousness of the late afternoon, we journey through the sad and ordinary, over to the passionate and never freer, only to eventually enter the dark tunnel of unhingedness......as we progressively come to the understanding that we're doing so while riding on a train purposefully manufactured brakeless.Since I fear this is one of those movies about which I could go on for an eternity and a day, a quick summary and I'm out.Suppressed, depressed, obsessed and, finally, possessed by his own demons, Kostis evokes our sympathy and demands our loathing while having us squirming with second-hand embarrassment on the edge of our seats.Anna's care-free nuisance quickly abides as she progressively morphs into a mirror of perilous exposure held against the viewers ourselves, now, then, definitely in dormant theory, for some in operating practice.Two worlds collide, two bodies connect, two psyches shatter into razor-sharp shards of discordant bareness.Do it. Experience it. You are both Him and Her, past or present, it doesn't matter; somewhere between the misconception and the dread, you will find yourself but, perhaps most importantly, you will be offered a chance to find out about yourself.From me, a gleeful nod of approval to anyone still reading, and yet another, emphatic,Eff. Me. Sideways.