Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

MARIO GAUCI I mistook this colorful, location-filled adventure fluff for a light-hearted caper - and, therefore, I couldn't help being disappointed by the lack of a definite plot and the general silliness of the whole enterprise! Becker is the son of Jacques Becker - who had made classics like CASQUE D'OR (1952), TOUCHEZ PAS AU GRISBI (1954) and LE TROU (1960) - but he demonstrates little of his father's attention to detail, where the style actually served the plot and the characters rather than being merely surface gloss. In fact, the film leans completely on the charms of leading-man Jean-Paul Belmondo - who's accompanied off-screen by a bouncy Michel Legrand score and on it by the likes of Robert Morley, Jean-Pierre Marielle, Philippe Noiret and Marcel Dalio...not forgetting a bevy of beauties (though second-billed Stefania Sandrelli is wasted and actually appears only in the film's final third), including Orson Welles' future wife Oja Kodar! I'd still love to watch Becker's award-winning erotic drama ONE DEADLY SUMMER (1983), starring luscious Isabelle Adjani...

mardosha This is one of my personal favorites of Belmondo movies. Maybe because it's a little strange one. Especially the plot which goes from one place to another without much progress, characters pop in and pop out... Some characters you think are very important lost in the middle and you don't see them no more.There's not too much action like in "Men" titles of those times (From Rio and From Hong Kong), but there is more fun! Especially the first half is excellent. Full of gags, lies, pretends and embarrassments. As the main character goes to world-round trip, the plot is little slowing, but still Belmondo doesn't let you bore.And there is one more thing I like about this movie: the colours. They are very warm and rich, just in the sixties style. Throughout. In apartments, in Paris, on the boat. Very sunny movie!